Andrea Liberovici | |
---|---|
Born | 1962 (age 61–62) Turin, Italy |
Nationality | Italian |
Occupation(s) | Composer, theatre director |
Parent(s) | Sergio Liberovici, Margot Galante Garrone |
Website | liberovici.it |
Andrea Liberovici (born 1962) is an Italian composer of contemporary classical music and a theatre director.
Andrea Liberovici was born in Turin, the son of Sergio Liberovici (musician, Turin, 1930–1991) and Margot Galante Garrone. He studied composition, violin and viola at the conservatories of Venice and Turin. He also studied acting at the Scuola del Teatro Stabile in Genoa , and singing with Cathy Berberian at the International Festival in Montalcino in 1980. He recorded his first LP at the age of fifteen. [1] [2]
As a composer and director, he co-founded Teatrodelsuono (theatre of sound) with poet Edoardo Sanguineti [3] (librettist of Luciano Berio) and Ottavia Fusco.
Jean-Jacques Nattiez wrote, "Andrea Liberovici is a composer of his time. He define himself a modern. ... We can find in his Frankenstein Cabaret a metaphor of the composer today. ... he his a tragic musician, a tragic-postmodern composer who tell about man and woman compared with the absurd and unbearable loneliness in which Internet borders more and more humanity." [4]
Over the last decade,[ when? ] in collaboration with artists such as Peter Greenaway, [5] [6] Claudia Cardinale, Aldo Nove, Judith Malina, [7] Vittorio Gassman, Giorgio Albertazzi, Enrico Ghezzi, Ivry Gitlis and Regina Carter, Liberovici has created many projects concerning the relationships between music, poetry, theatre, and technology.
Recently, those who have performed his music include Yuri Bashmet, [8] [9] Nouvel Ensemble Moderne [10] (Montreal), Toscanini Orchestra, and Teatro Carlo Felice. His works have also been presented and produced by the Teatro di Roma (Rome), La Fenice (Venice), and Salle Olivier Messiaen (Paris). He has also worked in residence at INA-GRM (the Music Research Group of the Institut national de l'audiovisuel) and France Culture in Paris, STEIM (Studio for Electro-Instrumental Music) Center for Research and Development in Amsterdam, and the Groupe de Musique Expérimentale de Marseille (GMEM) [11] National Centre of Musical Creation in Marseille. His music and performances have been presented in Italy, New York, Paris, Athens, and Montreal. [12]
Pietro Mascagni was an Italian composer primarily known for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music. While it was often held that Mascagni, like Ruggero Leoncavallo, was a "one-opera man" who could never repeat his first success, L'amico Fritz and Iris have remained in the repertoire in Europe since their premieres.
Motezuma, RV 723, is an opera in three acts by Antonio Vivaldi with an Italian libretto by Alvise Giusti. The libretto is very loosely based on the life of the Aztec ruler Montezuma who died in 1520. The first performance was given in the Teatro Sant'Angelo in Venice on 14 November 1733. The music was thought to have been lost, but was discovered in 2002 in the archive of the music library of the Sing-Akademie zu Berlin. Its first fully staged performance in modern times took place in Düsseldorf, Germany, on 21 September 2005.
Fabio Vacchi is an Italian composer.
Ara Malikian is a Lebanese-born violinist of Armenian descent. He was educated in Germany and was later based in Spain. He has a wide repertoire and includes music from many cultures. He has played in over 40 countries and has won numerous prizes in international competitions. Milikian has recorded nearly 30 albums over a period of 25 years.
Nicola Campogrande is an Italian composer and music journalist. He is the artistic director of the MITO SettembreMusica festival. He writes for the newspaper Corriere della Sera. His music is published exclusively by Breitkopf & Härtel.
Ciro (Cyrus), also written Il Ciro, is a 1653 Italian drama per musica (opera) in a prologue and three acts with music by Francesco Provenzale and a libretto by Giulio Cesare Sorrentino. The story concerns the Persian king Cyrus the Great. The opera was probably first performed during Carnival of that year at the Teatro San Bartolomeo in Naples, in a production by Giovan Battista Balbi.
Argippo is an opera libretto by Domenico Lalli, which in Giovanni Porta's setting premiered in Venice in 1717. Claudio Nicola Stampa's reworked version of the libretto was set as L'Argippo by Andrea Stefano Fiorè. This opera was performed in Milan in 1722.
Arnoldo Foà was an Italian actor, voice actor, theatre director, singer and writer. He appeared in more than 130 films between 1938 and 2014.
Oscar Strasnoy is a French-Argentine composer, conductor and pianist. Although primarily known for his stage works, the first of which Midea (2) premiered in Spoleto in 2000, his principal compositions also include two secular cantatas and several song cycles.
Andrea Adolfati was an Italian composer who is particularly remembered for his output in the opera seria genre. His works are generally conventional and stylistically similar to the operas of his teacher Baldassare Galuppi. Although his music largely followed the fashion of his time, he did compose two tunes with unusual time signatures for his day: an air in 5
4 meter and another in 7
4 meter.
Marco Betta is an Italian composer.
Laborintus II is an album by the Belgian orchestra Ictus Ensemble, the vocal group Nederlands Kamerkoor, and the American vocalist Mike Patton, which was recorded live at the 2010 Holland Festival. It was released on July 10, 2012, by Ipecac Recordings, and debuted at number 23 on the American Billboard Classical Albums Chart. It was not well received by critics.
Fernando Mencherini was an Italian composer of chamber works who reached musical prominence before his early death.
Flavio Emilio Scogna is an Italian composer and conductor.
Sebastiano Biancardi, known by the pseudonym Domenico Lalli, was an Italian poet and librettist. Amongst the many libretti he produced, largely for the opera houses of Venice, were those for Vivaldi's Ottone in villa and Alessandro Scarlatti's Tigrane. A member of the Accademia degli Arcadi, he also wrote under his arcadian name "Ortanio". Lalli was born and raised in Naples as the adopted son of Fulvio Caracciolo but fled the city after being implicated in a bank fraud. After two years wandering about Italy in the company of Emanuele d'Astorga, he settled in Venice in 1710 and worked as the "house poet" of the Grimani family's theatres for the rest of his career. In addition to his stage works, Lalli published several volumes of poetry and a collection of biographies of the kings of Naples. He died in Venice at the age of 62.
Damiano Michieletto is an Italian stage director especially known for opera. He has staged productions at leading opera houses and festivals worldwide. His awards include the 2015 Laurence Olivier Award for the production of Mascagni's Cavalleria rusticana and Leoncavallo's Pagliacci at the Royal Opera House in London.
Genoa is a city in and the capital of the Italian region of Liguria, and the sixth-largest city in Italy. In 2023, 558,745 people lived within the city's administrative limits. While its metropolitan city has 813,626 inhabitants, more than 1.5 million people live in the wider metropolitan area stretching along the Italian Riviera.
Il fortunato inganno is an opera buffa in two acts by Gaetano Donizetti, to a libretto by Andrea Leone Tottola. Composed in 1823, it was first given on September 3 of that year at the Teatro Nuovo in Naples. It was not a success, and has disappeared from the repertory.
La finta pazza is an opera composed by Francesco Sacrati to a libretto by Giulio Strozzi. Its premiere in Venice during the Carnival season of 1641 inaugurated the Teatro Novissimo. It became one of the most popular operas of the seventeenth century.
Nicola De Giosa was an Italian composer and conductor active in Naples. He composed numerous operas, the most successful of which, Don Checco and Napoli di carnevale, were in the Neapolitan opera buffa genre. His other works included sacred music and art songs. His songs were particularly popular, bringing him fame as a salon composer both in Italy and abroad. De Giosa died in Bari, the city of his birth, at the age of 66.