Antescofo is a program developed by Arshia Cont in 2007 at IRCAM in collaboration with composer Marco Stroppa to aid with the synchronization of electronics in live performances. It is a modular polyphonic Score Following system as well as a Synchronous Programming language for musical composition. [1] [2] Since 2012, Antescofo is being developed by a joint team between IRCAM and INRIA.
A common problem in electroacoustic is the displacement in time between the performer and the fixed electronic sound. Even if the trigger is synchronized at the beginning, there may still be a temporal discrepancy between both after a certain duration due to the natural inflection of time on the part of the human performer. Antescofo is able to recognize adjustment in tempo in real time through audio stream from live performers and detect its position in an input score, thus allowing synchronization. It is designed for use with Max/MSP and PureData programming. Some features also exist in NoteAbility Pro, a notation program developed by Keith Hamel, to export information specifically for Antescofo. [3]
Antescofo is equipped with a dedicated real-time synchronous language as an aid to compose mixed pieces as association of live performers and computers. The language's aim to is to reconcile different notions of time in authoring and performing for musicians and composers. [4]
Besides its use in live electronic music, Antescofo is frequently used in automatic accompaniment applications including on voice.
Antescofo has been featured in performances worldwide such as with New York Philharmonic, Berlin Philharmonic, Los Angeles Philharmonic, BBC Scottish Orchestra, West-Eastern Divan Orchestra [2] and more. It has been used by composers such as Marco Stroppa, [5] Philippe Manoury, [4] Jonathan Harvey, Pierre Boulez, and Larry Nelson. [6]
Antescofo was awarded the popular French magazine La Recherche jury prize in 2012. [7] In 2013, Antescofo received the French Industry award by the French Minister of Industry at the time Arnaud Montebourg. [8]
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering, and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century.
IRCAM is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings.
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Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations.
Max Vernon Mathews was an American pioneer of computer music.
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Tod Machover, is a composer and an innovator in the application of technology in music. He is the son of Wilma Machover, a pianist and Carl Machover, a computer scientist.
Virtual orchestra refers to a variety of different types of technologies and art forms. Most commonly used to refer to orchestral simulations, either for pre-recorded or live environments, it also has been used in other ways, such as IRCAM's virtual orchestra database.
Alfio Fazio is an Italian composer of contemporary music.
Dai Fujikura is a Japanese-born composer of contemporary classical music.
Live electronic music is a form of music that can include traditional electronic sound-generating devices, modified electric musical instruments, hacked sound generating technologies, and computers. Initially the practice developed in reaction to sound-based composition for fixed media such as musique concrète, electronic music and early computer music. Musical improvisation often plays a large role in the performance of this music. The timbres of various sounds may be transformed extensively using devices such as amplifiers, filters, ring modulators and other forms of circuitry. Real-time generation and manipulation of audio using live coding is now commonplace.
Oliver Martin Schneller is a German composer and saxophonist.
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Marco Stroppa is an Italian composer who writes computer music as well as music for instruments with live electronics.
Marc Battier is a French composer and musicologist.
Jenny Q Chai is a Chinese-American pianist. She is active throughout China, the United States, and Europe, and specializes in contemporary piano music. She is a graduate of the Curtis Institute of Music and the Manhattan School of Music where she earned her Doctor of Musical Arts degree.
Kumiko Omura is a Japanese composer in the field of contemporary instrumental and electronic music.
Dario Palermo is an Italian composer.