Andrew King (born 1957) is Professor of English Literature and Literary Studies at the University of Greenwich [1] and, since 2019, President of the Victorian Popular Fiction Association . He specialises in nineteenth-century periodicals and popular fiction. He is founding co-editor of Victorian Popular Fictions , the organ of the Victorian Popular Fiction Association.
Born in Wales from mining and shop-keeping stock, he was encouraged to read Classics at University by his school, Porth County Grammar School for Boys. He did a degree in classical and medieval Latin at the University of Reading, followed by an MA in Medieval Studies at the same university. An abortive PhD in Medieval French in Cambridge meant that he went to teach English at the University of Catania, Sicily, where apart from returning to the UK to complete a PGCE and teach for a year in a secondary school, he spent most of the 1980s. In 1990 he married a British council officer and accompanied her on her postings for the 1990s, completing a second MA, this time in English at the University of Sussex, in 1992. In 2000 he completed a PhD in English at Birkbeck College, University of London.
In 2003 Andrew obtained his first full-time academic post in the UK. Canterbury Christ Church University appointed him as a senior lecturer in the Media Department. In 2009, after a year's research fellowship at the University of Ghent, he was promoted to Reader in Print History. It was while at Canterbury Christ Church that he published his monograph on The London Journal , [2] and edited two collections of primary sources with John Plunkett from Exeter University: Victorian Print Media and Popular Print Media, 1820–1900
Later he guest edited three special numbers of learned journals, including one on Angels and Demons in Critical Survey, another (with Marysa Demoor of the Ghent University) on the V ictorian professions, the press and gender in Nineteenth-Century Gender Studies, while the third was on work and leisure in Victorian Periodicals Review.
In May 2012 he was appointed Professor of English at the University of Greenwich.
Collections of essays he has since edited with colleagues comprise Ouida and Victorian Popular Culture (with Jane Jordan) and, with Alexis Easley and John Morton, the Routledge Handbook to Nineteenth-Century Periodicals and Newspapers and Researching the Nineteenth-Century Periodical Press: Case Studies . Both the latter won the Robert and Vineta Colby Prize for the book published during the preceding year that most advances our understanding of the nineteenth-century British press.
He has also published a critical edition of The Massarenes , the last full-length novel by Ouida, and written a considerable number of articles, chapters and book reviews as listed on his staff profile page.
His latest research in periodicals derives from his discovery of the dearth of research on trade periodicals as mediated communications. This crystallised in 2016 into BLT19 , a digitisation project centred on Victorian periodicals concerned with various aspects of work, and into the first real overview of Victorian trade and professional periodicals for The Edinburgh History of the British and Irish Press, Volume 2, 2020, edited by David Finkelstein .
In 2019, he co-founded Victorian Popular Fictions , the organ of the Victorian Popular Fiction Association , of which he became Acting and then Elected President in 2019.
Ælfheah, more commonly known today as Alphege, was an Anglo-Saxon Bishop of Winchester, later Archbishop of Canterbury. He became an anchorite before being elected abbot of Bath Abbey. His reputation for piety and sanctity led to his promotion to the episcopate and, eventually, to his becoming archbishop. Ælfheah furthered the cult of Dunstan and also encouraged learning. He was captured by Viking raiders in 1011 during the siege of Canterbury and killed by them the following year after refusing to allow himself to be ransomed. Ælfheah was canonised as a saint in 1078. Thomas Becket, a later Archbishop of Canterbury, prayed to him just before his own murder in Canterbury Cathedral in 1170.
The Canterbury Tales is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. It is widely regarded as Chaucer's magnum opus. The tales are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.
Dunstan was an English bishop. He was successively Abbot of Glastonbury Abbey, Bishop of Worcester, Bishop of London and Archbishop of Canterbury, later canonised as a saint. His work restored monastic life in England and reformed the English Church. His 11th-century biographer Osbern, himself an artist and scribe, states that Dunstan was skilled in "making a picture and forming letters", as were other clergy of his age who reached senior rank. Dunstan served as an important minister of state to several English kings. He was the most popular saint in England for nearly two centuries, having gained fame for the many stories of his greatness, not least among which were those concerning his famed cunning in defeating the Devil.
Richard Holt Hutton was an English journalist of literature and religion.
The Viking revival was a movement reflecting new interest in, and appreciation for Viking medieval history and culture. Interest was reawakened in the late 18th and 19th centuries, often with added heroic overtones typical of that Romantic era. The revival began earlier with historical discoveries and early modern publications dealing with Old Norse culture. The first printed edition of the 13th century Gesta Danorum or the Legend of the Danes by Saxo Grammaticus, came out in 1514 just as book printing began become more practical and printing trade was quickly spreading. In 1555, the Historia de gentibus septentrionalibus, or "History of the northern peoples", by Olaus Magnus was produced. The pace of publication increased during the 17th century with Latin translations of the famous Edda, notably Peder Resen's Edda Islandorum of 1665. The Edda consisted of two 13th century Medieval Icelandic literary works on Norse mythology, written down in the 13th century, but certainly from older oral sources: they are the Prose Edda, and an older collection of poems without an original title now known as the Poetic Edda. The books are the main sources of medieval skaldic tradition of poetry and storytelling in Iceland and Norse mythology.
Medievalism is a system of belief and practice inspired by the Middle Ages of Europe, or by devotion to elements of that period, which have been expressed in areas such as architecture, literature, music, art, philosophy, scholarship, and various vehicles of popular culture. Since the 17th century, a variety of movements have used the medieval period as a model or inspiration for creative activity, including Romanticism, the Gothic revival, the pre-Raphaelite and arts and crafts movements, and neo-medievalism.
Richard Marsh was the pseudonym of the English author born Richard Bernard Heldmann. A best-selling and prolific author of the late 19th century and the Edwardian period, Marsh is best known now for his supernatural thriller novel The Beetle, which was published the same year as Bram Stoker's Dracula (1897), and was initially even more popular, outselling Dracula six times over. The Beetle remained in print until 1960. Marsh produced nearly 80 volumes of fiction and numerous short stories, in genres including horror, crime, romance and humour. Many of these have been republished recently, beginning with The Beetle in 2004. Marsh's grandson Robert Aickman was a notable writer of short "strange stories".
A biography, or simply bio, is a detailed description of a person's life. It involves more than just the basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae (résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality.
In literature, a serial is a printing or publishing format by which a single larger work, often a work of narrative fiction, is published in smaller, sequential instalments. The instalments are also known as numbers, parts or fascicles, and may be released either as separate publications or within sequential issues of a periodical publication, such as a magazine or newspaper.
The London Journal; and Weekly Record of Literature, Science and Art was a British penny fiction weekly, one of the best-selling magazines of the nineteenth century.
Stephen Thomas Knight MA (Oxon.), PhD (Sydney), F.A.H.A., F.E.A. was, until September 2011, a distinguished research professor in English literature at Cardiff University; and is a professorial fellow of Literature at the University of Melbourne. His areas of expertise include medieval English and European literature, Robin Hood, Merlin, cultural studies, crime fiction, and Australian matters. He has authored over thirty books, and is well known in the public sphere for his contribution to a range of fields. His most recent books have been The Politics of Myth (2015), Towards Sherlock Holmes: A Thematic History of Crime Fiction in the 19th Century World (2017), Australian Crime Fiction: A 200-year History (2018), The Fiction of G.W.M. Reynolds: The Man Who Outsold Dickens (2019) and The University is Closed for Open Day: Themes and Scenes from 21st Century Australia (2019).
William Hughes FRHistS FSA Scot is Professor of Literature in English at the University of Macau, China: he has specialised in the study of Bram Stoker. He was educated at the Liverpool Collegiate School and the University of East Anglia, and also holds a PGCE from Christ Church, Canterbury. He has presented radio programmes for the BBC World Service and BBC Radio 4, and has also appeared on live television through Living TV's Most Haunted Live!, most recently during the 2009 broadcast from St George's Hall, Liverpool. In 2015, he was elected a Fellow of the Royal Historical Society and, in 2019, a Fellow of the Society of Antiquaries of Scotland. Prior to accepting a Chair at the University of Macau he was, for 26 years, a member of the English faculty at Bath Spa University, England, where he led teaching and research in the fields of Gothic Literature and the medical humanities.
Chambers's Edinburgh Journal was a weekly 16-page magazine started by William Chambers in 1832. The first edition was dated 4 February 1832, and priced at one penny. Topics included history, religion, language, and science. William was soon joined as joint editor by his brother Robert, who wrote many of the articles for the early issues, and within a few years the journal had a circulation of 84,000. From 1847 to 1849 it was edited by William Henry Wills. In 1854 the title was changed to Chambers's Journal of Popular Literature, Science, and Art, and changed again to Chambers's Journal at the end of 1897.
Robyn R. Warhol is an American literary scholar, associated in particular with feminist narrative theory, of which she is considered one of the originators. She is currently an Arts and Humanities Distinguished Professor of English at the Ohio State University and a core faculty member of Project Narrative. Warhol received her BA in English from Pomona College in 1977 and her PhD in English and American Literature from Stanford University in 1982, where she studied with Thomas Moser, George Dekker, and Ian Watt.
Bernard Vise Lightman, FRSC is a Canadian historian, and professor of Humanities and Science and Technology Studies at York University, in Toronto, Ontario, Canada. He specializes in the relationship between Victorian science and unbelief, the role of women in science, and the popularization of science.
Nicholas Peter Brooks, FBA was an English medieval historian.
John Thomas Dicks (1818–1881) was a publisher in London in the 19th century. He issued popular, affordably priced fiction and drama, such as "shilling Shakespeares and wonderfully cheap reprints of Scott and other standard authors." Earlier in his career he worked with Peter Perring Thoms and George W. M. Reynolds. Employees included illustrator Frederick Gilbert. Readers included Thomas Burt and Havelock Ellis. Dicks retired in the 1870s, when his sons took over the firm which continued into the 1960s.
The Leisure Hour was a British general-interest periodical of the Victorian era which ran weekly from 1852 to 1905. It was the most successful of several popular magazines published by the Religious Tract Society, which produced Christian literature for a wide audience. Each issue mixed multiple genres of fiction and factual stories, historical and topical.
Andrew Nicholas Wawn is emeritus professor of Anglo-Icelandic literature at the University of Leeds and an expert on Old Norse sagas and their reception in the modern era.
James Andrew Secord is an American-born historian. He is a professor of history and philosophy of science within the Department of History and Philosophy of Science at the University of Cambridge, and a fellow of Christ's College. He is also the director of the project to publish the complete Correspondence of Charles Darwin. Secord is especially well-known for his award-winning work on the reception of the anonymous Vestiges of the Natural History of Creation, a pioneering evolutionary book first published in 1844.