Andrew Joron | |
---|---|
Born | San Antonio, Texas, US | March 6, 1955
Occupation | Writer, teacher, musician |
Nationality | American |
Period | 1977–present |
Genres | experimental poetry, speculative fiction |
Andrew Joron (born March 6, 1955) [1] is an American writer of experimental poetry, speculative fiction, and lyrical and critical essays. He began by writing science fiction poetry. [2] Joron's later poetry, combining scientific and philosophical ideas with the sonic properties of language, has been compared to the work of the Russian Futurist Velimir Khlebnikov. [3] Joron currently lives in the San Francisco Bay Area. In fall 2014, Joron joined the faculty of the Creative Writing Department at San Francisco State University. [4]
He has won the Rhysling Award three times: for Best Long Poem in 1980 and 1986, and for Best Short Poem in 1978; and the Gertrude Stein Award twice, in 1996 and 2006.
Joron's poetry is included in two W. W. Norton anthologies: American Hybrid (2009), edited by Cole Swensen and David St. John, and Postmodern American Poetry (2013), edited by Paul Hoover.
Joron is the translator, from the German, of the Marxist-Utopian philosopher Ernst Bloch’s Literary Essays which was published by Stanford University Press in 1998. Joron is also the translator of The Perpetual Motion Machine by the German fantasist Paul Scheerbart (Wakefield Press, 2011).
During the 1990s, Andrew Joron formed a close friendship with the poet and novelist Gustaf Sobin. Sobin, who died in 2005, designated Joron as his literary co-executor, along with American poet Andrew Zawacki. [5]
Joron also belonged to the circle of Surrealist poet Philip Lamantia in San Francisco from the late '90s until Lamantia's death in 2005. Joron later served as co-editor, with Garrett Caples and Nancy Joyce Peters, of the Collected Poems of Philip Lamantia, published by University of California Press (2013).
Since 2008 he has played theremin in various free-improv and ambient-music ensembles, including Cloud Shepherd and Crow Crash Radio. Joron has written an essay, "The Theremin in My Life," on the relation between his literary and musical activities.
In 2017, Joron performed on theremin in Blood of the Air, Sheldon Brown's composition based on the pitch patterns of poet Philip Lamantia's voice.
In 2019, Joron performed on theremin with Will Alexander on piano and Anne Waldman reading her poetry at the Entanglements conference on science and poetry held at Wake Forest University in North Carolina.
In 2022, Joron returned to the science-fiction genre with the publication of O0 by Black Square Editions.
Kenneth Charles Marion Rexroth (1905–1982) was an American poet, translator, and critical essayist. He is regarded as a central figure in the San Francisco Renaissance, and paved the groundwork for the movement. Although he did not consider himself to be a Beat poet, and disliked the association, he was dubbed the "Father of the Beats" by Time magazine. Largely self-educated, Rexroth learned several languages and translated poems from Chinese, French, Spanish, and Japanese.
Philip Lamantia was an American poet and lecturer. His poems were often visionary, ecstatic, terror-filled, and erotic, exploring the subconscious world of dreams and linking it to daily experiences, while sometimes incorporating typographical arrangements a la concrete poetry. He has posthumously been regarded as "the most visionary poet of the American postwar generation".
Gustaf Sobin was a U.S.-born poet and author who spent most of his adult life in France. Originally from Boston, Sobin attended the Choate School, Brown University, and moved to Paris in 1962. Eventually he settled in the village of Goult, Provence, where he remained for over forty years, publishing more than a dozen books of poetry, four novels, a children's story, and two compilations of essays.
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