An Evening with Ornette Coleman | |
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Live album by | |
Released | 1967 |
Recorded | August 29, 1965 |
Venue | Fairfield Halls, Croydon, London |
Genre | Free jazz |
Label | Polydor International 623 246/247 |
Producer | Alan Bates |
An Evening with Ornette Coleman is a live album by Ornette Coleman. It was recorded in August 1965 at Fairfield Halls in Croydon, London, and was initially released by Polydor International in 1967. The album opens with a recording of a wind quintet by Coleman performed by London's Virtuoso Ensemble, followed by trio performances featuring Coleman on alto saxophone, violin, and trumpet, accompanied by bassist David Izenzon and drummer Charles Moffett. [1] [2]
The album was reissued by Freedom Records, a subsidiary of Black Lion Records, in 1972 with the title Ornette Coleman In Europe Volumes I & II, and was reissued again by Arista Records in 1975 as The Great London Concert. In 2008, the FreeFactory label reissued the album on CD under the name Croydon Concert. [1] The wind quintet, titled "Sounds and Forms" on the Polydor and Freedom releases, [3] [4] and "Forms and Sounds" on the Arista and FreeFactory releases, [5] [6] would be heard in modified form on the album The Music of Ornette Coleman , recorded in March 1967 and released by RCA that same year. [7]
The concert that appears on the recording was presented as part of the Live New Departures series and was organized by Victor Schonfield, Pete Brown, and Michael Horovitz. [8] Prior to the event, the London Musicians' Union, which placed reciprocal quotas on foreign musicians, informed Coleman that the quota for jazz musicians was full, while the one for classical musicians was not. [9] In response, Coleman quickly composed "Sounds and Forms for Wind Quintet," becoming the UK's first African American "concert artist." [9] Izenzon and Moffett arrived from New York in order to participate in the remaining pieces. [9]
The concert, which began with a poetry reading by Horovitz, accompanied by local musicians, was marked by a number of unusual occurrences. During the performance of Coleman's ten-movement wind quintet, the audience applauded after each movement rather than waiting until the end of the last movement, to the amusement of the musicians. [9] In addition, during a silent moment in the trio's set, an audience member shouted "Now play Cherokee!", referring to the jazz standard. [8] According to Horovitz, Coleman, in response, "instantly whizzed into an immaculately faithful version, whose lightning variations prompted the first of the evening's extensive series of standing ovations. He said later: 'I just wanted them to know I knew.'" [8]
Review scores | |
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Source | Rating |
AllMusic | [10] |
The Rolling Stone Jazz Record Guide | [11] |
In a review for AllMusic, Brian Olewnick wrote: "this live concert captures Coleman in a transitional period that found him experimenting with contemporary classical forms as well as making more frequent use of the violin and trumpet. In many ways, it can be heard as an extension of the ideas first encountered on the ESP Town Hall Concert recording... there's an extremely refreshing freedom in his approach, one that strongly underlines his contention that innate musical ability trumps technique. An Evening with Ornette Coleman is a wonderful recording and should command a place in the collection of any serious fan of this great musician." [10]
All compositions by Ornette Coleman.
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Leroy Jenkins was an American composer and violinist/violist.
Charles Moffett was an American free jazz drummer.
Yoko Ono/Plastic Ono Band is the debut solo studio album by Japanese artist and musician Yoko Ono, released on Apple Records in December 1970 alongside her husband's album John Lennon/Plastic Ono Band. The album features Ono's vocal improvisations accompanied by the Plastic Ono Band, with the exception of "AOS", on which she is backed by the Ornette Coleman Quartet.
Originally written for Annie Lennox, "Everytime It Rains" is the fourth single released from Swedish band Ace of Base's album Flowers in the UK, featured on a re-release of the album. The song was written by Rick Nowels, Billy Steinberg and Maria Vidal. The single peaked at number 22 in the UK in April 1999.
Charnett Moffett was an American jazz bassist. A consummate and versatile bassist, and composer, he was an apparent child prodigy. Moffett began playing bass in the family band, touring the Far East in 1975 at the age of eight. In the mid-1980s, he played with Wynton Marsalis and Branford Marsalis.
This Is Our Music is the fifth studio album by American jazz saxophonist Ornette Coleman, recorded in July and August of 1960 and released on Atlantic Records in March 1961. It was Coleman's first album with drummer Ed Blackwell, and his only album on Atlantic to include a standard, in this case a version of "Embraceable You" by George and Ira Gershwin.
Town Hall, 1962 is a live album by Ornette Coleman, recorded on December 21, 1962 at New York City's Town Hall and released in 1965 by the ESP-Disk label. It was the first recording of Coleman's new trio, featuring rhythm section David Izenzon and Charles Moffett.
At the "Golden Circle" Stockholm is a pair of 1966 live albums by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln club in Stockholm.
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David Izenzon was an American jazz double bassist.
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Discography for American jazz saxophonist Ornette Coleman.
Sound Museum: Hidden Man is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
In the Beginning 1963–1964 is a 4-CD compilation album by American free jazz saxophonist Pharoah Sanders recorded in 1963-1964 and released in 2012 on the ESP-Disk label. It features previously unreleased recordings of Sanders performing with groups led by Don Cherry and Paul Bley, complete concert recordings of Sanders' appearances with Sun Ra, a re-release of Sanders' first album, and various interviews.
Perfection is an album by the Murray, Allen & Carrington Power Trio, featuring saxophonist David Murray, pianist Geri Allen, and drummer Terri Lyne Carrington. It was recorded at Avatar Studios in New York City in June 2015, and was released by Motéma Music in 2016. Guest musicians Wallace Roney (trumpet), Craig Harris (trombone), and Charnett Moffett (bass) appear on one track.
Who's Crazy?, Volumes 1 and 2, is a pair of albums by Ornette Coleman containing music that was intended as the soundtrack for a film of the same name, directed by Thomas White and featuring members of The Living Theatre. The albums, which feature Coleman on alto saxophone, trumpet, and violin, accompanied by double bassist David Izenzon and percussionist Charles Moffett, were recorded in Paris during 1966, and were initially released on vinyl by Atmosphere Records, an imprint of the French I.R.I. label, with the title Who's Crazy? La Clef Des Champs. In 1982, both LPs were reissued by Affinity Records, a subsidiary of Charly Records, as part of a box set compilation.
Jazzbühne Berlin '88 is a live album by Ornette Coleman and his band Prime Time. It was recorded on June 5, 1988, at the Friedrichstadt-Palast in Berlin, and was released in 1990 by Repertoire Records as Volume 5 of their Jazz Bühne Berlin / Rundfunk der DDR series.
The Love Revolution: Complete 1968 Italian Tour is a two-CD live album by the Ornette Coleman Quartet. Three tracks were recorded on February 5, 1968, in Milan, Italy, while the remaining four tracks were recorded on February 8, 1968, in Rome. The album was released in 2005 by Gambit Records, and was reissued in 2015 by Solar Records. The quartet format is unusual in that it features Coleman with two bassists, Charlie Haden and David Izenzon, along with drummer Ed Blackwell. On the Milan tracks, Coleman is heard on alto saxophone, while on the Rome tracks, he also plays trumpet and, on a track titled "Buddha Blues," shehnai.
The Music of Ornette Coleman is an album featuring music composed by Ornette Coleman. It was recorded during March 1967 in New York City, and was released later that year by RCA Victor. The album opens with a live recording of a wind quintet titled "Forms and Sounds," performed by the Philadelphia Woodwind Quintet, with Coleman providing trumpet interludes. This is followed by two string quartets, titled "Saints and Soldiers" and "Space Flight," performed by the Chamber Symphony of Philadelphia String Quartet.
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