The Andante in C for Flute and Orchestra, K. 315/285e was written by Wolfgang Amadeus Mozart in 1778 and commissioned by Ferdinand De Jean as a possible replacement or alternative second movement for the Flute Concerto No. 1 in G major (K. 313).
Supposedly, the commissioner of the K. 313 concerto, De Jean, disliked the original Adagio and had Mozart compose the shorter Andante to replace it; however, it is also speculated the Andante may have been part of the third flute concerto Mozart was commissioned to write for De Jean but never completed. [1] [2]
The piece is written for the same orchestral arrangement as K. 313: a standard set of orchestral strings, two oboes, and two French horns.
A concerto is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement preceded and followed by fast movements, became a standard from the early 18th century.
Emmanuel Pahud is a Franco-Swiss flautist.
Elaine Shaffer was an American flutist and principal of the Houston Symphony Orchestra between 1948 and 1953.
The Piano Concerto No. 17 in G major, KV. 453, by Wolfgang Amadeus Mozart, was written in 1784.
The Sinfonia Concertante for Violin, Viola and Orchestra in E♭ major, K. 364 (320d), was written by Wolfgang Amadeus Mozart.
The Bassoon Concerto in B-flat major, K. 191/186e, is a bassoon concerto written in 1774 by Wolfgang Amadeus Mozart. It is the most often performed and studied piece in the entire bassoon repertory. Nearly all professional bassoonists will perform the piece at some stage in their career, and it is probably the most commonly requested piece in orchestral auditions – it is usually requested that the player perform excerpts from the concerto's first two movements in every audition.
The Piano Concerto No. 21 in C major, K. 467, was completed on 9 March 1785 by Wolfgang Amadeus Mozart, four weeks after the completion of the previous D minor concerto, K. 466.
The Piano Concerto No. 13 in C major, K. 415 (387b) by Wolfgang Amadeus Mozart was composed in Vienna in 1782–83. It is the third of the first three full concertos Mozart composed for his subscription concerts.
The Violin Concerto No. 3 in G major, K. 216, was composed by Wolfgang Amadeus Mozart in Salzburg in 1775 when he was 19 years old. In a letter to his father, Mozart called it the "Straßburg-Concert". Researchers believe this epithet comes from the motive in the third movement's Allegretto in the central section, a local dance that already had appeared as a musette-imitating tune in a symphony by Carl Ditters von Dittersdorf.
Wolfgang Amadeus Mozart's Piano Concerto No. 12 in A major, K. 414 (385p), was written in the autumn of 1782 in Vienna. It is scored for solo piano, two oboes, two bassoons (optional), two horns, and strings. Like all three of the early Vienna concertos that Mozart wrote, it is a modest work that can be performed with only string quartet and keyboard. As per 18th century performance practice a string orchestra could also have served as a suitable option for the "quattro" accompaniment.
The Piano Concerto No. 25 in C major, K. 503, was completed by Wolfgang Amadeus Mozart on December 4, 1786, alongside the Prague Symphony, K. 504. Although two more concertos would later follow, this work is the last of what are considered the twelve great piano concertos written in Vienna between 1784 and 1786. Chronologically the work is the 21st of Mozart's 23 original piano concertos.
Hans Graf is an Austrian conductor.
The Piano Concerto No. 22 in E♭ major, K. 482, is a work for piano, or fortepiano, and orchestra by Wolfgang Amadeus Mozart, composed in December 1785.
The Piano Concerto No. 19 in F major, K. 459 by Wolfgang Amadeus Mozart was written at the end of 1784: Mozart's own catalogue of works records that it was completed on 11 December. It is occasionally known as the "second coronation concerto" on account of Mozart playing it on the occasion of the coronation of Leopold II in Frankfurt am Main in October 1790. The autograph is held by the Berlin State Library. The first edition was produced by Johann André of Offenbach in 1794, and Breitkopf & Härtel produced an edition in 1800. Like most of Mozart's concertos it is in three movements:
The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a concerto by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote, as well as the only piece of music by Mozart for the harp. The piece is one of the most popular such concertos in the repertoire, as well as often being found on recordings dedicated to either one of its featured instruments.
The Flute Concerto No. 1 in G major, K. 313, was written in 1778 by Wolfgang Amadeus Mozart.
The Piano Concerto No. 16 in D major, K. 451, is a concertante work for piano, or pianoforte, and orchestra by Wolfgang Amadeus Mozart. Mozart composed the concerto for performance at a series of concerts at the Vienna venues of the Trattnerhof and the Burgtheater in the first quarter of 1784, where he was himself the soloist. Mozart noted this concerto as complete on 22 March 1784 in his catalog, and performed the work later that month. Cliff Eisen has postulated that this performance was on 31 March 1784.
The Serenade No. 5 in D major, K. 204/213a was written on 5 August 1775 by Wolfgang Amadeus Mozart for ceremonies at the University of Salzburg. The work is very similar to the serenade K. 203, composed for Salzburg the previous summer.
The Sinfonia Concertante for Four Winds in E-flat major, K. 297b, is a work thought to be by Wolfgang Amadeus Mozart for oboe, clarinet, horn, bassoon, and orchestra. He originally wrote a work for flute, oboe, horn, bassoon, and orchestra, K. Anh. 9 (297B), in Paris in April 1778. This original work is lost.