Antonio Labacco was a 16th-century architect, engraver, and writer about the architecture of classical Rome. His name is also given variously as Antonio Labacco, Antonio dall' Abacco, Antonio da Labacco, Antonio Abaco', Antonio l'Abco, or Antonio Abacco. [1]
Labacco was born near Vigevano in about 1495. [2] He was a pupil of Antonio da Sangallo the Younger in Rome. [3]
In 1558 he published an architectural treatise, [3] entitled Libro d'Antonio Labacco appartenente a l'architettura nel qual si figurarano alcune notabili antiquita di Roma, [2] with plates he had engraved himself. He also engraved the plans of the Basilica of St. Peter's from Sangallo's designs [3] He died some time after 1567. [2]
Carlo Fea was an Italian archaeologist.
Antonio da Sangallo the Younger, also known as Antonio Cordiani, was an Italian architect active during the Renaissance, mainly in Rome and the Papal States. One of his most popular projects that he worked on designing is St. Peter’s basilica in the Vatican City. He was also an engineer who worked on restoring several buildings. His success was greatly due to his contracts with renowned artists during his time. Sangallo died in Terni, Italy, and was buried in St. Peter’s Basilica.
Girolamo Ruscelli (1518–1566) was an Italian Mathematician and Cartographer active in Venice during the early 16th century. He was also an alchemist, writing pseudonymously as Alessio Piemontese.
Christian Karl Friedrich Hülsen was a German architectural historian of the classical era who later changed to studying the Middle Ages and the Renaissance.
Juan Bautista de Toledo was a Spanish architect. He was educated in Italy, in the Italian High Renaissance. As many Italian renaissance architects, he had experience in both architecture and military and civil public works. Born, either in Toledo or in Madrid around 1515. He died on 19 May 1567 in Madrid, and was buried in Madrid in the choir of the primitive “Convento de Santo Tomás, Iglesia de la Santa Cruz”.
The Basilica of San Giovanni dei Fiorentini is a minor basilica and a titular church in the Ponte rione of Rome, Italy.
Antonio Millo, also mentioned as Antonio da Millo or Antonio Milo, active during 1557–1590, was a captain and cartographer who did significant work in map-making, isolarios and portolan charts.
Angelo Berardi was an Italian music theorist and composer.
Cristoforo di Messisbugo or Cristoforo da Messisbugo was a steward of the House of Este in Ferrara and an Italian cook of the Renaissance.
Porta Santo Spirito is one of the gates of the Leonine walls in Rome (Italy). It rises on the back side of the Hospital of the same name, in Via dei Penitenzieri, close to the crossing with Piazza della Rovere.
Via dei Coronari is a street in the historic center of Rome. The road, flanked by buildings mostly erected in the 15th and the 16th century, belongs entirely to the rione Ponte and is one of the most picturesque roads of the old city, having maintained the character of an Italian Renaissance street.
Giovanni Mangone was an Italian artist active almost exclusively in Rome during the Renaissance. Mangone's skills were manifold: he worked as sculptor, architect, stonecutter and building estimator. Moreover, he was a keen antiquarian and among the founders of the Academy dei Virtuosi al Pantheon. As military engineer, he was renowned among his contemporaries.
The Albertoni Spinola Palace, with entrances in Campitelli square n. 2, Capizucchi square and vicolo Capizucchi is located in the 10th District. It was projected and executed by Giacomo Della Porta and Girolamo Rainaldi around the end of 16th century and the first years of 17th century.
The Palazzo del Governatore di Borgo, also called Palazzo delle Prigioni di Borgo, Palazzo del Soldano, or Palazzo dal Pozzo, was a Renaissance palace in Rome, important for artistic and historical reasons. Designed by Antonio da Sangallo the Younger, it was demolished in 1936 for the opening of Via della Conciliazione.
Palazzo Sacchetti is a palazzo in Rome, important for historical and artistic reasons.
Francesco Valesio (1670–1742) was an Italian diarist and archeologist.
The Sicilian Renaissance forms part of the wider currents of scholarly and artistic development known as the Italian Renaissance. Spreading from the movement's main centres in Florence, Rome and Naples, when Renaissance Classicism reached Sicily it fused with influences from local late medieval and International Gothic art and Flemish painting to form a distinctive hybrid. The 1460s is usually identified as the start of the development of this distinctive Renaissance on the island, marked by the presence of Antonello da Messina, Francesco Laurana and Domenico Gagini, all three of whom influenced each other, sometimes basing their studios in the same city at the same time.
The Cathedral of Our Lady of the Snows is the main place of Roman Catholic worship in Nuoro, Sardinia, and the cathedral church of the diocese of Nuoro.
Frà Antonio Cano (1779–1840) was a sculptor, architect, and lay friar of the Kingdom of Sardinia.
Pietro Paolo MontagnaniakaPietro Paolo Montagnani-Mirabili is a late 18th C. - early 19th C. Italian engraver (burin) and publisher of books and prints who lived presumably in Florence, Italy, around 1800 - 1820.
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