| And You Know That | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1988 | |||
| Studio |
| |||
| Genre | Soul, jazz | |||
| Length | 41:12 | |||
| Label | Columbia | |||
| Producer | Bob James | |||
| Kirk Whalum chronology | ||||
| ||||
And You Know That is the second album by jazz musician Kirk Whalum, released in 1988 on Columbia Records. The album stayed at number one for three weeks on the Billboard Top Contemporary Jazz Albums chart. [1] [2]
And You Know That was produced by Bob James.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [3] |
With a four out of five star rating, Ron Wynn of Allmusic described the album as "Light pop/fusion though Whalum's a very good player." [3]
Silver Rain is an album by bassist Marcus Miller. Named after a poem by Langston Hughes, it was released in 2005.
Jump to It is the twenty-eighth studio album by American singer Aretha Franklin, produced by Luther Vandross and released on July 26, 1982, by Arista Records.
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Any Love is the sixth studio album by American singer Luther Vandross. It was released by Epic Records on September 20, 1988, in the United States. Produced by Vandross and Marcus Miller, the album features a cover of Major Harris' hit single "Love Won't Let Me Wait" as well as "The Second Time Around," a re-recording of a song featured on Vandross's band Luther's 1976 album of the same name.
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Never Let Me Go is the eighth studio album by American R&B/soul singer-songwriter Luther Vandross, released on May 26, 1993, in the US by Epic. It was his first studio album not to debut at #1 on the R&B Albums chart.
Q's Jook Joint is an album by Quincy Jones, released in 1995 by Qwest Records. The album reached No. 1 on the Billboard jazz albums chart on December 30, 1995. Q's Jook Joint won the Grammy Award for Best Engineered Album, Non-Classical in 1997.
Grand Piano Canyon is the 22nd solo album by Bob James. It was released on June 28, 1990. The cover art is reproduced from an original painting by David Grath entitled "Grand Piano Canyon." The title for the seventh track, "Xraxse" is the planet inhabited by Blue People in a story written by James' daughter, Hilary, at age 6.
Live & More is a two-disc live album between Roberta Flack and Peabo Bryson.
I'll Be Thinking of You is a 1979 album by Andraé Crouch, released on the Elektra and Light record labels. The album won a Grammy Award for Best Contemporary Soul Gospel Album.
Discovery is an album by Larry Carlton, released in 1987. It also features Kirk Whalum and his tenor saxophone solos on several tracks, with Terry Trotter on keyboards, John Peña on bass and Rick Marotta on drums.
2nd Wave is the second studio album by Surface, released in October 1988 on Columbia Records.
Love Changes is the fourth studio album by American singer Kashif. It was released by Arista Records in 1987. The album was digitally remastered in 2012 by Funky Town Grooves and included six bonus tracks.
Stephanie Mills is the tenth studio album by the American R&B singer Stephanie Mills, released in 1985 on MCA Records. Following her last release I've Got the Cure on Casablanca Records, Mills self-titled new album was the first release upon signing a new recording contract with MCA Records.
Love Remembers is the 28th album by George Benson, released June 8, 1993. This album charted at No. 1 on Billboard's Contemporary Jazz Albums chart, as well as No. 7 on its Jazz Albums chart.
The Crossing is the fifth studio album by English singer Paul Young. Released in 1993, the album peaked at No. 27 on the UK Albums Chart.
Caché is an album by saxophonist Kirk Whalum issued in 1993 on Columbia Records. The album reached No. 1 on the Billboard Top Contemporary Jazz Albums chart and No. 39 on the Billboard Top Jazz Albums chart.
Special Love is the second full-length gospel album by American R&B singer Deniece Williams released in 1989 on MCA/Sparrow Records. Special Love peaked at number 11 on the Billboard Top Christian Albums chart.
The Promise is the third album by jazz artist Kirk Whalum, released in 1989 on Columbia Records. The album reached No. 7 on the Billboard Top Contemporary Jazz Albums chart.
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