Andrew Keen | |
---|---|
Born | c. 1960 (age 62–63) Hampstead, London, [1] England |
Nationality | British-American |
Education | University of London (BA) University of California, Berkeley (MA) |
Occupation(s) | Author, teacher, entrepreneur, and public speaker |
Known for | The Cult of the Amateur Digital Vertigo The Internet is Not the Answer How to Fix the Future |
Andrew Keen (born c. 1960 [2] ) is a British-American entrepreneur and author. He is particularly known for his view that the current Internet culture and the Web 2.0 trend may be debasing culture, an opinion he shares with Jaron Lanier and Nicholas G. Carr among others. Keen is especially concerned about the way that the current Internet culture undermines the authority of learned experts and the work of professionals.
Keen was born in Hampstead, North London, to a Jewish family. [3] He attended the University of London, studying History under Hugh Seton-Watson, a British historian and political scientist. [4] Keen earned a bachelor's degree in history and then studied at the University of Sarajevo in Yugoslavia. Having been influenced by Josef Škvorecký, Danilo Kiš, Jaroslav Hašek and especially the writings of Franz Kafka; [4] Keen relocated to America, where he earned a master's degree in political science from the University of California, Berkeley, studying under Ken Jowitt. After Berkeley, Keen taught modern history and politics at Tufts University, Northeastern University and the University of Massachusetts Amherst. He currently lives in San Francisco, California with his family. [5]
Keen returned to Silicon Valley in 1995 and founded Audiocafe.com, [4] which received funding from Intel and SAP. The firm folded in April 2000 and after the demise of Audiocafe.com, Keen worked at various technology companies including Pulse 3D, SLO Media, Santa Cruz Networks, Jazziz Digital and Pure Depth, where he was director of global strategic sales. [4] Keen stated in October, 2007, that he is working on his new book, tentatively titled, Star Wars 2.0. [6]
In 2013, Keen founded FutureCast, a salon-style event series hosted by the AT&T Foundry and Ericsson, which brings together start-up entrepreneurs, investors, and technologists to discuss the digital revolution. [7] He is currently the host of "Keen On" show, a TechCrunch chat show. [8]
In 2005, Keen wrote that Web 2.0 is a "grand utopian movement" similar to "communist society" as described by Karl Marx. He also states:
It worships the creative amateur: the self-taught filmmaker, the dorm-room musician, the unpublished writer. It suggests that everyone--even the most poorly educated and inarticulate amongst us--can and should use digital media to express and realize themselves. Web 2.0 "empowers" our creativity, it "democratizes" media, it "levels the playing field" between experts and amateurs. The enemy of Web 2.0 is "elitist" traditional media. [9]
— Andrew Keen, The Weekly Standard
On 5 June 2007, Keen released his first book The Cult of the Amateur, published by Doubleday Currency, [10] and gave a talk at Google the same day. [11] The book is critical of free, user-generated content websites such as Wikipedia, YouTube, Digg, Reddit and many others. He prominently featured in the 2008 Dutch documentary The Truth According to Wikipedia and was also featured in the 2010 American documentary Truth in Numbers? .
Keen stresses the importance of media literacy and claims that user generated blogs, wikis and other "democratized" media, cannot match the resources of mainstream media outlets. [12] Pointing to examples like being able to gather teams together, travel to dangerous locations (sometimes spending years in the region) and having skilled and experienced editors oversee the process, [10] Keen forecasts that if the current Web 2.0 mentality—where content is either given away or stolen—continues, in 25 years[ specify ] there will not exist a professional music business, newspaper industry or publishing business and challenges his audience to question whether they value these or not. [13]
Keen discusses often-overlooked problems with participatory technology. He describes the Internet in amoral terms, saying it is a mirror of human culture. "We see irreverence, and vitality, and excitement. We see a youthfulness. But we also see, I think, many of the worst developments in modern cultural life, and, in particular, I think we see what I call digital narcissism, this embrace of the self. It's Time magazine's person of the year for last year was you." [14] Keen is also heavily critical of anonymity on the Internet, believing that it makes users behave worse, not better. He says: "The Web's cherished anonymity can be a weapon as well as a shield." [15] Showing that misbehavior using anonymity has been so widely adopted, new definitions such as "trolls" and "sock puppets" have emerged.
In the book Digital Vertigo, Keen argues that the "hypervisibility" promoted by social networks like Facebook and Twitter traps users into sacrificing vitally important parts of the human experience, like privacy and solitude. He compares the experience of participating in modern social networks with Jeremy Bentham's Panopticon, concluding that: "The future should be anything but social." [16]
He is not without his critics. Tim O'Reilly has said: "he was just pure and simple looking for an angle, to create some controversy to sell a book, I don't think there's any substance whatever to his rants." [17]
In his book The Internet Is Not the Answer, Keen presents the history of the internet and its impact on psychology, economy, and society. [18] He argues that the more the internet develops, the more detrimental it is to those who use it. [18]
Keen writes: "It is more like a negative feedback loop, a digital vicious cycle in which it is us, the Web's users, who are its victims rather than beneficiaries". [18] Keen goes on to argue that the internet has allowed for the emergence of "new, leviathan-like monopolists like Apple, Google, and Amazon," impeding economic competition and economic justice between the rich and poor. [18] Keen also argues that the internet encourages intolerance and that "rather than fostering a cultural renaissance, it has created a selfie-centered culture of voyeurism and narcissism". [18]
Published in 2018 by Grove Atlantic, Keen's most recent book How to Fix the Future deals about how societies need to address the challenges caused by the Digital Revolution as they did with its counterpart the Industrial Revolution, which similarly disrupted human lives and various industries. [19] Rather than a critique on current technology, How to Fix the Future showcases what global leaders are doing to mitigate the effects of new technology on politics, culture, society, etc. [19] Keen argues that people must try to preserve human values in an increasingly digital world and ensure the future is something everyone can look forward to again. [19]
According to Keen, there are five key tools to addressing the negative effects caused by the Digital Revolution, including changes in regulation, competitive innovation, social responsibility, education, and worker and consumer choice. [19]
A blog is an informational website consisting of discrete, often informal diary-style text entries (posts). Posts are typically displayed in reverse chronological order so that the most recent post appears first, at the top of the web page. Until 2009, blogs were often the work of a single individual, occasionally of a small group, and often covered a single subject or topic. In the 2010s, "multi-author blogs" (MABs) emerged, featuring the writing of multiple authors and sometimes professionally edited. MABs from newspapers, other media outlets, universities, think tanks, advocacy groups, and similar institutions account for an increasing quantity of blog traffic. The rise of Twitter and other "microblogging" systems helps integrate MABs and single-author blogs into the news media. Blog can also be used as a verb, meaning to maintain or add content to a blog.
Internet culture is a quasi-underground culture developed and maintained among frequent and active users of the Internet who primarily communicate with one another online as members of online communities; that is, a culture whose influence is "mediated by computer screens" and information communication technology, specifically the Internet.
A dark net or darknet is an overlay network within the Internet that can only be accessed with specific software, configurations, or authorization, and often uses a unique customized communication protocol. Two typical darknet types are social networks, and anonymity proxy networks such as Tor via an anonymized series of connections.
Nicholas G. Carr is an American journalist and writer who has published books and articles on technology, business, and culture. His book The Shallows: What the Internet Is Doing to Our Brains was a finalist for the 2011 Pulitzer Prize in General Nonfiction.
Judith Stefania Donath is a fellow at Harvard's Berkman Center, and the founder of the Sociable Media Group at the MIT Media Lab. She has written papers on various aspects of the Internet and its social impact, such as Internet society and community, interfaces, virtual identity issues, and other forms of collaboration that have become manifest with the advent of connected computing.
Amateur professionalism or professional amateurism is a blurring of the distinction between professional and amateur within any endeavour or attainable skill that could be labelled professional in fields such as writing, computer programming, music or film. The idea was used by Demos, a British think tank, in the 2004 book The Pro-Am Revolution co-authored by writer Charles Leadbeater. Leadbeater has evangelized the idea by presenting it at TEDGlobal 2005. The idea is distinct from the sports term "pro–am" (professional–amateur), though derived from it.
Web 2.0 refers to websites that emphasize user-generated content, ease of use, participatory culture and interoperability for end users.
Internet identity (IID), also online identity, online personality, online persona or internet persona, is a social identity that an Internet user establishes in online communities and websites. It may also be an actively constructed presentation of oneself. Although some people choose to use their real names online, some Internet users prefer to be anonymous, identifying themselves by means of pseudonyms, which reveal varying amounts of personally identifiable information. An online identity may even be determined by a user's relationship to a certain social group they are a part of online. Some can be deceptive about their identity.
Clay Shirky is an American writer, consultant and teacher on the social and economic effects of Internet technologies and journalism.
The free-culture movement is a social movement that promotes the freedom to distribute and modify the creative works of others in the form of free content or open content without compensation to, or the consent of, the work's original creators, by using the Internet and other forms of media.
Peer production is a way of producing goods and services that relies on self-organizing communities of individuals. In such communities, the labor of many people is coordinated towards a shared outcome.
Wikinomics: How Mass Collaboration Changes Everything is a book by Don Tapscott and Anthony D. Williams, first published in December 2006. It explores how some companies in the early 21st century have used mass collaboration and open-source technology, such as wikis, to be successful.
The Cult of the Amateur: How Today's Internet Is Killing Our Culture is a 2007 book written by entrepreneur and Internet critic Andrew Keen. Published by Currency, Keen's first book is a critique of the enthusiasm surrounding user-generated content, peer production, and other Web 2.0–related phenomena.
The Wealth of Networks: How Social Production Transforms Markets and Freedom is a book by Harvard Law School professor Yochai Benkler published by Yale University Press on April 3, 2006. The book has been recognized as one of the most influential works of its time concerning the rise and impact of the Internet on the society, particularly in the sphere of economics. It also helped popularize the term Benkler coined few years earlier, the commons-based peer production (CBPP).
The Scene Aesthetic was an American alternative rock band based in Seattle, Washington. The duo consists of Andrew de Torres and Eric Kimberlin.
Amateur pornography is a category of pornography that features models, actors or non-professionals performing without pay, or actors for whom this material is not their only paid modeling work. Reality pornography is professionally made pornography that seeks to emulate the style of amateur pornography. Amateur pornography has been called one of the most profitable and long-lasting genres of pornography.
Is Google Making Us Stupid? What the Internet Is Doing to Our Brains! is a magazine article by technology writer Nicholas G. Carr, and is highly critical of the Internet's effect on cognition. It was published in the July/August 2008 edition of The Atlantic magazine as a six-page cover story. Carr's main argument is that the Internet might have detrimental effects on cognition that diminish the capacity for concentration and contemplation. Despite the title, the article is not specifically targeted at Google, but more at the cognitive impact of the Internet and World Wide Web. Carr expanded his argument in The Shallows: What the Internet Is Doing to Our Brains, a book published by W. W. Norton in June 2010.
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. The book was made available for free download and remixing under the CC BY-NC Creative Commons license via Bloomsbury Academic. It is still available via the Internet Archive. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture to a "remix culture".
The Truth According to Wikipedia, also referred to as Wiki's Truth, is a Dutch documentary about Wikipedia directed by IJsbrand van Veelen. It was screened at The Next Web conference in Amsterdam on 4 April 2008 and broadcast by the Dutch documentary series Backlight on Nederland 2 on 7 April 2008. It was subsequently made available through American Public Television.
Digital dystopia, cyber dystopia or algorithmic dystopia refers to an alternate future or present in which digitized technologies or also algorithms have caused major societal disruption. It refers to narratives of technologies influencing social, economic, and political structures, and its diverse set of components includes virtual reality, artificial intelligence, ubiquitous connectivity, ubiquitous surveillance, and social networks. In popular culture, technological dystopias often are about or depict mass loss of privacy due to technological innovation and/or social control. They feature heightened socio-political issues like social fragmentation, intensified consumerism, dehumanization, and mass human migrations.
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