Andrea Kowch

Last updated
Andrea Kowch
Born1986
NationalityAmerican
Education College for Creative Studies
Occupationpainter
Website http://www.andreakowch.com/

Andrea Kowch (born 1986) is an American painter known for her magical realism paintings of the Midwest.

Contents

Early life and education

Kowch was born in Detroit, Michigan, and enjoyed trips to the country while growing up. After winning two gold medals from the Scholastic Art and Writing Awards, she gained representation at the Corcoran Gallery of Art in 2003 and the Diane von Furstenberg Gallery in 2004. [1] She attended the College for Creative Studies with a double major in illustration and arts education. In 2009, she graduated with a Bachelor of Fine Arts degree. [2]

Art

Kowch received representation from the Richard J. Demato Fine Arts Gallery in 2009, after Richard Demato saw her work in art book Spectrum 16: The Best in Contemporary Fantastic Art. [3] In 2011, Southwest Art magazine listed Kowch as one of "21 under 31" rising stars in the art world. [4] The next year, in 2012, SCOPE New York named her one of the top 100 emerging artists in the world. [3] Kowch has had solo shows at Art Basel Miami, Grand Rapids Art Museum, the Muskegon Museum of Art, Los Angeles Art Show, ArtPrize, and more. [5]

Her paintings feature women and animals in desolate American landscapes. [6] She uses a small group of friends as models. [5] [1]

Related Research Articles

<span class="mw-page-title-main">Visual art of the United States</span>

Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.

<span class="mw-page-title-main">Helen Frankenthaler</span> American painter (1928–2011)

Helen Frankenthaler was an American abstract expressionist painter. She was a major contributor to the history of postwar American painting. Having exhibited her work for over six decades, she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as color field. Born in Manhattan, she was influenced by Greenberg, Hans Hofmann, and Jackson Pollock's paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the Museum of Modern Art in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the National Medal of Arts.

<span class="mw-page-title-main">School of the Museum of Fine Arts at Tufts</span> Art school of Tufts University

The School of the Museum of Fine Arts at Tufts University is the art school of Tufts University, a private research university in Boston, Massachusetts. It offers undergraduate and graduate degrees dedicated to the visual arts.

<span class="mw-page-title-main">Alice Neel</span> American visual artist (1900–1984)

Alice Neel was an American visual artist. Recognized for her paintings of friends, family, lovers, poets, artists, and strangers, Neel is considered one of the greatest American portraitists of the 20th century. Her career spanned from the 1920s to 1980s.

Colleen Browning was an Anglo-American realist and magical realist painter.

<span class="mw-page-title-main">Audrey Flack</span> American artist (born 1931)

Audrey Flack is an American artist. Her work pioneered the art genre of photorealism and encompasses painting, printmaking, sculpture, and photography.

<span class="mw-page-title-main">Susan Rothenberg</span> American artist (1945–2020)

Susan Charna Rothenberg was an American contemporary painter, printmaker, sculptor, and draughtswoman. She became known as an artist through her iconic images of the horse, which synthesized the opposing forces of abstraction and representation.

<span class="mw-page-title-main">Classical Realism</span> 20-21st century artistic movement that values skill and beauty

Classical Realism is an artistic movement in the late-20th and early 21st century in which drawing and painting place a high value upon skill and beauty, combining elements of 19th-century neoclassicism and realism.

Idelle Lois Weber was an American artist most closely aligned with the Pop art and Photorealist movements.

Sophie Aston is a British painter, noted for her landscapes.

<span class="mw-page-title-main">Boston School (painting)</span> American group of artists

The Boston School was a group of Boston-based painters active in the first three decades of the twentieth century. Often classified as American Impressionists, they had their own regional style, combining the painterliness of Impressionism with a more conservative approach to figure painting and a marked respect for the traditions of Western art history. Their preferred subject matter was genteel: portraits, picturesque landscapes, and young women posing in well-appointed interiors. Major influences included John Singer Sargent, Claude Monet, and Jan Vermeer. Key figures in the Boston School were Edmund C. Tarbell, Frank Weston Benson, and William McGregor Paxton, all of whom trained in Paris at the Académie Julian and later taught at the School of the Museum of Fine Arts. Their influence can still be seen in the work of some contemporary Boston-area artists.

<span class="mw-page-title-main">Janet Fish</span> American painter

Janet Fish is a contemporary American realist artist. Through oil painting, lithography, and screenprinting, she explores the interaction of light with everyday objects in the still life genre. Many of her paintings include elements of transparency, reflected light, and multiple overlapping patterns depicted in bold, high color values. She has been credited with revitalizing the still life genre.

<span class="mw-page-title-main">Riki R. Nelson</span> American oil painter

Riki R. Nelson is a contemporary American oil painter known for her realistic and surreal portraits of jazz musicians, bar patrons, city street scenes. In a 2008 review, her work was described as, "realistic in the physical sense and raw in the spiritual sense, capturing the discordant element of self". Using traditional realism, which she complements with contemporary colors and compositions, she expresses a uniquely creative vision rooted in the elegance of traditional realism, while utilizing subtle surrealism to capture what she perceives as ‘the undercurrent of pathos’ in contemporary life. Nelson works exclusively in traditional oil and oil paint mediums.

Betty Blayton was an American activist, advocate, artist, arts administrator and educator, and lecturer. As an artist, Blayton was an illustrator, painter, printmaker, and sculptor. She is best known for her works often described as "spiritual abstractions". Blayton was a founding member of the Studio Museum in Harlem and board secretary, co-founder and executive director of Harlem Children's Art Carnival (CAC), and a co-founder of Harlem Textile Works. She was also an advisor, consultant and board member to a variety of other arts and community-based service organizations and programs. Her abstract methods created a space for the viewer to insert themselves into the piece, allowing for self reflection, a central aspect of Blayton's work.

<span class="mw-page-title-main">Joan Semmel</span> American feminist painter, professor and writer

Joan Semmel is an American feminist painter, professor, and writer. She is best known for her large-scale naturalistic nude self portraits as seen from her perspective looking down.

<span class="mw-page-title-main">Ethel Seath</span> Canadian artist (1879–1963)

Ethel Seath was a Canadian artist. Seath was a prominent figure on the Montreal art scene for sixty years and her artistic work included being a painter, printmaker (etching), commercial artist, and art instructor at the all-girls private school, The Study, in Montreal. Seath’s oil and watercolour paintings were primarily still life and landscape, exploring colour and adding abstract elements to everyday scenes.

<span class="mw-page-title-main">Mernet Larsen</span> American artist (born 1940)

Mernet Larsen is an American artist known for idiosyncratic, disorienting narrative paintings that depict a highly abstracted, parallel world of enigmatic and mundane scenarios. Since 2000, her work has been characterized by flat, origami-like figures composed of plank-like shapes and blocky volumes and non-illusionistic space with a dislocated, aggregated vision freely combining incompatible pictorial systems—reverse, isometric, parallel, and conventional Renaissance perspectives—and various visual distortions. Critics have described her approach as "a heady, unlikely brew" taking compositional cues from wide-ranging sources, including the modernist geometries of Constructivist artists like El Lissitzky, Japanese Bunraku puppet theater and emaki narrative scrolls, early Chinese landscapes, and Indian miniatures and palace paintings. Roberta Smith wrote that Larsen's works "navigate the divide between abstraction and representation with a form of geometric figuration that owes less to Cubo-Futurism than to de Chirico, architectural rendering and early Renaissance painting of the Sienese kind. They relish human connection and odd, stretched out, sometimes contradictory perspectival effects, often perpetuated by radical shifts in scale."

<span class="mw-page-title-main">Henrietta Berk</span> American painter

Henrietta Berk was a painter in the San Francisco Bay Area whose work was part of the Bay Area Figurative Movement taking place in the mid-20th century. Her oil paintings were noted for their strong colors and shapes.

Sally Michel Avery was an artist and illustrator who created modernist paintings of abstracted figures, landscapes, and genre scenes capturing personal moments of everyday life. She was the co-creator of the "Avery style", wife and collaborator of artist Milton Avery, and mother of artist March Avery. Throughout their lives, Michel and Avery shared their studio space together, painting side by side, critiquing each other's work, and developing a shared style which includes the use of abstracted subjects, expressionistic color fields, and harmonious but unusual colors juxtapositions. Michel's work is the collections of the Metropolitan Museum of Art, the National Gallery of Art, the Pennsylvania Academy of Fine Arts, the Wadsworth Atheneum, and the Israel Museum, among others.

<span class="mw-page-title-main">Lorraine Shemesh</span> American painter

Lorraine Shemesh is an American artist whose practice focuses on painting, drawing, and ceramics. Since the early 1990s, she has created investigations of the human form that balance contemporary realism with an abstract expressionist concern for gesture, rhythm and pattern. Her best-known series depict active swimmers in pools viewed from above and underwater or intertwined, costumed dancers set in ambiguous, compressed spaces. In the 2000s, her work has increasingly moved towards abstraction, with figures dissolving into faithfully rendered optical phenomena or geometric patterning. Describing these qualities, Art in America critic Jonathan Goodman wrote, "being true to nature enables Shemesh to record a dazzling array of painterly gestures, some of them squarely within the tradition of Abstract Expressionism … Her use of abstract effects in the service of representation is striking and makes her art complex."

References

  1. 1 2 Selene, Deanna (2013-09-22). "Magic Realism Painter Andrea Kowch: What the Wind Blew". Combustus. Retrieved 2022-05-27.
  2. "The Loneliness of the Human Soul". www.juxtapoz.com. May 4, 2016. Retrieved 2022-05-27.
  3. 1 2 Rogers, Pat (March 18, 2012). "Andrea Kowch Scores a Win at SCOPE Art Fair". Hamptons Art Hub. Retrieved May 27, 2022.
  4. Gangelhoff, Bonnie (September 1, 2011). "21 Under 31". Southwest Art. 41 (4): 82–97 via Art & Architecture Source.
  5. 1 2 "MOCA: Andrea Kowch". mocajacksonville.unf.edu. Retrieved 2022-05-27.
  6. Cannon, Jordan (January 14, 2021). "Belonging to the Realm of Ideas: A Look at Goya In Comparison to the Modern Day Illustration Practices of Andrea Kowch, Amy Cutler, and Shaun Tan". Illustration History. Retrieved 2022-05-27.