Ann Philbin

Last updated
Ann Philbin
NationalityAmerican
Education
OccupationMuseum director

Ann Philbin is an American museum director. From 1999 to 2024, she was director of the Hammer Museum in Los Angeles; before this she was the director of the Drawing Center in New York City.

Contents

Early life and education

Philbin's parents were an artist and a lawyer in the John F. Kennedy administration. [1] She received her B.A. in art history and B.F.A. in painting from the University of New Hampshire, Durham, in 1976 [2] and her M.A. in museum studies/arts administration from New York University in 1982. [3]

At the University of New Hampshire, Philbin was a member of the Gay Students Organization, which faced controversy when Governor of New Hampshire Meldrim Thomson Jr. threatened to cut university funding if the group refused to disband. In 1974, the United States Court of Appeals for the First Circuit in Boston upheld the decision made by the United States District Court for the District of New Hampshire, and this landmark case established the constitutional right for gay students groups to exist on campus. [4]

Career

Prior to her arrival at the Hammer Museum, Philbin lived and worked in New York as an independent curator. She served as curator of the Ian Woodner Family Collection followed by a position at the Curt Marcus Gallery as an art dealer. [5] Having acted as director of The Drawing Center in New York for nine years, Philbin was appointed Director of the Hammer Museum in Los Angeles, where she has remained for over twenty years. Philbin is one of ten leading art museum directors interviewed by Michael E. Shapiro, Director Emeritus of the High Museum of Art, in In Eleven Museums, Eleven Directors: Conversations on Art & Leadership on how the directors came into their leadership roles, the challenges they face, and what they see as the future of museums. [6]

The Drawing Center, 1990–1999

From 1990 through 1999, Philbin served as director of The Drawing Center in New York, where she curated exhibitions of works on paper in addition to managing the institution's overall programming and administration. Philbin is credited with revitalizing the institution through a creative approach to exhibiting the medium of drawing, presenting work from established artists while also introducing lesser-known artists to The Drawing Center's audience. [7] Along with these developments in the exhibition program, Philbin turned the space into a gathering center for community groups, implementing a series of monthly readings and other public events. [8]

Hammer Museum, 1999–2024

After Henry Hopkins retired in 1998, Philbin was appointed director of the Hammer Museum in 1999. [9] Philbin oversees a complex group of art holdings, including collections amassed by Armand Hammer and UCLA's Murphy Sculpture Garden and Grunwald Center, a 45,000-piece graphic arts trove. The newest addition is a rapidly growing collection of contemporary art with 1,000 pieces in place, strongest in works on paper and Southern California art. [10] Since Philbin became director in 1999, the museum's annual operating budget has grown from $5 million to $22 million, and its staff from 35 to over 200. [11] She is credited with re-energizing the institution and making it a "nexus of LA's arts community." [12] Under Philbin's leadership, the Hammer has quadrupled its attendance to about 250,000 visitors per year. [13]

In 2003, the New York Times reported that Philbin was one of the candidates interviewed for the position as director of the Whitney Museum; the position eventually went to Adam D. Weinberg. [14]

In addition to her role at the Hammer, Philbin has also served on the selection committee that chose the artist exhibiting at the American pavilion at the Venice Biennale. [15]

In October 2023, Philbin announced her decision to step down from her post in November 2024. [16] [17]

Made in L.A.

In 2012, Philbin inaugurated the first biennial exhibition in Los Angeles, Made in L.A. [18] Now in its fifth iteration, Made in L.A. celebrates emerging and under-recognized artists from Los Angeles with practices in an array of mediums. By commissioning local artists to create work specifically for the exhibition, the Hammer's signature biennial showcases the city's diversity. [19]

Capital Campaign

In 2018 the Hammer announced a $180 million capital campaign in support of an ambitious transformation plan for the museum spaces. The majority of the funds will be used to expand exhibition and public areas, increasing gallery space by 60% and adding 20,000 square feet of public space. The renovation, a continuation of previous building projects by architect Michael Maltzan, also included a revamped entrance at Wilshire and Westwood boulevards designed to maximize the Hammer's visual presence. [20]

Personal life

Philbin is married to her longtime partner, Cynthia Wornham, a public relations and communications executive who served as senior vice president at the Natural History Museum of Los Angeles County. [21] They reside in a house designed by Buff, Straub & Hensman in Beverly Hills. [22]

Awards and honors

From 2005 to 2012, Philbin was ranked in ArtReview's Power 100. [23] In both 2018 and 2019, Philbin was included on Los Angeles Business Journal's LA500 list, a selection of 500 individuals chosen for their exceptional contributions to the community of business in Los Angeles. [24]

In 2018, Philbin received an honor from the French Consulate of Los Angeles which elevated her to the rank of Officier in National des Arts et des Lettres, received for presenting the work of French artists.

In 2020, Philbin was elected to the American Academy of Arts and Sciences. [25]

Related Research Articles

<span class="mw-page-title-main">Hammer Museum</span> Art museum, University of California, Los Angeles (UCLA) in Los Angeles, California

The Hammer Museum, which is affiliated with the University of California, Los Angeles, is an art museum and cultural center known for its artist-centric and progressive array of exhibitions and public programs. Founded in 1990 by the entrepreneur-industrialist Armand Hammer to house his personal art collection, the museum has since expanded its scope. The Hammer Museum also hosts over 300 programs throughout the year, from lectures, symposia, and readings to concerts and film screenings. As of February 2014, the museum's collections, exhibitions, and programs are completely free to all visitors.

<span class="mw-page-title-main">Institute of Contemporary Art, Los Angeles</span> Contemporary art museum

The Institute of Contemporary Art, Los Angeles is a contemporary art museum in Los Angeles, California, United States. As an independent and non-collecting art museum, it exhibits the work of local, national, and international contemporary artists. Until May 2015, the museum was based at the Bergamot Station Arts Center in Santa Monica, California. In May 2016, the museum announced an official name change to the Institute of Contemporary Art, Los Angeles and its relocation to Los Angeles's Downtown Arts District. The museum reopened to the public in September 2017.

<span class="mw-page-title-main">June Wayne</span>

June Claire Wayne was an American painter, printmaker, tapestry innovator, educator, and activist. She founded Tamarind Lithography Workshop (1960–1970), a then California-based nonprofit print shop dedicated to lithography.

Patty Chang is an American performance artist and film director living and working in Los Angeles, California. Originally trained as a painter, Chang received her Bachelor of Arts at the University of California, San Diego. It wasn't until she moved to New York that she became involved with performance art.

Thelma Golden is an American art curator, who is the Director and Chief Curator of The Studio Museum in Harlem, New York City, United States. She is noted as one of the originators of the term post-blackness. From 2017 to 2020, ArtReview chose her annually as one of the 10 most influential people in the contemporary art world.

<span class="mw-page-title-main">Luchita Hurtado</span> Venezuelan-American artist (1920–2020)

Luchita Hurtado was a Venezuelan-born American painter based in Santa Monica, California, and Arroyo Seco, New Mexico. Born in Venezuela, she moved to the United States as a child. Although she became involved with art after concentrating on the subject in high school and created art over eight decades, she only received broad recognition for her art towards the end of her life. Her work has strong environmental and feminist themes that bridges many genres, bearing influence from different art movements and cultures.

Cornelia H. Butler is an American museum curator, author, and art historian. Since 2023, Butler is the Director of MoMA PS1. From 2013 to 2023, she was the Chief Curator at the Hammer Museum in Los Angeles.

Lari George Pittman is a Colombian-American contemporary artist and painter. Pittman is an Emeritus Distinguished Professor of Painting and Drawing at the UCLA School of the Arts and Architecture.

Helen Anne Molesworth is an American curator of contemporary art based in Los Angeles. From 2014 to 2018, she was the Chief Curator at The Museum of Contemporary Art (MOCA) in Los Angeles.

Amy Adler is an American visual artist. She works in multiple mediums, using photography, film and drawing. She is currently a professor of Visual Arts at the University of California, San Diego.

<span class="mw-page-title-main">Njideka Akunyili Crosby</span> Nigerian-born American visual artist

Njideka Akunyili Crosby is a Nigerian-born visual artist working in Los Angeles, California. Through her art, Akunyili Crosby "negotiates the cultural terrain between her adopted home in America and her native Nigeria, creating collage and photo transfer-based paintings that expose the challenges of occupying these two worlds". In 2017, Akunyili Crosby was awarded the prestigious Genius Grant from the John D. and Catherine T. MacArthur Foundation.

Jori Finkel is an American writer and editor who specializes in contemporary art. She is best known for analyzing the inner workings of the art market and for chronicling the Los Angeles art scene during its expansion at the beginning of the 21st century.

Carole Ann Klonarides is an American curator, video artist, writer and art consultant that has been based in New York and Los Angeles. She has worked in curatorial positions at the Santa Monica Museum of Art (1997–2000) and Long Beach Museum of Art (1991–95), curated exhibitions and projects for PS1 and Museum of Modern Art (MOMA), Laforet Museum (Tokyo), and Video Data Bank, among others, and been a consultant at the Getty Research Institute. Klonarides emerged as an artist among the loosely defined Pictures Generation group circa 1980; her video work has been presented in numerous museum exhibitions, including "Video and Language: Video As Language", "documenta 8," "New Works for New Spaces: Into the Nineties,", and "The Pictures Generation, 1974-1984", and at institutions such as MoMA, the Smithsonian Hirshhorn Museum, Contemporary Arts Center, the New Museum, The Kitchen, and School of the Art Institute of Chicago (2016). Her work belongs to the permanent collections of MoMA, the Whitney Museum of American Art, Getty Museum, Centre Pompidou, Contemporary Arts Museum Houston, Museu-Fundacão Calouste Gulbenkian (Lisbon), Museo Nacional Centro de Arte Reina Sofía (Madrid), and National Gallery of Canada, and is distributed by the Video Data Bank and Electronic Arts Intermix (EAI).

Danielle Dean is a British-American visual artist. She works in drawing, installation, performance and video. She has exhibited in London and in the United States; her work was included in an exhibition at the Hammer Museum focusing on new or under-recognized artists working in Los Angeles.

Mary Weatherford is a Los Angeles–based painter. She is known for her large paintings incorporating neon lighting tubes. Her work is featured in museums and galleries including the Hirshhorn Museum and Sculpture Garden, Brooklyn Museum, Museum of Modern Art, and the High Museum of Art. Weatherford's solo exhibitions include Mary Weatherford: From the Mountain to the Sea at Claremont McKenna College, I've Seen Gray Whales Go By at Gagosian West, and Like The Land Loves the Sea at David Kordansky Gallery, Los Angeles. Her work has been part of group exhibitions at the Museum of Modern Art and the Rose Art Museum at Brandeis University.

<span class="mw-page-title-main">Suzanne Jackson (artist)</span> American visual artist

Suzanne Jackson is an American visual artist, gallery owner, poet, dancer, educator, and set designer; with a career spanning five decades. Her work has been exhibited in museums and galleries around the world. Since the late 1960s, Jackson has dedicated her life to studio art with additional participation in theatre, teaching, arts administration, community life, and social activism. Jackson's oeuvre includes poetry, dance, theater, costume design, paintings, prints, and drawings.

Lauren Halsey is a contemporary American artist. Halsey uses architecture and installation art to demonstrate the realities of urban neighborhoods like South Central, Los Angeles.

Jamillah James is an American curator. She is the Manilow Senior Curator at the Museum of Contemporary Art Chicago.

<span class="mw-page-title-main">Johanna Burton</span> American art historian, critic, and curator (born 1971/1972)

Johanna Beth Burton is an American art historian, critic, and curator who has been the director of the Museum of Contemporary Art, Los Angeles since 2021. She was director of the Wexner Center for the Arts at Ohio State University from 2018 to 2021.

Anne Ellegood is an American curator and museum director who is the executive director of the Institute of Contemporary Art, Los Angeles.

References

  1. "Ann Philbin and the art of the provocative are thriving at the Hammer Museum - Los Angeles Times". Los Angeles Times . 15 June 2018.
  2. "'The biggest lesson was to question authority' — Ann Philbin '76". UNH Magazine online. Retrieved 10 January 2016.
  3. "Steinhardt Alumni Event Held in Los Angeles on April 10th" (PDF). Alumni Council Newsletter Spring 2018. New York University Visual Arts Administration. Retrieved 19 May 2020.
  4. Harrigan, Jane. "Out Front". UNH Magazine. University of New Hampshire. Retrieved 26 May 2020.
  5. Smith, Dinitia (15 January 1996). "Drawing Dares to Compete In a Revitalized SoHo Gallery". The New York Times. Retrieved 19 May 2020.
  6. Shapiro, Michael E. (2016). Eleven Museums, Eleven Directors: Conversations on Art & Leadership. High Museum of Art, Atlanta. ISBN   978-0939802272.
  7. Smith, RJ (1 December 2011). "The Exhibitionist". Los Angeles Magazine. Retrieved 19 May 2020.
  8. Smith, Dinitia (15 January 1996). "Drawing Dares to Compete In a Revitalized SoHo Gallery". The New York Times. Retrieved 19 May 2020.
  9. "About Us". Hammer Museum. Retrieved 10 January 2016.
  10. Suzanne Muchnic (18 October 2009). "The Hammer Museum's striking rise". Los Angeles Times. Retrieved 10 January 2016.
  11. Robin Pogrebin (February 22, 2018), Pogrebin, Robin (22 February 2018). "$50 Million for the Hammer Museum, and Fresh Energy for Arts Giving in L.A." The New York Times. The New York Times .
  12. "Meet Ann Philbin: The Woman Behind The Hammer Museum's Success" . Retrieved 2018-03-17.
  13. "Reference at newsroom.ucla.edu".
  14. Vogel, Carol (31 July 2003). "Who Will Run Frick And the Whitney?". New York Times .
  15. Vogel, Carol (3 August 2004). "American Art Is Adrift For Biennale In Venice". New York Times .
  16. Knight, Christopher (18 October 2023). "In blow to L.A. art scene, Hammer Museum director Ann Philbin to retire in 2024". Los Angeles Times .
  17. Pogrebin, Robin (September 30, 2024). "The Hammer Museum Chooses a New Director". The New York Times . Retrieved January 4, 2025.
  18. "Made in L.A. 2012". Hammer Museum. 2 June 2012. Retrieved 19 May 2020.
  19. Fleishman, Jeffrey (15 June 2018). "Ann Philbin and the art of the provocative are thriving at the Hammer Museum". Los Angeles Times. Retrieved 19 May 2020.
  20. "A bigger, better Hammer Museum". UCLA Magazine. 20 June 2018. Retrieved 19 May 2020.
  21. "Ann Philbin and the art of the provocative are thriving at the Hammer Museum - Los Angeles Times". Los Angeles Times . 15 June 2018.
  22. Arthur Lubow (15 March 2023), Ann Philbin’s Subtle Touch W .
  23. "Ann Philbin". ArtReview. Retrieved 10 January 2016.
  24. "ANN PHILBIN | Los Angeles Business Journal". 30 June 2018.
  25. "New Members".