Anne Gallet is a Swiss harpsichordist and musicologist.
Gallet was born in Geneva. At the age of 20 she won the first prize for virtuosity at the Conservatoire de Genève in the class of Isabelle Nef. Subsequently, she studied at the Wiener Musikakademie (Vienna), and further, under Gustav Leonhardt. A laureate of the International Competition Musica Antiqua Bruges in 1965, she went on to play at European and American festivals, solo, and accompanying Jordi Savall, Hopkinson Smith, Sigiswald Kuijken, and Philippe Huttenlocher. She obtained a master's degree in musicology at Washington University in St. Louis, where she also taught harpsichord for two years.
In reviewing the 2000 recording The Baroque Harpsichord to which Gallet contributed, Gramophone magazine praised "the delicacy of her touch". [1]
As of 2000, she is a teacher at the Conservatoire de Genève and the Centre de Musique Ancienne Geneve. [2]
Trevor David Pinnock is a British harpsichordist and conductor.
Louis Joseph Diémer was a French pianist and composer. He was the founder of the Société des Instruments Anciens in the 1890s, and also gave recitals on the harpsichord. His output as a composer was extensive, including a piano concerto and a quantity of salon pieces.
Emmanuelle Haïm is a French harpsichordist and conductor with a particular interest in early music and Baroque music.
Patrick Montan is a Swiss harpsichordist and musicologist.
Lionel Rogg is a Swiss organist, composer and teacher of musical theory. He is best known for performing the music of Johann Sebastian Bach, whose complete organ works he has recorded three times.
Jean-Pascal Chaigne is a French composer.
Catherine Collard was a French classical pianist.
Elizabeth de la Porte FRCM was a South African harpsichordist, Baroque tutor and pianist. She was renowned for bringing to her performances a rhythmic drive and excitement while allowing the instrument to sing, with extraordinary seamless and legato lines and expressive phrasing. During her performing career she made many public appearances, in the UK, continental Europe, and her native South Africa. She was acclaimed for a wide-ranging repertoire that included Böhm, Rameau, François Couperin, Scarlatti and Handel, but she was praised above all for her playing of J. S. Bach and his six Partitas for solo harpsichord. At her debut in March 1972 she was hailed by The Daily Telegraph as "A mind that both contemplates and acts on intimate stylistic knowledge." Her Bach recording for Saga was reviewed in Records & Recording by John Duarte who wrote, "It is in the Partita in B minor that her playing reaches the proportions of grandeur. There is much to admire in de la Porte's playing, but above all its through line and motivation; she plays as a good orator speaks, and it would be a poor student who could not add to a score the long phrasing marks implied by these performances. It is not just that she sees the end of long phrases and sections from their outset; she carries you in one sweep from beginning to end; it's the wholeness of the music that she communicates, and the joy of it."
Ursula Buckel was a German soprano singer, known for singing works of Johann Sebastian Bach.
Mahan Esfahani is an Iranian-American harpsichordist.
Germaine Thyssens-Valentin was a classical pianist of Franco-Dutch parentage, noted for her performances of French music. She studied under Gabriel Fauré at the Paris Conservatoire, and in the 1950s, after a long absence from performing while she raised a family of five children, she recorded a series of discs of Fauré's music that have been reissued on compact disc to considerable acclaim.
Blandine Verlet was a French harpsichordist and a harpsichord teacher, who is known internationally for her recordings of works by François Couperin.
Aline Zylberajch is a French harpsichordist, teacher and musicologist, also playing the organ and the piano-forte.
Florence Malgoire is a French classical violinist, pedagogue and conductor.
Maude Gratton is a French classical musician. She is pursuing a career of soloist, mastering the pipe organ, the piano-forte and the harpsichord.
Béatrice Martin is a French harpsichordist.
Marguerite Roesgen-Champion was a Swiss composer, pianist and harpsichordist.
Isabelle Nef, néeLander was a Swiss pianist and harpsichordist, as well as a professor at the Conservatoire de musique de Genève.
Aimee van de Wiele was a Belgian keyboardist and composer, born in Brussels. She began her music studies at the Brussels Conservatory, where she studied with E. Bosquet and won the Laure van Cutsem prize for piano, as well as prizes for harmony, counterpoint, composition, and music theory. Wiele then moved to France to study harpsichord at the Paris Conservatory with Wanda Landowska and musicology with Andre Pirro. After Landowska's death in 1959, Wiele began teaching at the Paris Conservatory, where she had several notable students, including Elisabeth Chojnacka and Marketta Valve.
Brigitte Fournier in Sion, is a soprano singer known in Valais in Switzerland for her skills in lyric opera. Her voice, described as a lyric soprano, is best suited to composers such as Mozart and Richard Strauss