Sergei Pavlovich Diaghilev, also known as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise.
Vaslav or Vatslav Nijinsky was a Russian ballet dancer and choreographer of Polish ancestry. He is regarded as the greatest male dancer of the early 20th century.
Anna Pavlovna Pavlova was a Russian prima ballerina. She was a principal artist of the Imperial Russian Ballet and the Ballets Russes of Sergei Diaghilev, but is most recognized for creating the role of The Dying Swan and, with her own company, being the first ballerina to tour the world, including South America, India, Mexico and Australia.
Michael Fokine was a Russian choreographer and dancer.
Bronislava Nijinska was a Russian ballet dancer of Polish origin, and an innovative choreographer. She came of age in a family of traveling, professional dancers.
The Afternoon of a Faun is a ballet choreographed by Vaslav Nijinsky for the Ballets Russes, and was first performed in the Théâtre du Châtelet in Paris on 29 May 1912. Nijinsky danced the main part himself. The ballet is set to Claude Debussy's symphonic poem Prélude à l'après-midi d'un faune. Both the music and the ballet were inspired by the poem L'Après-midi d'un faune by Stéphane Mallarmé. The costumes, sets and programme illustrations were designed by the painter Léon Bakst.
Tamara Platonovna Karsavina was a Russian prima ballerina, renowned for her beauty, who was a principal artist of the Imperial Russian Ballet and later of the Ballets Russes of Sergei Diaghilev. After settling in Britain at Hampstead in London, she began teaching ballet professionally and became recognised as one of the founders of modern British ballet. She assisted in the establishment of The Royal Ballet and was a founder member of the Royal Academy of Dance, which is now the world's largest dance-teaching organisation.
Mathilde-Marie Feliksovna Kschessinska, also known as Princess Romanovskaya-Krasinskaya upon her marriage, was a Polish–Russian ballerina from the noble Krzesiński family. Her father, Feliks Krzesiński, and her brother both danced in Saint Petersburg. She was a mistress of the future Emperor Nicholas II of Russia before his marriage, and later the wife of his cousin Grand Duke Andrei Vladimirovich of Russia. She was known in the West as Mathilde Kschessinska or Matilda Kshesinskaya.
Pavel Andreyevich Gerdt, also known as Paul Gerdt, was the Premier Danseur Noble of the Imperial Ballet, the Bolshoi Kamenny Theatre, and the Mariinsky Theatre for 56 years, making his debut in 1860, and retiring in 1916. His daughter Elizaveta Gerdt was also a prominent ballerina and teacher.
Enrico Cecchetti was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the Teatro Tordinona in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in St. Petersburg, Russia, where he further honed his skills. Cecchetti was praised for his agility and strength in his performances, as well as his technical abilities in dance. By 1888, he was widely accepted as the greatest ballet virtuoso in the world.
The Ballets Russes was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America. The company never performed in Russia, where the Revolution disrupted society. After its initial Paris season, the company had no formal ties there.
Le Spectre de la rose is a short ballet about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball. The ballet was written by Jean-Louis Vaudoyer who based the story on a verse by Théophile Gautier and used the music of Carl Maria von Weber's piano piece Aufforderung zum Tanz as orchestrated by Hector Berlioz.
The Vaganova Academy of Russian Ballet is a school of classical ballet in St Petersburg, Russia. Established in 1738 during the reign of Empress Anna, the academy was known as the Imperial Ballet School until the Soviet era, when, after a brief hiatus, the school was re-established as the Leningrad State Choreographic Institute. In 1957, the school was renamed in honor of the pedagogue Agrippina Vaganova, who cultivated the method of classical ballet training that has been taught there since the late 1920s. Many of the world's leading ballet schools have adopted elements of the Vaganova method into their own training.
The company Ballets Russes de Monte-Carlo was formed in 1932 after the death of Sergei Diaghilev and the demise of Ballets Russes. Its director was Wassily de Basil, and its artistic director was René Blum. They fell out in 1936 and the company split. The part which de Basil retained went through two name changes before becoming the Original Ballet Russe. Blum founded Les Ballets de Monte Carlo, which changed its name to Ballet Russe de Monte Carlo when Léonide Massine became artistic director in 1938. It operated under this name until it disbanded some 20 years later.
The Original Ballet Russe was a ballet company established in 1931 by René Blum and Colonel Wassily de Basil as a successor to the Ballets Russes, founded in 1909 by Sergei Diaghilev. The company assumed the new name Original Ballet Russe after a split between de Basil and Blum. De Basil led the renamed company, while Blum and others founded a new company under the name Ballet Russe de Monte-Carlo. It was a large scale professional ballet company which toured extensively in Europe, Australia and New Zealand, the United States, and Central and South America. It closed down operations in 1947.
Galina Viktorovna Belyaeva is a Soviet and Russian film and theatre actress, best known for her leading roles in A Hunting Accident (1977) and Anna Pavlova (1983). Belyaeva, the Meritorious Artist of Russia (2003), has been one of the leading actresses at the Moscow Mayakovsky Theatre since 1983.
Le Pavillon d'Armide is a ballet in one act and three scenes choreographed by Michel Fokine with music by Nikolai Tcherepnin to a libretto by Alexandre Benois. It was inspired by the novella Omphale by Théophile Gautier.
Les Orientales is a choreographic divertissement by Michel Fokine. A production of Ballets Russes, it was premiered on June 25, 1910 at the Theatre National de l'Opera in Paris.
Cléopâtre is a ballet in one act with choreography by Mikhail Fokine and music by Anton Arensky, Alexander Taneyev, Nikolai Rimsky-Korsakov, Mikhail Glinka, Alexander Glazunov, Modeste Mussorgsky, and Nikolai Tcherepnin. The scenery and costumes were created by Léon Baskt. The first production opened at Théâtre du Châtelet in Paris on June 2, 1909.
Elena Smirnova was the last prima ballerina of the Mariinsky Theater in the Imperial period of Russia. Starring in many leading roles, she often performed choreography created by Marius Petipa and Boris G. Romanov. Participating in early films of Germany and Russia, she made eight silent films and participated in the premiers of both the Ballets Russes in Paris and in the first performance of Russian ballet in Japan.
