The Concerto for Bassoon and Orchestra is a bassoon concerto written by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Pittsburgh Symphony Orchestra for their principal bassoonist Nancy Goeres. It was given its world premiere by Goeres and the Pittsburgh Symphony Orchestra under the direction of Lorin Maazel in Heinz Hall for the Performing Arts, Pittsburgh, on May 13, 1993. The piece is dedicated to Maazel, Goeres, and the Pittsburgh Symphony Orchestra. [1]
The Bassoon Concerto has a duration of approximately 17 minutes in performance and is cast in two movements:
The work is scored for a solo bassoon and an orchestra consisting of piccolo, flute, oboe, cor anglais, clarinet, bass clarinet, two horns in F, trumpet, trombone, one percussionist, and strings. [1]
Reviewing the world premiere, Robert Croan of the Pittsburgh Post-Gazette wrote, "The new 17-minute concerto has an opening movement that might be called Brahmsian in its majesty and emphasis on the low, dark sonorities. Once the solo instrument enters, Zwilich exploits the broadness of its range and lyrical potential. Echoes of Shostakovich come to mind, but the musical personality that emerges is very much Zwilich's own. It is in its livelier second movement that this concerto really comes to life, with a marvelous cadenza that shows just about every aspect of the instrument." [2]
Ellen Taaffe Zwilich is an American composer, the first female composer to win the Pulitzer Prize for Music. Her early works are marked by atonal exploration, but by the late 1980s she had shifted to a post-modernist, neo-romantic style. She has been called "one of America's most frequently played and genuinely popular living composers." She was a 1994 inductee into the Florida Artists Hall of Fame. Zwilich currently serves as the Francis Eppes Distinguished Professor at Florida State University.
The Pittsburgh Symphony Orchestra (PSO) is an American orchestra based in Pittsburgh, Pennsylvania. The orchestra's home is Heinz Hall, located in Pittsburgh's Cultural District.
Shulamit Ran is an Israeli-American composer. She moved from Israel to New York City at 14, as a scholarship student at the Mannes College of Music. Her Symphony (1990) won her the Pulitzer Prize for Music. In this regard, she was the second woman to win the Pulitzer Prize for Music, the first being Ellen Taaffe Zwilich in 1983. Ran was a professor of music composition at the University of Chicago from 1973 to 2015. She has performed as a pianist in Israel, Europe and the U.S., and her compositional works have been performed worldwide by a wide array of orchestras and chamber groups.
Sinfonia concertante is an orchestral work, normally in several movements, in which there are parts of solo instruments, generally two or more, contrasting of a group of soloists with the full orchestra. It emerged as a musical form during the Classical period of Western music from the Baroque concerto grosso. Sinfonia concertante encompasses the symphony and the concerto genres, a concerto in that soloists are on prominent display, and a symphony in that the soloists are nonetheless discernibly a part of the total ensemble and not preeminent. Sinfonia concertante is the ancestor of the double and triple concerti of the Romantic period corresponding approximately to the 19th century.
The Violin Concerto is a concerto for violin and orchestra by the American composer Mason Bates. The work was commissioned by the Pittsburgh Symphony Orchestra and violinist Anne Akiko Meyers. It was premiered December 7, 2012, with Meyers and the Pittsburgh Symphony performing under conductor Leonard Slatkin.
The Tuba Concerto is a composition for solo tuba and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Pittsburgh Symphony Orchestra for their principal tubist Craig Knox. It was first performed by Knox and the Pittsburgh Symphony Orchestra under the conductor Robert Spano on March 16, 2018.
The Bassoon repertoire consists of pieces of music composed for bassoon as a principal instrument that may be performed with or without other instruments. Below is a non-exhaustive list of major works for the bassoon.
The Symphony No. 2 is a composition for orchestra by the American composer Ellen Taaffe Zwilich. The work was composed in 1985 on a commission from the San Francisco Symphony. It was first performed on November 13, 1985, by the San Francisco Symphony under the direction of Edo de Waart, to whom the piece is dedicated.
The Symphony No. 3 is a symphony for orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the New York Philharmonic to commemorate their sesquicentennial anniversary. It was first performed by the New York Philharmonic conducted by Jahja Ling on February 25, 1993. The symphony is dedicated "with love and admiration" to Kurt Masur and the New York Philharmonic.
Symphony No. 4 is a symphony for chorus, children's choir, and orchestra by the American composer Ellen Taaffe Zwilich. The work was composed in 1999 on a commission from the Michigan State University in honor of John D. Withrow and Dortha J. Withrow, to whom the work is dedicated. It was first performed by the Michigan State University Orchestra, Choral Ensembles, and Children's Chorus conducted by Leon Gregorian on February 5, 2000.
The Concerto for Violin and Orchestra is violin concerto by the American composer Ellen Taaffe Zwilich. The work was commissioned by Carnegie Hall for the violinist Pamela Frank. It was completed on May 25, 1997, and was first performed by Pamela Frank and the Orchestra of St. Luke's conducted by Hugh Wolff in Carnegie Hall on March 26, 1998.
The Symphony No. 5 "Concerto for Orchestra" is a composition for orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Juilliard School in honor of Bruce Kovner and Suzie Kovner with support of the Trust of Francis Goelet. It was first performed by the Juilliard Orchestra conducted by James Conlon at Carnegie Hall on October 27, 2008.
The Concerto for Cello and Orchestra is a composition for solo cello and orchestra by the American composer Ellen Taaffe Zwilich. The work was written on a commission from the South Florida Symphony Orchestra. Zwilich composed the piece over a six-month period, completing the work in early 2020. It was given its world premiere by the cellist Zuill Bailey the South Florida Symphony Orchestra conducted by Sebrina María Alfonso on March 5, 2020, at the Broward Center for the Performing Arts in Fort Lauderdale, Florida. The concerto is dedicated to Zuill Bailey and Sebrina María Alfonso and written in memory of the cellists Leonard Rose and Mstislav Rostropovich.
The Concerto for Piano and Orchestra is a composition for solo piano and orchestra by the American composer Ellen Taaffe Zwilich. The work was written on a commission from Carnegie Hall, the Detroit Symphony Orchestra, and the League of American Orchestras. It was the first composition ever commissioned by either Carnegie Hall or the League of American Orchestras. The world premiere was performed by the pianist Marc-André Hamelin and the Detroit Symphony Orchestra under the direction of Günther Herbig at the Meadow Brook Music Festival in Rochester Hills, Michigan, on June 26, 1986. The piece is dedicated to Günther Herbig.
The Concerto for Violin, Violoncello and Orchestra is a double concerto for violin, cello, and orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Louisville Orchestra for the violinist Jaime Laredo and the cellist Sharon Robinson and in memory of the sculpture Albert Wein. It was first performed by Laredo, Robinson, and the Louisville Orchestra under the direction of Lawrence Leighton Smith on December 5, 1991. The piece is dedicated to Lawrence Leighton Smith and the Louisville Orchestra.
The Concerto Grosso 1985 is a composition for chamber orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Washington Friends of Handel in commemoration of the 300th anniversary of the birth of George Frideric Handel. It was given its world premiere by Handel Festival Orchestra conducted by Stephen Simon on May 9, 1986.
The Concerto for Oboe and Orchestra is a composition for oboe solo and orchestra by the American composer Ellen Taaffe Zwilich. The work was commissioned by the Cleveland Orchestra in honor of their principal oboist John Mack's 25th year with the orchestra. It was first performed by Mack and the Cleveland Orchestra under the direction of Christoph von Dohnányi on January 17, 1991. The piece is dedicated "with affection" to John Mack.
The Clarinet Concerto is a composition for solo clarinet and orchestra by the American composer Ellen Taaffe Zwilich. It was commissioned by the Arlene and Dr. Milton D. Berkman Philanthropic Fund for the clarinetist David Shifrin, to whom the piece is dedicated. The concerto was first performed by Shifrin and twelve members of the Chamber Music Society of Lincoln Center in Alice Tully Hall on September 12, 2003.
The American Concerto is a trumpet concerto written by the American composer Ellen Taaffe Zwilich. The work was commissioned by the California Center for the Arts, Escondido, the San Diego Symphony, the Virginia Symphony Orchestra, the Buffalo Philharmonic Orchestra, and the trumpeter Doc Severinsen, to whom it is dedicated. The piece was completed in New York on June 12, 1994, and was given its world premiere by Doc Severinsen and the San Diego Symphony under the direction of JoAnn Falletta in Escondido, California, on September 24, 1994.
Symbolon is a composition for orchestra written by the American composer Ellen Taaffe Zwilich. The music was commissioned by the New York Philharmonic for their 1988 tour of the Soviet Union. It was completed on January 8, 1988, and was first performed by the New York Philharmonic under the direction of Zubin Mehta in Leningrad on June 1, 1988, making it likely the first piece of American orchestral music to be performed in the Soviet Union. Symbolon is dedicated to Zubin Mehta.