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The Threepenny Opera is a German "play with music" by Bertolt Brecht, adapted from a translation by Elisabeth Hauptmann of John Gay's 18th-century English ballad opera, The Beggar's Opera, and four ballads by François Villon, with music by Kurt Weill. Although there is debate as to how much, if any, contribution Hauptmann might have made to the text, Brecht is usually listed as sole author.
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"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
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Lotte Lenya was an Austrian-American singer, diseuse, and actress, long based in the United States. In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in The Roman Spring of Mrs. Stone (1961). She also played the murderous and sadistic Rosa Klebb in the James Bond movie From Russia with Love (1963).
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LoveMusik is a musical written by Alfred Uhry, using a selection of music by Kurt Weill. The story explores the romance and lives of Kurt Weill and Lotte Lenya, based on Speak Low : The Letters of Kurt Weill and Lotte Lenya, edited and translated by Lys Symonette and Kim H. Kowalke. Harold Prince had read Speak Low and suggested the idea for a musical to Uhry. Uhry and Prince worked on LoveMusik for four years to develop it into a stage work. The story spans over 25 years, from the first meeting of Lenya and Weill as struggling young artists, to their popularity in Europe and America, to Weill's death from a heart attack at age 50.
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Berlin to Broadway with Kurt Weill is a musical revue with a book by Gene Lerner, music by Kurt Weill, and lyrics by various songwriting partners Weill worked with over his career. The plot follows Weill's life as he begins his career in Germany writing the music for controversial musicals, through his journey fleeing Nazi persecution, immigrating to the United States, and becoming successful on Broadway. Songs featured include those Weill collaborated on with Maxwell Anderson, Marc Blitzstein, Bertolt Brecht, Jacques Deval, Michael Feingold, Ira Gershwin, Paul Green, Langston Hughes, Alan Jay Lerner, Ogden Nash, George Tabori and Arnold Weinstein.
Michael E. Feingold was an American critic, translator, lyricist, playwright and dramaturg. He was the lead theater critic of The Village Voice from 1982 to 2013, for which he was twice named a Pulitzer Prize for Criticism finalist, and was a two-time recipient of the George Jean Nathan Award for Dramatic Criticism. He was a judge for the Obie Awards for 31 years, and the chairman for nine years. For his work as the translator and adapter of the book and lyrics of the Kurt Weill, Elisabeth Hauptmann, and Bertolt Brecht musical Happy End, he was nominated for two Tony Awards in 1977.
References
- 1 2 3 Everett, Todd (October 9, 1997). "Cabaret Comes Home". Los Angeles Times . Retrieved February 5, 2010.
- ↑ Rich, Frank (November 6, 1989). "Review/Theater; 'Threepenny Opera,' With Sting". The New York Times . Retrieved February 5, 2010.
- ↑ Klein, Alvin (March 25, 1990). "THEATER; Troubling Doubles in 'Jekyll and Hyde ..." The New York Times . Retrieved February 5, 2010.
- ↑ "Robben Ford and friends in concert at Brewery Arts Center". Nevada Appeal . June 18, 2009. Retrieved February 5, 2010.
- ↑ Woodard, Josef (November 27, 1998). "Three Tenors Minus Two". Los Angeles Times . Retrieved February 5, 2010.
- ↑ "Anne Kerry Ford Celebrates Kurt Weill In October". BroadwayWorld. September 25, 2009. Retrieved February 5, 2010.
