Antonio Botta (10 December 1896 - 10 May 1969) was a Spanish language dramatist and screenwriter. He was born in Brazil, but it was in Argentina that he built his career and made his name. [1]
Antonio Botta was born in the Brazilian city of São Paulo. His first important premier came in 1926 with "Falucho", a one-act musical drama vignette, performed at the Porteño Theatre ("Teatro Porteño") in Buenos Aires by the Luis Arata company. [1] Further scripts quickly followed. Stage directors and theatre impresarios with whom he worked included his brother, Américo Botta, Luis César Amadori, Ivo Pelay, José González Castillo, Elías Alippi, Carlos Osorio and Antonio De Bassi. There were also musical collaborations with Antonio and Arturo de Bassi, Francisco Lomuto and Francisco Canaro. [1]
Several of Botta's film scripts were co-written with the Italian-born Argentinian Luis César Amadori who then went on to direct the resulting film himself. One relatively early result of that process was Puerto nuevo (film), a tango musical film which had its first showings in a cinema in a Buenos Aires slum quarter ("Villa Miseria"). [2] Three years later, in 1939, Botta himself tried his hand at directing, with his production of Bartolo tenía una flauta (loosely, "Bartolo had a flute"), starring Luis Sandrini. [3]
Antonio Botta also wrote a number of radio plays and several songs. [1]
He teamed up with the composer-musician Francisco Lomuto to write a number of works, such as the song "Si soy así" (loosely, "Yes, that's how I am"), a slinky tangoesque song of celebration addressed to all women, regardless of age or marital status. [4] The composition caught the spirit of the age: the well known tango performer Carlos Gardel made a recording. Another particularly successful collaboration by Botta and Lomuto, albeit with a very different spirit, was "La canción del deporte" (loosely, "The song of sports"). In 1947 Antonio Botta and Francisco undertook a successful tour of Spain together. [1]
Aníbal Carmelo Troilo, also known as Pichuco, was an Argentine tango musician.
Laura Ana "Tita" Merello was an Argentine film actress, tango dancer and singer of the Golden Age of Argentine Cinema (1940–1960). In her six decades in Argentine entertainment, at the time of her death, she had filmed over thirty movies, premiered twenty plays, had nine television appearances, completed three radio series and had had countless appearances in print media. She was one of the singers who emerged in the 1920s along with Azucena Maizani, Libertad Lamarque, Ada Falcón, and Rosita Quiroga, who created the female voices of tango. She was primarily remembered for the songs "Se dice de mí" and "La milonga y yo".
Luis César Amadori was an Italian-Argentine film director and screenwriter and one of the most influential directors in the cinema of Argentina of the classic era. He directed over 60 films between 1936 and 1967, writing the scripts to over 50 pictures.
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Luis Sandrini was a prolific Argentine comic film actor and film producer. Widely considered one of the most respected and most acclaimed Argentine comedians by the public and critics. He made over 80 appearances in film between 1933 and 1980.
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Zulema Esther González Borbón, better known as Zully Moreno, was an Argentine film actress of the Golden Age of Argentine Cinema (1940–1960). She appeared in more than 70 movies, earning best actress awards from the Argentine Academy of Motion Picture Arts and Sciences and the Spanish Cinema Writers Circle.
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Elías Isaac Alippi was an Argentine actor, theatrical impresario, film director and theater director, who was born and died in Buenos Aires. He is also remembered as an excellent tango dancer.
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Ovidio Cátulo González Castillo was an Argentine poet and tango music composer. He was the author of many famous works, such as Organito de la tarde, El aguacero, Tinta roja and Caserón de tejas, María and La última curda, and El último café. The tango La calesita, which he composed with Mariano Mores, inspired the film of the same name directed in 1962 by Hugo del Carril.
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Alberto Amado Ribero, known professionally as Tito Ribero, was an Argentine film score composer, composer, singer, and musician. In addition to having his own orchestra, he provided the film scores to over 200 movies, at his most prolific in the 1950s and 1960s. For Del otro lado del puente he won the Silver Condor Award for Best Original Score from the Argentine Academy of Cinematography Arts and Sciences in 1953.
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