Anthony Roland | |
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Born | 1936 London |
Occupation | Film producer |
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Anthony Montagu Roland is a British producer of films about art. Roland is best known for producing the series of films about art comprising the Roland Collection of Films and Videos on Art, and for his concept of the open air presentation of these films.
Anthony Roland was born in London in 1936. His parents were Dr. Henry Roland (1907-1993) and Joyce Coe. His father was one of the founders of art dealers Roland, Browse and Delbanco at Cork Street in London. [1] He started his career as a collector and dealer in Old Master and modern paintings. [2] He lived in Paris for 12 years before returning to England.
The Roland Collection of films and documentaries about art and modern literature is a selection of the work of 230 film producers from 25 countries. More than 4,000 museums, art galleries and other types of institution from 82 countries have shown films from this collection. The resource guide shows that over 600 films are available, and Roland has himself produced himself 16 of these. The Roland Collection was one of the official cultural events at the Mexico Olympics in 1968. [3]
Anthony Roland started collecting films on art when he was 24. He sponsored his own lecture tour of the US, where he found institutions which had the budgets to realise his ideas. He insisted on high quality of presentation and films being shown together rather than as being seen as 'shorts' alongside other films. [4]
In November 1964 Roland presented his own film about the drawings of Eugène Delacroix at the Academy Cinema in London, alongside a screening of Alain Jessua's film La Vie à l'envers . [5] In the summer of 1966 at the same cinema, in the 40-minute film Rembrandt's Christ he used the drawings of Rembrandt to illustrate an account of the Gospel story. [6]
In October 1969 Roland opened the 400-seater Art Film Centre, at 6 Leicester Place off Leicester Square in London, where two cinemas showed a programme of over 60 of his best films on art. [7] Later that year in the Centre he presented Kaleidoscope, a programme of art films for children. [8]
Anthony Roland's latest project is titled Art Hopping. Developed in partnership with ICOM for International Museum Day from 12 May to 31 May 2013, two sets of free films from the Roland Collection are freely available. Typically for museums to provide for their visitors, the user points a smartphone at one of the QR codes on the poster to obtain immediate showing of a film. The intention is to provide this educational service to museums, universities and schools.
Peter Greenaway, is a British film director, screenwriter and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his films are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death.
Henry Walter Bates was an English naturalist and explorer who gave the first scientific account of mimicry in animals. He was most famous for his expedition to the rainforests of the Amazon with Alfred Russel Wallace, starting in 1848. Wallace returned in 1852, but lost his collection on the return voyage when his ship caught fire. When Bates arrived home in 1859 after a full eleven years, he had sent back over 14,712 species of which 8,000 were new to science. Bates wrote up his findings in his best-known work, The Naturalist on the River Amazons.
The Opening of Misty Beethoven is an American pornographic comedy film released in 1976. It was produced with a relatively high budget and filmed on elaborate locations in Paris, New York City and Rome with a musical score, and owes much to its director Radley Metzger. According to author Toni Bentley, The Opening of Misty Beethoven is considered the "crown jewel" of the Golden Age of Porn (1969–1984).
James Benning is an American independent filmmaker and educator. Over the course of his 40-year career Benning has made over twenty-five feature-length films that have shown in many different venues across the world. Since 1987, he has taught at California Institute of the Arts (CalArts). He is known as a minimalist filmmaker.
David John Munrow was a British musician and early music historian.
Pieter Lastman (1583–1633) was a Dutch painter. Lastman is considered important because of his work as a painter of history pieces and because his pupils included Rembrandt and Jan Lievens. In his paintings Lastman paid careful attention to the faces, hands and feet.
La Chienne is a 1931 French film by director Jean Renoir. It is the second sound film by the director and the twelfth film of his career. The film is based on the eponymous story "La Chienne" by Georges de La Fouchardière. The literal English translation of the film's title is "The Bitch", although the movie was never released under this title. It is often referred to in English as Isn't Life a Bitch? The film was remade by Fritz Lang in the United States as Scarlet Street (1945).
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings.
Vincent van Gogh made many copies of other people's work between 1887 and early 1890, which can be considered appropriation art. While at Saint-Paul asylum in Saint-Rémy-de-Provence, France, where Van Gogh admitted himself, he strived to have subjects during the cold winter months. Seeking to be reinvigorated artistically, Van Gogh did more than 30 copies of works by some of his favorite artists. About twenty-one of the works were copies after, or inspired by, Jean-François Millet. Rather than replicate, Van Gogh sought to translate the subjects and composition through his perspective, color, and technique. Spiritual meaning and emotional comfort were expressed through symbolism and color. His brother Theo van Gogh would call the pieces in the series some of his best work.
Michael William Lely Kitson was a British art historian who became an international authority on the work of the painter Claude Lorrain.
Hendrick Gerritszoon van Uylenburgh was an influential Dutch Golden Age art dealer who helped launch the careers of Rembrandt, Govert Flinck, Ferdinand Bol and other painters.
The Soviet sale of Hermitage paintings in 1930 and 1931 resulted in the departure of some of the most valuable paintings from the collection of the State Hermitage Museum in Leningrad to Western museums. Several of the paintings had been in the Hermitage Collection since its creation by Empress Catherine the Great. About 250 paintings were sold, including masterpieces by Jan van Eyck, Titian, Rembrandt, Rubens, Raphael, and other important artists. Andrew Mellon donated the twenty-one paintings he purchased from the Hermitage to the United States government in 1937, which became the nucleus of the National Gallery of Art in Washington, D.C.
René Albert Gimpel was a prominent French art dealer of Alsatian Jewish descent who died in 1945 in Neuengamme concentration camp, near Hamburg, Germany.
Self-Portrait is a 1660 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt. Painted when the artist was fifty-four, it has been noted as a work in which may be seen "the wrinkled brow and the worried expression the troubled condition of his mind". Part of the Benjamin Altman Collection, it has been in the Metropolitan Museum of Art in New York City since 1913.
Colnaghi is an art dealership in St James's, central London, England, which is the oldest commercial art gallery in the world, having been established in 1760.
Sir Christopher John White CVO FBA is a British art historian and curator. He is the son of the artist and art administrator Gabriel White. He has specialized in the study of Rembrandt and Dutch Golden Age painting and printmaking.
In printmaking, surface tone, or surface-tone, is produced by deliberately or accidentally not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. Tone in printmaking meaning areas of continuous colour, as opposed to the linear marks made by an engraved or drawn line. The technique can be used with all the intaglio printmaking techniques, of which the most important are engraving, etching, drypoint, mezzotint and aquatint. It requires individual attention on the press before each impression is printed, and is mostly used by artists who print their own plates, such as Rembrandt, "the first master of this art", who made great use of it.
The Preacher Eleazar Swalmius is a 1637 oil-on-canvas painting by the Dutch artist Rembrandt. It is currently owned by the Royal Museum of Fine Arts in Antwerp. The painting has been certified a real Rembrandt. The painting was listed in 1727 in the catalog of the Duke of Orléans collection, as a portrait of an Amsterdam mayor by Rembrandt. It remained in the noble family's possession until 1792, when Duke Louis-Philippe-Joseph sold the entire collection to finance his political career and pay off debts. The painting passed through several English collections into the hands of the Bourgeois brothers, art dealers from Cologne, who sold the painting as an original Rembrandt to the museum in 1886. The painting was stored away for a long time due to doubts cast over its authenticity.