Bill C-61 | |
---|---|
House of Commons of Canada | |
| |
Citation | Bill C-61 [1] |
Enacted by | House of Commons of Canada |
Legislative history | |
Bill | Bill C-61 |
Introduced by | Jim Prentice and Josée Verner |
First reading | June 12, 2008 [2] |
Status: Expired |
An Act to amend the Copyright Act (Bill C-61) was a bill tabled in 2008 during the second session of the 39th Canadian Parliament by Minister of Industry Jim Prentice. The bill died on the Order Paper when the 39th Parliament was dissolved prematurely and an election was called on September 7, 2008. [3] The Conservative Party of Canada promised in its 2008 election platform to re-introduce a bill containing the content of C-61 if re-elected. [4]
The bill was the successor to the previously proposed Bill C-60. Specifically, the Conservative government claimed that the bill was intended to meet Canada's WIPO treaty obligations. Bill C-61 attracted widespread criticism from critics who claimed that it did not strike a fair balance between the rights of copyright holders and consumers. [5] There was also confusion between C-61 and the Anti-Counterfeiting Trade Agreement which also had significant copyright implications for Canada.
Jim Prentice claimed that it would "expressly allow you to record TV shows for later viewing; copy legally purchased music onto other devices, such as MP3 players or cell phones; make back-up copies of legally purchased books, newspapers, videocassettes and photographs onto devices you own". [6] However, the bill would have made it illegal to circumvent DRM technologies effectively rendering the rights granted useless for DRM protected digital media. [7]
This bill was superseded by Bill C-32 introduced on June 2, 2010. [8]
The proposed bill contained the following changes on what constituted copyright infringement and what did not for personal use. [9]
Time shifting, limited format shifting, copying for personal use, and device transferring of media were permitted but with significant limitations. Copies of shows and videocassettes could be made but were not allowed to involve DVDs, shows with a "no recording flag" or any other format encumbered by "digital locks". Additionally, a transfer of media was allowed only once per device owned by the purchaser of the original copy. The bill also gave rightsholders the autonomy of imposing additional clauses on the consumer (e.g. Amazon's non-transferability clause, promotional use only, do not sell/transfer, etc.). [10] Format shifting was required to comply with an additional twelve processes (pdf). [11]
Hosts, such as ISPs, were to be absolved of legal responsibility in the event of their services being unintentionally used to provide access to copyrighted material. [12] Methods of protecting subscriber privacy would have become legal under the proposed bill, however, the distribution of software to do so would have been illegal, effectively cancelling out the right.
The bill would have made circumventing all digital locks illegal, including locks on the Internet. [13] It would have modified what libraries can do in providing digital copies, such that they would have been allowed to create digital copies for patrons, but the copies would have had to self-destruct or be destroyed within five days of creation. [12]
Bill C-61 modified the copyrights of performers and their performances giving the performer the sole right to: [12]
The Bill proposed a fine of $500 for music downloads. Since this was not made to apply in other cases, fines of $20,000 per instance defined in previous bills were understood to apply to new offences criminalized by Bill C-61. [14] These included: circumventing digital locks or DRM regardless of reason/intent, uploading copyrighted material regardless of awareness or "making available" copyrighted material regardless of whether it was actually uploaded. [15] In the case of commercial circumvention of DRM, Clause 32 of the Bill specified penalties of $1,000,000 and/or five years imprisonment on conviction on indictment, or $25,000 and/or six months imprisonment on summary conviction. [12]
There was confusion between Bill C-61 and ACTA, evident by letters sent by Jim Prentice detailing that no border checks were to occur. The proposed border checks are part of ACTA, not Bill C-61.
A poll using the following question resulted in 45% of the population against, and 45% of the population in favor of the question. [16] [17]
As you may know, the federal government has proposed amendments to the Copyright Act, which include introducing a $500 fine for people caught downloading copyrighted material from the Internet, and a fine of up to $20,000 for people who hack digital locks or upload copyrighted material to file-sharing websites. From what you have heard, seen or read, do you support or oppose the proposed changes?
— Angus Reid, National Public Opinion Poll
By age, 58% of those aged 18–34 were opposed as compared with 37% of those 35-54 and only 27% of those older. The poll was criticized for not mentioning any of the anti DRM circumvention provisions and using an inaccurate definition of "hacked". [16]
Proponents of the bill, including some copyright holders in the entertainment industry, called it a much needed "assurance that [investors are] protected." They also called it a "win-win" balance between consumers and copyright holders with some pushing further asking for format shifting to be made illegal. [18]
The MPAA and RIAA supported the proposal, as they saw it as finally bringing in Canada to WIPO standards, having lobbied/pressured hard for stricter copyright rules. [19]
The Alliance of Canadian Cinema, Television and Radio Artists was supportive. According to Brad Keenan, Director, ACTRA Performers' Rights Society and Sound Recording Division, "the Bill not only introduces the new concept of format shifting, it is also [revises] existing rules on time-shifting. ACTRA believes that consumers should have flexibility, however, artists must be compensated for uses of their work and we don't see this part of the equation in the government releases. We would be deeply concerned if the Bill allows people to copy artists' work onto media devices like iPods without compensation for creators; and, also if existing levies and royalties are affected by this Bill." Stephen Waddell, ACTRA's National Executive Director, says it has been "more than a decade since Canada signed on to the WIPO copyright treaties," and that, "implementing these treaties as this Bill does, will bring our laws into the 21st Century." [20] However, among the ranks, there is dissent by some ACTRA members despite the group's public stance. Jason Chesworth, a member of ACTRA on Broadcast This wrote that he, "questioned the union's position," and that he, "wholeheartedly disagree[s] with ACTRA...in fact....believe[s] that the proposed changes will become a major detriment to artists trying to create content while protecting only those at the top." [21]
Among opposition parties, Liberal MP Scott Brison, called the bill a "US-made law" that would establish a "police state." [5] Members of the New Democratic Party including NDP Leader Jack Layton and NDP Member Charlie Angus were strongly opposed and promised to fight the bill. [22] [23] A substantial majority of Canadians (76%) were found to agree with the statement that the bill was drafted in the US. [16]
As of September 29, 2008, , more than 92,000 people had joined the Facebook group "Fair Copyright for Canada", started by law professor Michael Geist, to protest Bill C-61. Geist's blog [24] became one of the leading sites for educational resources on copyright reform, and tools for constituents to contact their local Members of Parliament. Michael Geist ran a series on 61 possible reforms to Bill C-61 that would make it more palatable. [25] In addition, the magazine ComputerWorld Canada ran its own petition drive, asking the government to amend the bill because it discourages experts and other coders from conducting innovative research. [26]
The Canadian Software Innovation Alliance, an association of open source developers questioned the bill, because of its potentially harmful effects on open source software modification. Spokesman Bob Young, Lulu Inc's CEO (and the former CEO of Red Hat) said: "We're crafting these laws without having anyone from the technology industry engaged in the process." He contended that the bill catered too closely to the content industry and not to engineers and software developers. [27] [28]
Consumer groups including Option consommateurs, Consumers Council of Canada, Public Interest Advocacy Centre (PIAC), the Canadian Internet Policy and Public Interest Clinic (CIPPIC), and Online Rights Canada voiced opposition on not being consulted in the creation of the bill. [5]
The Appropriation Art Coalition condemned the Bill saying, "copyright is meant to nurture the rights of creators, not suppress and criminalize artistic practice. It is not the responsibility of any government to legislate art." [29]
The Canadian Association of University Teachers opposed the bill as "making it more difficult for university and college teachers and students to have access to learning and research materials". It noted that material that can be copied now in paper format would not be legally copyable in electronic format when it is digitally encrypted. James Turk, the executive director said, "This could be the effective end of fair-dealing, the right to copy and use works for purposes such as research and private study." [30]
Some opponents, like the CIRPA and the CRIA said the bill should have focused more on commercial piracy instead, [31] while others called into the question of the enforceability of the bill. [16] [32] Other copyright holders and artists, like the CMCC, spoke out against the bill in its entirety. [33]
Others stated that the new bill would make criminals out of ordinary people who are, for example, using a multi-regional DVD player (popular for immigrants and tourists), transferring legitimate DVD media to iPods, or using various other devices. [10] [34] Backing up a computer that contains copyrighted material was also suspected be illegal under Bill C-61. [35]
There was also criticism about the anti-circumvention aspect for making "technology trump whatever rights consumers or competitors might have otherwise had", in that people only have whatever rights the rights holders give them in superseding "agreements", for example, EULA, digital contracts shown when users install, download, etc.) In addition, there was criticism about the fact that purchasing songs as a gift and transferring the song onto a device owned by the gift's recipient under the new bill would have been illegal. [18]
Editorial reviews of the bill were mostly negative or neutral. In a listing of editorials compiled by Michael Geist, there were no on-topic editorials expressing positive support for C-61. [36] In addition, the Canadian Newspaper Association was critical of the bill, for having negative impacts on news gathering. [13]
In late July 2008, Michael Geist criticized the bill on environmental grounds. Specific criticisms included:
The Canadian Library Association released an advocacy kit [38] to oppose the new bill, citing concerns that the bill does not protect the public interest.
A modchip is a small electronic device used to alter or disable artificial restrictions of computers or entertainment devices. Modchips are mainly used in video game consoles, but also in some DVD or Blu-ray players. They introduce various modifications to its host system's function, including the circumvention of region coding, digital rights management, and copy protection checks for the purpose of using media intended for other markets, copied media, or unlicensed third-party (homebrew) software.
The Digital Media Consumers' Rights Act (DMCRA) was a proposed law in the United States that directly challenges portions of the Digital Millennium Copyright Act, and would intensify Federal Trade Commission efforts to mandate proper labeling for copy-protected CDs to ensure consumer protection from deceptive labeling practices. It would also allow manufacturers to innovate in hardware designs and allow consumers to treat CDs as they have historically been able to treat them.
Ripping is extracting all or parts of digital contents from a container. Originally, it meant to rip music out of Amiga games. Later, the term was used to extract WAV or MP3 format files from digital audio CDs, but got applied as well to extract the contents of any media, most notably DVD and Blu-ray discs.
Anti-circumvention refers to laws which prohibit the circumvention of technological barriers for using a digital good in certain ways which the rightsholders do not wish to allow. The requirement for anti-circumvention laws was globalized in 1996 with the creation of the World Intellectual Property Organization's Copyright Treaty.
The copyright law of Canada governs the legally enforceable rights to creative and artistic works under the laws of Canada. Canada passed its first colonial copyright statute in 1832 but was subject to imperial copyright law established by Britain until 1921. Current copyright law was established by the Copyright Act of Canada which was first passed in 1921 and substantially amended in 1988, 1997, and 2012. All powers to legislate copyright law are in the jurisdiction of the Parliament of Canada by virtue of section 91(23) of the Constitution Act, 1867.
The Copyright Act of Canada is the federal statute governing copyright law in Canada. It is jointly administered by the Department of Industry Canada and the Department of Canadian Heritage. The Copyright Act was first passed in 1921 and substantially amended in 1988 and 1997. Several attempts were made between 2005 and 2011 to amend the Act, but each of the bills failed to pass due to political opposition. In 2011, with a majority in the House of Commons, the Conservative Party introduced Bill C-11, titled the Copyright Modernization Act. Bill C-11 was passed and received Royal Assent on June 29, 2012.
Michael Allen Geist is a Canadian academic, the Canada Research Chair in Internet and E-Commerce Law at the University of Ottawa and a member of the Centre for Law, Technology and Society. Geist was educated at the University of Western Ontario, Osgoode Hall Law School, where he received his Bachelor of Laws, Cambridge University, where he received a Master of Laws, and Columbia Law School, where he received a Master of Laws and Doctor of Law degree. He has been a visiting professor at universities around the world including the University of Haifa, Hong Kong University, and Tel Aviv University. He is also a senior fellow at the Centre for International Governance Innovation.
An Act to amend the Copyright Act was a proposed law to amend the Copyright Act initiated by the Government of Canada in the First Session of the Thirty-Eighth Parliament. Introduced by the Minister of Canadian Heritage and Minister responsible for Status of Women Liza Frulla and then Minister of Industry David Emerson as An Act to Amend the Copyright Act, it received its First Reading in the House of Commons of Canada on June 20, 2005. On November 29, 2005, the opposition to the government tabled a non-confidence motion which passed, dissolving Parliament and effectively killing the bill. The subsequent government tabled a similar bill called C-61.
File sharing in Canada relates to the distribution of digital media in that country. Canada had the greatest number of file sharers by percentage of population in the world according to a 2004 report by the OECD. In 2009 however it was found that Canada had only the tenth greatest number of copyright infringements in the world according to a report by BayTSP, a U.S. anti-piracy company.
The "Freedom and Innovation Revitalizing United States Entrepreneurship Act of 2007" was a proposed United States copyright law that would have amended Title 17 of the U.S. Code, including portions of the Digital Millennium Copyright Act (DMCA) to "promote innovation, to encourage the introduction of new technology, to enhance library preservation efforts, and to protect the fair use rights of consumers, and for other purposes." The bill would prevent courts from holding companies financially liable for copyright infringement stemming from the use of their hardware or software, and proposes six permanent circumvention exemptions to the DMCA.
Turbo SIM card is considered to be the forerunner of a large family of "Dual SIM" devices that piggyback on a mobile telephone SIM card to alter its normal operation. It was introduced on December 1, 2004 by BLADOX, located in Prague, Czech Republic.
The Samuelson-Glushko Canadian Internet Policy and Public Interest Clinic (CIPPIC) is a legal clinic at the University of Ottawa focused on maintaining fair and balanced policy making in Canada related to technology. Founded in the fall of 2003 by Michael Geist, its headquarters is at the University of Ottawa Faculty of Law, Common Law Section.
The Information Society Directive is a directive of the European Union that was enacted to implement the WIPO Copyright Treaty and to harmonise aspects of copyright law across Europe, such as copyright exceptions. The directive was first enacted in 2001 under the internal market provisions of the Treaty of Rome.
Digital rights management (DRM) tools or technological protection measures (TPM) are a set of access control technologies for restricting the use of proprietary hardware and copyrighted works. DRM technologies try to control the use, modification, and distribution of copyrighted works, as
The Digital Millennium Copyright Act (DMCA) is a 1998 United States copyright law that implements two 1996 treaties of the World Intellectual Property Organization (WIPO). It criminalizes production and dissemination of technology, devices, or services intended to circumvent measures that control access to copyrighted works. It also criminalizes the act of circumventing an access control, whether or not there is actual infringement of copyright itself. In addition, the DMCA heightens the penalties for copyright infringement on the Internet. Passed on October 12, 1998, by a unanimous vote in the United States Senate and signed into law by President Bill Clinton on October 28, 1998, the DMCA amended Title 17 of the United States Code to extend the reach of copyright, while limiting the liability of the providers of online services for copyright infringement by their users.
An Act to amend the Copyright Act was a bill tabled on June 2, 2010 during the third session of the 40th Canadian Parliament by Minister of Industry Tony Clement and by Minister of Canadian Heritage James Moore. This bill served as the successor to the previously proposed but short-lived Bill C-61 in 2008 and sought to tighten Canadian copyright laws. In March 2011, the 40th Canadian Parliament was dissolved, with all the bills which did not pass by that point automatically becoming dead.
Rooting is the process of allowing users of the Android mobile operating system to attain privileged control over various Android subsystems. As Android is based on a modified version of the Linux kernel, rooting an Android device gives similar access to administrative (superuser) permissions as on Linux or any other Unix-like operating system such as FreeBSD or macOS.
An Act to amend the Copyright Act, also known as Bill C-11 or the Copyright Modernization Act, was introduced in the House of Commons of Canada on September 29, 2011 by Industry Minister Christian Paradis. It was virtually identical to the government's previous attempt to amend the Copyright Act, Bill C-32. Despite receiving unanimous opposition from all other parties, the Conservative Party of Canada was able to pass the bill due to their majority government. The bill received Royal Assent on June 29, 2012 becoming the first update to the Copyright Act since 1997.
The Unlocking Technology Act of 2013 is a United States proposed bi-partisan bill that aims to allow circumvention of digital rights management as long as there is no intention of copyright infringement. The bill would legalize actions such as cell phone unlocking and creating versions of copyrighted works specifically designed to be accessible to blind users. Section 2 of the bill would also require the Assistant Secretary for Communications and Information of the Department of Commerce to issue a report on the impact of 17 U.S.C. 1201 on consumer choice, competition, and free flow of information. The bipartisan bill introduced by Zoe Lofgren(D-CA) had three cosponsors: Thomas Massie (R-KY), Anna Eshoo (D-CA) and Jared Polis (D-CO).
The Unlocking Consumer Choice and Wireless Competition Act is a United States public law that repeals a rulemaking determination by the United States Copyright Office that left it illegal for people to unlock their cellphones.
{{cite web}}
: CS1 maint: archived copy as title (link){{cite web}}
: CS1 maint: archived copy as title (link)