Portion of a chapel on the western side of the choir screen
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The ante-chapel is that portion of a chapel which lies on the western side of the choir screen.[1]
In some of the colleges at Oxford and Cambridge the ante-chapel is carried north and south across the west end of the chapel, constituting a western transept or narthex. This model, based on Merton College chapel (13th century), of which only chancel and transept were built though a nave was projected, was followed at Wadham, New and Magdalen Colleges, Oxford, in the new chapel of St John's College, Cambridge, and in Eton College. In Jesus College, Cambridge, the transept and a short nave constitute the ante-chapel; in Clare College an octagonal vestibule serves the same purpose; in Christ's, Trinity and King's Colleges, Cambridge, the ante-chapel is a portion of the main chapel, divided off from the chancel by the choir screen.[1]
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.
The nave is the central part of a church, stretching from the main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts. Either way, the nave is distinct from the area reserved for the choir and clergy.
George Frederick Bodley was an English Gothic Revival architect. He was a pupil of Sir George Gilbert Scott, and worked in partnership with Thomas Garner for much of his career. He was one of the founders of Watts & Co.
A transept is a transverse part of any building, which lies across the main body of the building. In cruciform ("cross-shaped") churches, in particular within the Romanesque and Gothic Christian church architectural traditions, a transept is an area set crosswise to the nave. Each half of a transept is known as a semitransept.
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary, at the liturgical east end of a traditional Christian church building. It may terminate in an apse.
Ely Cathedral, formally the Cathedral Church of the Holy and Undivided Trinity, is an Anglican cathedral in the city of Ely, Cambridgeshire, England.
A Latin cross or crux immissa is a type of cross in which the vertical beam sticks above the crossbeam, with the three upper arms either equally long or with the vertical topmost arm shorter than the two horizontal arms, and always with a much longer bottom arm.
Mainz Cathedral or St. Martin's Cathedral is located near the historical center and pedestrianized market square of the city of Mainz, Germany. This 1000-year-old Roman Catholic cathedral is the site of the episcopal see of the Bishop of Mainz.
The Cathedral Basilica of Our Lady of Amiens, or simply Amiens Cathedral, is a Roman Catholic church. The cathedral is the seat of the Bishop of Amiens. It is situated on a slight ridge overlooking the River Somme in Amiens, the administrative capital of the Picardy region of France, some 120 kilometres north of Paris.
Saint-Étienne-du-Mont is a church in Paris, France, on the Montagne Sainte-Geneviève in the 5th arrondissement, near the Panthéon. It contains the shrine of St. Geneviève, the patron saint of Paris. The church also contains the tombs of Blaise Pascal and Jean Racine. Jean-Paul Marat is buried in the church's cemetery.
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature.
The larger medieval churches of France and England, the cathedrals and abbeys, have much in common architecturally, an east–west orientation, an external emphasis on the west front and its doors, long arcaded interiors, high vaulted roofs and windows filled with stained glass. The eastern end of the building contains the Sanctuary and the Altar.
St Peter's Church is a Church of England parish church located in the centre of Bournemouth, Dorset, England. It is a Grade I listed building classed as a 'major parish church', and was completed in 1879 to a design by George Edmund Street as the founding mother church of Bournemouth.
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe.
The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region and houses the throne of a bishop. Each cathedral also serves as a regional centre and a focus of regional pride and affection.
Stephen Ernest Dykes Bower was a British church architect and Gothic Revival designer best known for his work at Westminster Abbey, Bury St Edmunds Cathedral and the Chapel at Lancing College. As an architect he was a devoted and determined champion of the Gothic Revival style through its most unpopular years. He rejected modernism and continued traditions from the late Victorian period, emphasising fine detail, craftsmanship and bright colour.
St Bees Priory is the parish church of St Bees, Cumbria, in England. There is evidence for a pre-Norman religious site, and on this a Benedictine priory was founded by the first Norman Lord of Egremont William Meschin, and was dedicated by Archbishop Thurstan of York, sometime between 1120 and 1135.
The Church of St Andrew is a Grade I listed church in the village of Clifton Campville, Staffordshire. It was built in the 13th and 14th centuries. The tall spire is a notable feature, visible from a great distance.
St Mary's Church is a Grade I listed building, a parish church in the Church of England in Ottery St Mary, Devon.
Perpendicular Gothic architecture was the third and final style of English Gothic architecture developed in the Kingdom of England during the Late Middle Ages, typified by large windows, four-centred arches, straight vertical and horizontal lines in the tracery, and regular arch-topped rectangular panelling. Perpendicular was the prevailing style of Late Gothic architecture in England from the 14th century to the 17th century. Perpendicular was unique to the country: no equivalent arose in Continental Europe or elsewhere in the British Isles. Of all the Gothic architectural styles, Perpendicular was the first to experience a second wave of popularity from the 18th century on in Gothic Revival architecture.
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