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The Protection of Broadcasts and Broadcasting Organizations Treaty also know as the Broadcast Treaty was a treaty proposed by the World Intellectual Property Organization to afford broadcasters some control and copyright-like control over the content of their broadcasts. [1] [2] Under this treaty, media broadcasters would have the right to protect their broadcasts from reproduction, retransmission, and public communication, with copyright protection over fifty years. A first treaty proposal was established in 2006, and a revised draft was issued the same year to include protection rights for webcasting, netcasting and simulcasting. However, the proposal faced mixed reception from various companies. The United States tried to re-open discussions about the treaty in 2008, without success, meaning that international rules to protect television broadcasts are still addressed by the 1961 Rome treaty.
Between May 1 and May 5, 2006, the WIPO Standing Committee on Copyright and Related Rights (or SCCR) established a Basic Proposal in order to develop protection rights for all broadcast organizations. However, members at the meeting decided at the time to exclude webcasting from the treaty, as well as establish a Revised Draft Basic Proposal in a September 2006 congregation. The revised proposal would in fact consider creating protection rights for webcasting, netcasting, and simulcasting. Between September 25 and October 3, 2006, members of the SCCR met in Geneva and agreed to finalize the draft text at a later time. They would have another conference meeting between July 11 and August 1, 2007, in order to update the rights of broadcasting organizations.
Under the treaty, media broadcasters would have the right to protect the content of their media transmissions. Moreover, they would have the right to protect their broadcasts from reproduction, retransmission, and even from public communication. All copyright protections would endure for 50 years.
According to the US Government in 2007:
Because existing international agreements relevant to broadcasting protections do not cover advancements in broadcasting technology that were not envisioned when they were concluded, in 1998 the Standing Committee on Copyright and Related Rights (SCCR) of the World Intellectual Property Organization (WIPO) decided to proceed with efforts to negotiate and draft a new treaty that would extend protection to new methods of broadcasting, but has yet to achieve consensus on a text. In recent years, a growing signal piracy problem has increased the urgency of concluding a new treaty, resulting in a decision to restrict the focus to signal-based protections for traditional broadcasting organizations and cablecasting. Consideration of controversial issues of protections for webcasting (advocated by the United States) and simulcasting will be postponed. However, considerable work remains to achieve a final proposed text as the basis for formal negotiations to conclude a treaty by the end of 2007, as projected. A concluded treaty would not take effect for the United States unless Congress enacts implementing legislation and the United States ratifies the treaty with the advice and consent of the Senate. Noting that the United States is not a party to the 1961 Rome Convention, various stakeholders have argued that a new broadcasting treaty is not needed, that any new treaty should not inhibit technological innovation or consumer use, and that Congress should exercise greater oversight over U.S. participation in the negotiations.
In November 2008, the US re-opened talks about the Treaty and the internet. [3] [4]
The Electronic Frontier Foundation argues that "the only thing the Broadcasting Treaty is good for is crushing innovation" They argued that it would allow broadcasters unfair and absolute control over other copyright holders, and even works in the public domain; and that nearly all broadcasts are already protected by copyright. [5]
Podcasters - like the ones represented by UK Podcasters Association - don't like that the treaty "would require signatory countries to provide legal protection for technological protection measures (TPM) and is likely to lead to technology mandate laws controlling the design of broadcast-receiving devices." Podcasters and the EFF also worries that the Treaty will hurt innovation in podcasting and internet distribution technologies. [6] [7]
Intel, AT&T, Sony, CTIA - The Wireless Association, the US Public Interest Research Group, and the American Association of Law Libraries says that "Creating broad new... rights in order to protect broadcast signals is misguided and unnecessary, and risks serious unintended negative consequences" and "We note with concern that treaty proponents have not clearly identified the particular problems that the treaty would ostensibly solve, and we question whether there are in fact significant problems that are not addressed adequately under existing law". [6] [8]
The World Intellectual Property Organization is one of the 15 specialized agencies of the United Nations (UN). Pursuant to the 1967 Convention Establishing the World Intellectual Property Organization, WIPO was created to promote and protect intellectual property (IP) across the world by cooperating with countries as well as international organizations. It began operations on 26 April 1970 when the convention entered into force. The current Director General is Singaporean Daren Tang, former head of the Intellectual Property Office of Singapore, who began his term on 1 October 2020.
Anti-circumvention refers to laws which prohibit the circumvention of technological barriers for using a digital good in certain ways which the rightsholders do not wish to allow. The requirement for anti-circumvention laws was globalized in 1996 with the creation of the World Intellectual Property Organization's Copyright Treaty.
The Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations also known as the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organisations and the Rome Convention, 496 U.N.T.S 43, was accepted by members of the United International Bureaux for the Protection of Intellectual Property (BIRPI), the predecessor to the modern World Intellectual Property Organization, on 26 October 1961. The Diplomatic Conference was jointly convened by BIRPI, the International Labour Organisation, and the United Nations Educational, Scientific and Cultural Organization. The agreement extended copyright related rights protection for the first time to entities or individuals who are not the author but have a close relationship to a copyrighted work, including performers, sound recording producers and broadcasting organizations. As of August 2021, the treaty has 96 contracting parties, with a party defined as a State which has consented to be bound by the treaty and for which the treaty is in force.
Michael Allen Geist is a Canadian academic, and the Canada Research Chair in Internet and E-Commerce Law at the University of Ottawa. He is the editor of four books on copyright law and privacy law, and he edits two newsletters on Canadian information technology and privacy law.
James Packard Love is the director of Knowledge Ecology International, formerly known as the Consumer Project on Technology, a non-governmental organization with offices in Washington, D.C., and Geneva, that works mainly on matters concerning knowledge management and governance, including intellectual property policy and practice and innovation policy, particularly as they relate to health care and access to knowledge.
The Broadcast Protection Discussion Group (BPDG) is a working group of content providers, television broadcasters, consumer electronics manufacturers, information technology companies, interested individuals and consumer activists. The group was formed specifically for the purpose of evaluating the suitability of the broadcast flag for preventing unauthorized redistribution and to determine whether there was substantial support for the broadcast flag. The group completed its mission with the release of the BPDG Report.
Copyright law in Azerbaijan governs copyright in Azerbaijan. The status of copyright law and its protection is regulated by the Law of the Republic of Azerbaijan signed in 1996. The Law on Copyright and Related Rights regulates the relations that arise while creating or using scientific and literary works, as well as works of art. According to this law, adjacent rights to performances, phonograms, and the transfer of broadcasting and cable broadcasting organizations are also streamlined. The Law was amended in 2001, 2002, 2004, 2005, 2008, 2010, 2013, 2017, 2018 and 2021.
Online Rights Canada was a grassroots campaign to help notify the public on technology and informational policy issues and help the public notify their MPs about controversial proposals. It was launched with the support of the US-based Electronic Frontier Foundation (EFF) and the Canadian Internet Policy and Public Interest Clinic (CIPPIC). and had listings of how to contact local Canadian MPs to voice concern or support on policies and proposals. The Online Rights Canada website appears to no longer exist and the current site content does not reflect the organization or its efforts.
The WIPO Copyright and Performances and Phonograms Treaties Implementation Act, is a part of the Digital Millennium Copyright Act (DMCA), a 1998 U.S. law. It has two major portions, Section 102, which implements the requirements of the WIPO Copyright Treaty, and Section 103, which arguably provides additional protection against the circumvention of copy prevention systems and prohibits the removal of copyright management information.
Digital rights management (DRM) is the management of legal access to digital content. Various tools or technological protection measures (TPM) like access control technologies, can restrict the use of proprietary hardware and copyrighted works. DRM technologies govern the use, modification and distribution of copyrighted works and of systems that enforce these policies within devices. DRM technologies include licensing agreements and encryption.
The Electronic Frontier Foundation (EFF) is an international non-profit digital rights group based in San Francisco, California. The foundation was formed on 10 July 1990 by John Gilmore, John Perry Barlow and Mitch Kapor to promote Internet civil liberties.
The Electronic Frontier Foundation (EFF) is an international non-profit advocacy and legal organization based in the United States.
The Digital Millennium Copyright Act (DMCA) is a 1998 United States copyright law that implements two 1996 treaties of the World Intellectual Property Organization (WIPO). It criminalizes production and dissemination of technology, devices, or services intended to circumvent measures that control access to copyrighted works. It also criminalizes the act of circumventing an access control, whether or not there is actual infringement of copyright itself. In addition, the DMCA heightens the penalties for copyright infringement on the Internet. Passed on October 12, 1998, by a unanimous vote in the United States Senate and signed into law by President Bill Clinton on October 28, 1998, the DMCA amended Title 17 of the United States Code to extend the reach of copyright, while limiting the liability of the providers of online services for copyright infringement by their users.
The Beijing Treaty on Audiovisual Performances is a multilateral treaty which regulates copyright for audiovisual performances and expands the performers' rights. It was adopted on 26 June 2012 by the Diplomatic Conference on the Protection of Audiovisual Performances of the World Intellectual Property Organization, in which 156 WIPO member states, six intergovernmental, and six non-governmental organizations participated. Forty-eight countries signed the treaty on 26 June, followed by 19 other countries in 2012 and 2013. The treaty entered into force on 28 April 2020 following the receipt of the 30th ratification or accession and as of August 2021 has 42 contracting parties.
Copyright in Oman is regulated by the Law for the Protection of Copyright and Neighbouring Rights issued by Royal Decree No 65/2008 which was later amended by Royal Decree No 132/2008.
Copyright law of South Korea is regulated by the Copyright Act of 1957. It has been amended several times, with a recent 2009 revision introducing a three strikes policy for online copyright infringement.
The copyright law of Panama is primarily based on 1994 legislation, known as Law 15. The history of Panamanian intellectual property legislation dates to the 19th century. Only recently has copyright in Panama became seriously enforced, with past international criticism focusing on insufficient effort to enforce intellectual property laws. A new 2012 law has attracted concerns in the opposite direction, with many criticising it for being too draconian.
Copyright law in Syria is regulated by the Copyright and Neighbouring Rights Law issued by Legislative Decree No. 62 of 2013. The Syrian Ministry of Culture, through its Copyright Office, is generally in charge of proposing copyright legislation to Parliament.
Locast was an American non-profit streaming television service that allowed users to view live streams of over-the-air television stations. The service was founded by attorney David Goodfriend under the banner of the Sports Fans Coalition.
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