Antoine-Félix Boisselier (22 May 1790 – 29 April 1857), known as Boisselier le Jeune to distinguish him from his brother Félix Boisselier, was a French painter.
Antoine-Félix Boisselier (22 May 1790 – 29 April 1857), known as Boisselier le Jeune to distinguish him from his brother Félix Boisselier, was a French painter.
A native of Paris, he was of the same generation as Camille Corot and Achille Etna Michallon. He studied with his brother and Jean-Victor Bertin, and is known to have visited Italy around 1811, in which year he painted two oil studies of that country. He first entered the Salon in 1812, and exhibited frequently thereafter; at the Salon of 1824, he won a second-class medal. In 1827, he entered the first Prix de Rome competition for historical landscape. He placed second behind Michalllon, but nevertheless appears to have traveled to Italy soon thereafter. Many of his Salon entries, and many images he submitted to provincial salons, were views of Italian sites and historical landscapes. Later in his career he painted in the Auvergne region, as well as the Dauphiné and Provence. Boisselier taught drawing at the École spéciale militaire de Saint-Cyr, and maintained a popular studio; he died in Versailles in 1857.
The record price for one of his artworks at auction is US$163,932 for Vue d'un monastère bénédictin à Subiaco, sold in 2016. [1]
Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of St Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.
Jean-Baptiste-Camille Corot, or simply Camille Corot, was a French landscape and portrait painter as well as a printmaker in etching. A pivotal figure in landscape painting, his vast output simultaneously referenced the Neo-Classical tradition and anticipated the plein-air innovations of Impressionism.
The Barbizon school of painters were part of an art movement toward Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
Henri-Joseph Harpignies was a French landscape painter of the Barbizon school.
François-Louis Français (1814–1897), usually known as Louis Français, was a French painter, lithographer and illustrator who became one of the most commercially successful landscape painters of the 19th century. A former pupil of Gigoux, he began his career by studying lithography and wood engraving, becoming a prolific illustrator and printmaker. His work as an illustrator is to be found in around forty books and numerous magazines from the late 1830s to the 1860s. Français also produced a large number of pen and ink drawings, enhanced by sepia, notable for their attention to detail and for their technical adroitness and conciseness.
Félix Ziem was a French painter in the style of the Barbizon School, who also produced some Orientalist works.
Juan Luna de San Pedro y Novicio Ancheta was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
Jules Adolphe Aimé Louis Breton was a 19th-century French naturalist painter. His paintings are heavily influenced by the French countryside and his absorption of traditional methods of painting helped make him one of the primary transmitters of the beauty and idyllic vision of rural existence.
Hippolyte Camille Delpy (1842–1910) was a French painter.
Antoine Chintreuil was a French landscape painter. He was among the starving artists who lived la vie de bohéme in Paris in the 1840s, as popularized by his friend and fellow Bohemian, the novelist Henri Murger. In 1863, he was one of the principal organizers of the Salon des Refusés, which set in motion major reforms in the workings of the annual Paris Salon. He has been called the "great-grandfather of the Impressionists," but Chintreuil himself was never part of a movement, and his paintings, especially the major works from the last decade of his life, remain difficult for critics and art historians to classify. The height of his fame came in the years immediately after his death from tuberculosis in 1873, when his life-partner and fellow artist Jean Desbrosses promoted his legacy with a major book and exhibition in Paris. His reputation later waned, but a large exhibition of his work was mounted in France in 2002, and his works are held in museums across France, with the largest holdings at the Musée d'Orsay.
Barthélemy Menn was a Swiss painter and draughtsman who introduced the principles of plein-air painting and the paysage intime into Swiss art.
Jean-Joseph-Xavier Bidauld was a French painter.
Jean-Victor Bertin was a French painter of historical landscapes, inspired by Italy and known for the minute detail of his classical style.
Pierre Emmanuel Damoye was a French artist who was regularly recognized by a broad range of art critics as one of the most significant heirs to the Barbizon school tradition. He studied his craft at the École des Beaux-Arts and went on to become a renowned and influential landscape artist noted for his sweeping skies, tree studded-plains, and vibrant farmlands.
Virginie Bovie (1821–1888), full name Joséphine-Louise-Virginie Bovie, was a Belgian painter and arts patron. In 1870, she was described as "well known", but she has fallen into neglect in the 20th and early 21st centuries and only seven of her more than 200 works have been located.
Antoine Vollon was a French realist artist, best known as a painter of still lifes, landscapes, and figures. During his lifetime, Vollon was a successful celebrity, enjoyed an excellent reputation, and was called a "painter's painter." In 2004, New York's then-PaceWildenstein gallery suggested that his "place in the history of French painting has still not been properly assessed."
Adolphe-Félix Cals was a French portrait, genre, and landscape painter.
Nicolas-Antoine Taunay was a French painter known best for his landscapes with scenes from ancient and modern history, mythology, and religion.
Jean-Baptiste-Antoine Guillemet was a French renowned landscape painter and longtime Jury member of the Salon des Artistes Francais. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism.
Henri Beau was a French-Canadian Impressionist painter. He is noted for Chemin en été, La dispersion des Acadiens, L'arrivée de Champlain à Québec, and Les Noces de Cana. Beau is a largely forgotten artist due to his long absence from Canada. His widow Marie Beau worked towards establishing his reputation as an artist in Canada after his death. He was only recognized as a notable artist decades later, with major retrospectives of his paintings celebrating his career by the Galerie Bernard Desroches in Montréal in 1974, and at the Musée du Québec in Québec City in 1987.
| International | |
|---|---|
| National | |
| Artists | |
| Other | |
  | This article about a French painter born in the 18th century is a stub. You can help Wikipedia by expanding it. |
