Andy Offutt Irwin

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Andy Offutt Irwin
Andy Offutt Irwin Atlanta Botanical Garden 2009 01.JPG
Background information
Born (1957-12-14) December 14, 1957 (age 66)
Covington, Georgia
Occupation(s)Storyteller, singer-songwriter
Instrument(s)Guitar, percussion
Years active1984–present
Website AndyIrwin.com

Andy Offutt Irwin (born December 14, 1957) is an American storyteller, singer-songwriter, and humorist. Born and raised in Covington, Georgia, a small town outside of Atlanta, Irwin began his career in 1984 with an improvisational comedy troupe at Walt Disney World. After five years he shifted to performing as a singer-songwriter, touring the Southeast. In the mid-1990s, Irwin branched into performances for children.

Contents

Irwin continued to perform as a singer-songwriter and added storytelling to these performances, usually telling one story (about ten to twenty-five minutes in length) during a show. In the fall of 2004, he decided to pursue storytelling as a career and quickly achieved national prominence. Irwin now appears regularly in storytelling festivals across the United States. As of 2024, he has released 14 albums which feature stories, songs or whistling and has collected numerous awards for them. In 2013, Irwin received the Circle of Excellence Award from the National Storytelling Network.

Background and early career

Andy Offutt Irwin is a native of Covington, Georgia, [1] a small town in the United States' Deep South about 35 miles east of Atlanta. As a youth, Irwin discovered his talent for imitating different sounds and the speech of others. [1] Irwin later attended Georgia College where he received a B.S. in Sociology in 1983. [2]

Starting in 1984, Irwin spent five years writing, directing, and performing shows with the improvisational comedy troupe SAK Theatre at Disney World. Upon returning to Georgia, Irwin began to focus on singing and songwriting, though he always kept comedic elements in his music. Beginning in 1991, Irwin toured the Southeast as a singer-songwriter. From 1995 to 2001, Irwin sang humorous songs, played guitar, and performed comedy as "Offutt the Minstrel" at the Georgia Renaissance Festival. [3] He also performed at the Kansas City Renaissance Festival during the 1980s. [2]

Storytelling

Evolution as a storyteller

Around 1996 while performing at the Georgia Renaissance Festival (GARF), Irwin met nationally prominent storyteller Carmen Deedy. Deedy had previously been a GARF performer and was joining several current performers for dinner after the festival. After spending several hours interacting over dinner, Deedy said to Irwin, "You're a storyteller". After seeing Irwin perform at Eddie's Attic, Deedy explained the storytelling circuit, and encouraged Irwin to develop his storytelling, splitting a storytelling show with Irwin at Atlanta's 14th Street Playhouse. Leaving his guitar at home, "to stretch myself a bit," it was Irwin's first storytelling gig. [2] In 2005, Irwin appeared as a Featured New Voices Storyteller at the National Storytelling Festival. [4]

Storytelling as a performance form

Prior to deciding to become a full-time storyteller, Irwin worked as a comedian "for a few minutes". However, Irwin came to see that the days of storytelling comedians had passed. [5] Irwin also realized that his style of performance was at odds with the main venue available to comedians today: comedy clubs. (Irwin has jokingly referred to comedy clubs as "evil, smelly places". [6] ) Some of his stories are an hour in length, and Irwin notes, "[t]here was a time when comedians could do that but they can't anymore because the clubs give them three minutes, and they are timing the laughs per minute." [5] Using storytelling as a theatrical form allows Irwin to create more fully drawn characters and to explore darker subject matters as well. "Although I like to think of my storytelling as funny, I can have these serious moments. I'm not depending on the audience to laugh the whole time ... I hope there's content with the form." [5]

Irwin "takes the humor very seriously ... I remember being a little kid wondering why we laugh and what makes me laugh. I always was a class clown. I was always interested in what makes laughter happen and now I get to dig into the theory of it every day." Irwin thinks of himself as a fiction writer and refers to himself as a humorist, [6] and states, "I call myself a humorist and storyteller instead of a comedian because I play in libraries and there's no three-drink minimum." Irwin's stories often reflect life in a small Southern town with recurring themes of growing up and growing old, the bonds of family, the complexities of racial relations in the Deep South, especially during the 1960s and the important art of the practical joke. [7]

Characters

Many of Irwin's stories revolve around his fictional aunt, Dr. Marguerite Van Camp, whom he describes as being about 85 years old. She and her friends founded Southern White Old Lady Hospital in rural Georgia because (as Irwin explains in Marguerite's old lady voice) "all our husbands have moved on, and we were tired of the garden club and the bridge club and the ladies club. So Mary Frances and Julia and I all went back to medical school." [3] Irwin loosely based the character of Marguerite on his mother ("unabashed and delightfully inappropriate") and his maternal grandmother ("a genteel, bun-haired lady of means"). [2] As Irwin explains, "I was raised by Southern women so I imitate a lot of them. Marguerite is the voice of my grandmother, who was born in 1894, and the attitude of my mother. And anything that I want to gripe about I put into [Marguerite's] voice and nobody feels bad about me." [2] Irwin occasionally mentions his fictional Uncle Charles, Marguerite's deceased husband, who briefly served as a Georgia state legislator and who liked to quote Shakespeare out of context for comic effect.

Two other recurring characters in Irwin's stories, Johnny and his brother Kenny, are actual people whom he knew as a child. When the all-white elementary school that Irwin attended in the 1960s was forced to integrate, he became classmates with Johnny Norrington, an African American. They became good friends despite lingering racial barriers. In his story "The Rudiments" on Banana Seat, Irwin describes an accident he caused while riding his bike on a visit to the Norringtons' all-black neighborhood. Genuinely afraid of retaliation, Irwin was whisked to safety by the boys' mother. On the album Bootsie in Season, Irwin recalls how he and Johnny managed to watch the movie Dr. Terror's House of Horrors together despite Johnny having to sit in the "colored section" in the balcony while Irwin watched from the level below. [8]

Discography

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References

  1. 1 2 The Storytellers by Curt Holman for Creative Loafing (Atlanta) , January 30, 2008. Retrieved January 30, 2008.
  2. 1 2 3 4 5 by Greg Davis for Tonic, WUKY, April 28, 2008. Retrieved July 16, 2008.
  3. 1 2 Irwin Adds Quirky Humor, Music to Renaissance Festival Archived October 15, 2016, at the Wayback Machine by Dan Treadaway for Emory Report, October 1995. Retrieved on August 18, 2006.
  4. ↑ Andy Offutt Irwin Archived March 11, 2007, at the Wayback Machine by Seeger Swanson for Fiddler's Green Concert Series, June 2005. Retrieved on July 25, 2006.
  5. 1 2 3 ‘Give Me a Response’: Andy Offutt Irwin Thinks His Stories Are Funny But He Wants His Listeners To Take Away More” by Rick Brown for The Kearney Hub , January 18, 2008. Retrieved January 19, 2008.
  6. 1 2 "Entertaining Children Without Boring the Grownups out of their Skull" Archived May 28, 2016, at the Wayback Machine , Art of Storytelling with Brother Wolf Show, December 16, 2008. Retrieved February 2, 2009.
  7. ↑ Andy Offutt Irwin Armed with New Tales Kingsport Times-News, June 30, 2012. Retrieved May 13, 2013.
  8. ↑ Art of Storytelling Celebrated with Weekend Concerts Archived July 17, 2011, at the Wayback Machine by Randall Higgins for the Chattanooga Times Free Press , February 27, 2008. Retrieved March 3, 2008.
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