Anschauung is a German concept that is usually translated as "intuition". It, however, connotes a more nuanced definition especially when the concept is applied to philosophical discourse, including quantum theory. [1] Some of the translations include actual, sense impressions, contemplation, view, opinion, and notion. [1] Anschauung is also an important component of Johann Gottlieb Fichte's doctrine of knowledge.
Anschauen or Anschauung, as a philosophical concept (intuition), has been identified in Plato's Allegory of the Cave where it was associated with the terms light, sun, and eye. [2] It was also mentioned in the works of Johann Wolfgang von Goethe and was referred to as "Phantasie", “Einbildungskraft”, “exakte sinnliche Phantasie” and “anschauende Urteilskraft”. [2] Used in different contexts, the concept was employed as a tool in Goethe's creative, scientific, and philosophical works. [2]
The term Anschauung is derived from the Middle High German term aneschouwunge, which means "contemplation" or "to look at". [3] The term emerged into a philosophical concept as it became a component in theoretical discourse. It became a part of Friedrich Nietzsche's Theory of Language. [4] It is also cited in Georg Wilhelm Friedrich Hegel and Immanuel Kant's works. There are scholars who maintain that the concept is part of the Kantian terminology, which was developed in Latin and translated to German. [5] This observation holds that Kant often associated the word intuitus with Anschauung to make his meaning clear. [5] The conceptualization was also used in the Kantian investigation on the immediate cognition of the existence of God. [5]
According to Hegel, Anschauung is the immediate perception of something, mental or physical, one that is organized according to its inner nature or according to universal reason. [6] In this definition, he distinguished Anschauung from Vorstellung , which pertains to the philosophical concepts (metaphorical or analogical senses) and their dependence on sensory contents. [7]
Arthur Schopenhauer's definition described the term as what transpires once the eye senses an external object, recognizing it as the cause of the vision. [8] Nietzsche defined Anschauung as the projected image of a completely enraptured being. [8] He also associated it with the word "contemplation". [9] In this definition, there is a rejection of Schopenhauer's version of the concept, as it denies the abstract idealism of the will as well as "its objectifications of the world of representations". [8]
In the Kantian phenomenology, Anschauung is identified as "apprehension". Together with Empfindung (sensation), Anschauung constitutes sense (Sinnlichkeit), which represents subjective states. These two concepts, either independently or together in Wahrnehmung, represent the knowledge of external objects. [10] For Kant, Anschauung is the same as sense-data of knowledge. [11] Another analysis cited it as one of the two characteristics that Kant said represented sensibility. [12] Theseconstitute the sense-impressions identified as facts and are inherent in nature, existing prior to ideas, which are constructs of such impressions. [12] As a doctrine, Anschauung and the corresponding critique of pure understanding are said to reveal the limits of sensible cognition. [13]
In Fichte's doctrine of knowledge, Anschauung plays a role in the perception of the external objects and is united with the notion of Denken. [14] He used Anschauung in a various ways when he outlined his doctrine of knowledge. In some instances, he described it as "non-thought" as sense qualifies as such. [15] In other works, however, he cited that all thoughts are confined within Anschauung. Particularly, Fichte identified "ordinary" and technical conceptualizations. The former pertains to perception or the objective universe for man, citing that what is visually perceived is ego-stuff in thought-forms. [15] The latter denotes the "this and that of the qualitative". [15]
According to Arthur Schopenhauer, everyday empirical Anschauung is intellectual in character since it mainly entails the work of the intellect. [16] This definition is notable because it was against the Kantian notion of a totally direct perception (Wahrnehmung). [16] However, some scholars maintain that for both philosophers, Anschauung is some form of perception. [17] For Schopenhauer, Anschauung is not the common conception of idea since it should be understood as intuition and requires a higher degree of intellect. [18] It is also associated with the thinker's notion pessimism, which was used as part of the principle of sufficient reason. He maintained that truth is compatible with Anschauung and that it can achieve the same result as from that of pessimism. [19]
Arthur Schopenhauer was a German philosopher. He is best known for his 1818 work The World as Will and Representation, which characterizes the phenomenal world as the product of a blind noumenal will. Building on the transcendental idealism of Immanuel Kant (1724–1804), Schopenhauer developed an atheistic metaphysical and ethical system that rejected the contemporaneous ideas of German idealism. He was among the first thinkers in Western philosophy to share and affirm significant tenets of Indian philosophy, such as asceticism, denial of the self, and the notion of the world-as-appearance. His work has been described as an exemplary manifestation of philosophical pessimism.
Immanuel Kant was a German philosopher and one of the central Enlightenment thinkers. Born in Königsberg, Kant's comprehensive and systematic works in epistemology, metaphysics, ethics, and aesthetics have made him one of the most influential figures in modern Western philosophy.
In philosophy, a noumenon is knowledge posited as an object that exists independently of human sense. The term noumenon is generally used in contrast with, or in relation to, the term phenomenon, which refers to any object of the senses. Immanuel Kant first developed the notion of the noumenon as part of his transcendental idealism, suggesting that while we know the noumenal world to exist because human sensibility is merely receptive, it is not itself sensible and must therefore remain otherwise unknowable to us. In Kantian philosophy, the noumenon is often associated with the unknowable "thing-in-itself". However, the nature of the relationship between the two is not made explicit in Kant's work, and remains a subject of debate among Kant scholars as a result.
German philosophy, meaning philosophy in the German language or philosophy by German people, in its diversity, is fundamental for both the analytic and continental traditions. It covers figures such as Gottfried Wilhelm Leibniz, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Karl Marx, Friedrich Nietzsche, Martin Heidegger, Ludwig Wittgenstein, the Vienna Circle, and the Frankfurt School, who now count among the most famous and studied philosophers of all time. They are central to major philosophical movements such as rationalism, German idealism, Romanticism, dialectical materialism, existentialism, phenomenology, hermeneutics, logical positivism, and critical theory. The Danish philosopher Søren Kierkegaard is often also included in surveys of German philosophy due to his extensive engagement with German thinkers.
In the 19th century, the philosophers of the 18th-century Enlightenment began to have a dramatic effect on subsequent developments in philosophy. In particular, the works of Immanuel Kant gave rise to a new generation of German philosophers and began to see wider recognition internationally. Also, in a reaction to the Enlightenment, a movement called Romanticism began to develop towards the end of the 18th century. Key ideas that sparked changes in philosophy were the fast progress of science, including evolution, most notably postulated by Charles Darwin and Jean-Baptiste Lamarck, and theories regarding what is today called emergent order, such as the free market of Adam Smith within nation states, or the Marxist approach concerning class warfare between the ruling class and the working class developed by Karl Marx and Friedrich Engels. Pressures for egalitarianism, and more rapid change culminated in a period of revolution and turbulence that would see philosophy change as well.
German idealism was a philosophical movement that emerged in Germany in the late 18th and early 19th centuries. It developed out of the work of Immanuel Kant in the 1780s and 1790s, and was closely linked both with Romanticism and the revolutionary politics of the Enlightenment. The best-known thinkers in the movement, besides Kant, were Johann Gottlieb Fichte, Friedrich Wilhelm Joseph Schelling, Georg Wilhelm Friedrich Hegel, and the proponents of Jena Romanticism. August Ludwig Hülsen, Friedrich Heinrich Jacobi, Gottlob Ernst Schulze, Karl Leonhard Reinhold, Salomon Maimon and Friedrich Schleiermacher also made major contributions.
The Critique of Pure Reason is a book by the German philosopher Immanuel Kant, in which the author seeks to determine the limits and scope of metaphysics. Also referred to as Kant's "First Critique", it was followed by his Critique of Practical Reason (1788) and Critique of Judgment (1790). In the preface to the first edition, Kant explains that by a "critique of pure reason" he means a critique "of the faculty of reason in general, in respect of all knowledge after which it may strive independently of all experience" and that he aims to reach a decision about "the possibility or impossibility of metaphysics." The term "critique" is understood to mean a systematic analysis in this context, rather than the colloquial sense of the term.
Transcendental idealism is a philosophical system founded by German philosopher Immanuel Kant in the 18th century. Kant's epistemological program is found throughout his Critique of Pure Reason (1781). By transcendental Kant means that his philosophical approach to knowledge transcends mere consideration of sensory evidence and requires an understanding of the mind's innate modes of processing that sensory evidence.
Arthur Schopenhauer's aesthetics result from his philosophical doctrine of the primacy of the metaphysical Will as the Kantian thing-in-itself, the ground of life and all being. In his chief work, The World as Will and Representation, Schopenhauer thought that if consciousness or attention is fully engrossed, absorbed, or occupied with the world as painless representations or images, then there is no consciousness of the world as painful willing. Aesthetic contemplation of a work of art provides just such a state—a temporary liberation from the suffering that results from enslavement to the will [need, craving, urge, striving] by becoming a will-less spectator of "the world as representation" [mental image or idea]. Art, according to Schopenhauer, also provides essential knowledge of the world's objects in a way that is more profound than science or everyday experience.
In Kantian philosophy, the thing-in-itself is the status of objects as they are, independent of representation and observation. The concept of the thing-in-itself was introduced by the German philosopher Immanuel Kant, and over the following centuries was met with controversy among later philosophers. It is closely related to Kant's concept of noumena or the object of inquiry, as opposed to phenomenon, its manifestations.
The World as Will and Representation, sometimes translated as The World as Will and Idea, is the central work of the German philosopher Arthur Schopenhauer. The first edition was published in late 1818, with the date 1819 on the title-page. A second, two-volume edition appeared in 1844: volume one was an edited version of the 1818 edition, while volume two consisted of commentary on the ideas expounded in volume one. A third expanded edition was published in 1859, the year prior to Schopenhauer's death. In 1948, an abridged version was edited by Thomas Mann.
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Higher consciousness is the consciousness of God or, in the words of Dawn DeVries, "the part of the human mind that is capable of transcending animal instincts". While the concept has ancient roots, it was significantly developed in German idealism, and is a central notion in contemporary popular spirituality, including the New Age movement.
Schopenhauer's criticism of Kant's schemata is part of Schopenhauer's criticism of the Kantian philosophy which was published in 1819. In the appendix to the first volume of his main work, The World as Will and Representation, Arthur Schopenhauer attempted to assign the psychological cause of Kant's doctrines of the categories and their schemata. Schopenhauer's analysis holds that Kant misused argument by analogy to connect abstract reasoning to empirical perception; Schopenhauer argues that this comparison is baseless, and that its conclusions are thus invalid.
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