Ann Mounsey or Ann Sheppard Mounsey or (after her marriage) Ann Mounsey Bartholomew was born on 17 April 1811 and died on 24 June 1891. She was well known in London as a teacher, conductor, and organist. As a composer, she published songs, hymns, partsongs, large-scale choral worka, and many pieces for the piano and the organ. [1]
Mounsey was born at 21 Old Compton Street, Soho, London, the eldest child of Thomas Mounsey, a licensed victualler, and his wife, Mary, née Briggs. [2] Her younger sister, Elizabeth Mounsey (1819–1905) also became a professional musician. In 1824 the family settled in Shoreditch, London.
Ann's early music education was undertaken at the renowned piano academy of Johann Bernhard Logier where in 1820 her talent for composition was noted by the composer Louis Spohr during a visit there. [2] Ann also received private organ lessons from the conductor and concert organist Samuel Wesley and from Thomas Attwood, the organist St. Paul's Cathedral London. [2]
On April 28, 1853, Ann Mounsey Bartholomew married the violinist and writer William Bartholomew (1793-1867). At the time of her death Ann was living at 58 Brunswick Place, City Road, Shoreditch, having suffered from several years of ill health, and being cared for by her sister Elizabeth. [1]
Ann regularly appeared as an accompanist, [3] most memorably was in 1845 when she performed as accompanist at the premiere of the choral work Hear My Prayer (for soprano solo, chorus and organ) by Felix Mendelssohn. [4]
From 1843 to 1848 Ann Mounsey ran ""The Crosby Hall Sacred Concert"" an innovative public concert series of six concerts per season. Composers featured included, Henry Purcell, Johann Sebastian Bach, Carl Heinrich Graun, Johann Georg Albrechtsberger, Luigi Cherubini, Joseph Haydn, Felix Mendelssohn and Ann Mounsey herself. [2] These concerts were very well received.
The mainstay of Ann Mounsey's musical life was as a church organist. In 1828, aged 17, she got her first job as a church organist in the London suburb of Clapton, transferred to St. Michael’s Church, Wood Street in 1829, and finally became the organist at St. Vedast’s Church in Foster Lane. She served in this position for almost 50 years, until her retirement in 1883. [2]
She was elected an associate of the London Philharmonic Society in 1834 and in 1839, she became a member of the Royal Society of Musicians. [2] In 1840 she was a founder member of the Society of Female Musicians. [1]
Ann Mounsey’s extensive catalogue comprises an oratorio (including The Nativity, Op. 29 of 1855), cantatas and odes, partsongs, liturgical works, and around 120 songs for solo voice and piano, numerous compositions for piano solo, works for piano with various other solo instruments, and works for organ. For an extensive list of Ann Mounsey's works see the link to the Ann Mounsey webpage at Musik und Gender im Internet given in the section 'External Links' below.
Jakob Ludwig Felix Mendelssohn Bartholdy, widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto, the String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's Songs Without Words are his most famous solo piano compositions.
This article is about music-related events in 1835.
Niels Wilhelm Gade was a Danish composer, conductor, violinist, organist and teacher. Together with Johan Peter Emilius Hartmann, he was the leading Danish musician of his day, in the period known as the Danish Golden Age.
The University of Music and Theatre "Felix Mendelssohn Bartholdy" Leipzig (German: Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig) is a public university in Leipzig (Saxony, Germany). Founded in 1843 by Felix Mendelssohn as the Conservatorium der Musik (Conservatory of Music), it is the oldest university school of music in Germany.
Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
"Hear my prayer" is an anthem for soprano solo, chorus (SATB) and organ or orchestra composed by Felix Mendelssohn in Germany in 1844. The first performance took place in Crosby Hall, London, on 8 January 1845. The accompanist on that occasion was organist, composer and teacher Ann Mounsey (1811–1891). She later married the librettist of the work, William Bartholomew (1793–1867), who also collaborated with Mendelssohn on his oratorio Elijah. The anthem is particularly well known through the recording made in 1927 by treble Ernest Lough.
Prelude and Fugue in A minor, BWV 543 is a piece of organ music written by Johann Sebastian Bach sometime around his years as court organist to the Duke of Saxe-Weimar (1708–1713).
Harald Feller is a German organist, choral conductor and composer teaching at the Hochschule für Musik und Theater München. He was awarded the 1983 Grand Prix du Disque Liszt.
The Mendelssohn Scholarship refers to two scholarships awarded in Germany and in the United Kingdom. Both commemorate the composer Felix Mendelssohn, and are awarded to promising young musicians to enable them to continue their development.
Johann Sebastian Bach's music has been performed by musicians of his own time, and in the second half of the eighteenth century by his sons and students, and by the next generations of musicians and composers such as the young Beethoven. Felix Mendelssohn renewed the attention for Bach's music by his performances in the 19th century. In the 20th century Bach's music was performed and recorded by artists specializing in the music of the composer, such as Albert Schweitzer, Helmut Walcha and Karl Richter. With the advent of the historically informed performance practice Bach's music was prominently featured by artists such as Nikolaus Harnoncourt, Gustav Leonhardt and Sigiswald Kuijken.
Elizabeth Mounsey was a British organist, guitarist, and composer. She became the organist of St Peter upon Cornhill Church in London when she was 14 years old and remained in the post until 1882. Mounsey also composed works with her sister Ann Mounsey and Elizabeth had a short career as a guitarist.
Jean-Claude Zehnder is a Swiss organist in church and concert, harpsichordist, and musicologist. In research and playing, he is focused on Baroque music, and has played and recorded at historic organs in Europe. He led the department for organ at the Schola Cantorum Basiliensis from 1972 to 2006. His publications include books and music editions, such as organ works by Johann Sebastian Bach.
Emma Wright Mundella was an English composer and arranger, recital pianist, church organist, choral conductor, teacher of music and hymnal editor. In her short life she published anthems, choruses and cantatas as well as songs, hymns, pieces for solo piano and for piano and other string instruments. As Director of Music Teaching at Wimbledon High School for Girls her particular interest was the encouragement of musical appreciation by young people, in pursuit of which she wrote many compositions for children and schools. Though her music is now seldom heard, her lasting achievement was her well-regarded editorship of The Day School Hymnbook, the expanded edition of which was published shortly after her early death and which brought her posthumously into national prominence.
Kristin Merscher is a German classical pianist and professor at the Hochschule für Musik Saar in Saarbrücken, Germany.
Grete Hinterhofer was an Austrian pianist, music teacher and composer.
Hans-Dieter Karras is a German church musician, composer and organist.
Eleonore Henriette Magdalena Grabau-Bünau, also Henriette Grabau or Henriette Bünau, was a German operatic alto and mezzo-soprano. For twelve years she was the main singer at the Leipzig Gewandhaus and from 1843 to 1849 she was the first teacher at the Leipzig Conservatory.
Throughout the 18th century, the appreciation of Johann Sebastian Bach's music was mostly limited to distinguished connoisseurs. The 19th century started with publication of the first biography of the composer and ended with the completion of the publication of all of Bach's known works by the Bach Gesellschaft. A Bach Revival had started from Mendelssohn's performance of the St Matthew Passion in 1829. Soon after that performance, Bach started to become regarded as one of the greatest composers of all times, if not the greatest, a reputation he has retained ever since. A new extensive Bach biography was published in the second half of the 19th century.
Kurt Fiebig was a German composer, church musician and professor at the Hochschule für Musik und Theater Hamburg.
Gereon Krahforst is a German composer, concert organist, pianist, harpsichordist, and church musician.
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