Apir, also spelled aper, are traditional folding women's hand-held fans of the Maranao people of the Philippines. They are a part of the traditional dress of Maranao women. Royal bai (ladies) carry an apir in their right hand during ceremonies. A pair of apir fans are also commonly featured in Maranao traditional dances, including singkil and pagapir . [1] [2]
A handheld fan, or simply hand fan, is a broad, flat surface that is waved back-and-forth to create an airflow. Generally, purpose-made handheld fans are folding fans, which are shaped like a sector of a circle and made of a thin material mounted on slats which revolve around a pivot so that it can be closed when not in use. Hand fans were used before mechanical fans were invented.
Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Southern Philippines, Eastern Malaysia, Eastern Indonesia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.
The music of Eswatini is composed of both ethnic Swazi music and varieties of folk music as well as modern genres such as rock, pop and hip hop, which has been popular in Eswatini since headed by bands such as Vamoose. The popularity of hip hop in South Africa, which shares a border with Eswatini, has also helped popularize it. Today the music industry of Eswatini is growing, with more young and vibrant musicians emerging in the scene proving to be worthy of the crown.
The Maranao people, also spelled Mranaw,Muranaw, Maranaw, and Mëranaw and recognized also as the Iranaon or the Iranaoans, is a predominantly Muslim Filipino ethnic group native to the region around Lanao Lake in the island of Mindanao. They are known for their artwork, weaving, wood, plastic and metal crafts and epic literature, the Darangen. They are belong to the proto-danao language speakers closely with the Iranun people and they are one of the major Bangsamoro people in the Bangsamoro Autonomous Region in Muslim Mindanao and even in the country Philippines. They are also the tribe of Muslim Filipinos who are led to spreading fastest the popularity of Muslim Filipinos in the Philippines and the country Islamic Faith.
The malong is a traditional Filipino-Bangsamoro rectangular or tube-like wraparound skirt bearing a variety of geometric or okir designs. The malong is traditionally used as a garment by both men and women of the numerous ethnic groups in the mainland Mindanao and parts of the Sulu Archipelago. They are wrapped around at waist or chest-height and secured by tucked ends, with belts of braided material or other pieces of cloth, or are knotted over one shoulder. They were traditionally hand-woven, with the patterns usually distinctive to a particular ethnic group. However, modern malong are usually machine-made or even imported, with patterns that mimic the traditional local designs.
Regalia is the set of emblems, symbols, or paraphernalia indicative of royal status, as well as rights, prerogatives and privileges enjoyed by a sovereign, regardless of title. The word originally referred to the elaborate formal dress and accessories of a sovereign, but now it also refers to any type of elaborate formal dress. The word stems from the Latin substantivation of the adjective regalis, "regal", itself from rex, "king". It is sometimes used in the singular, regale.
Tugaya, officially the Municipality of Tugaya, is a 5th class municipality in the province of Lanao del Sur, Philippines. According to the 2020 census, it has a population of 24,778 people.
The Batá drum is a double-headed hourglass drum with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land.
A pollera is a Spanish term for a large one-piece skirt used mostly in traditional festivities and folklore throughout Spanish-speaking Latin America. Polleras are made from different materials, such as cotton or wool and tend to have colorful decorations. Most of the decorations are embroidered, flowers and regional animals are among the most common designs found in polleras.
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra.
The dabakan is a single-headed Philippine drum, primarily used as a supportive instrument in the kulintang ensemble. Among the five main kulintang instruments, it is the only non-gong element of the Maguindanao ensemble.
A Bengali Muslim wedding is a Bengali wedding in accordance with the Muslim faith. It includes rituals and ceremonies that may span up to three days. In most cases, it starts with the Dekha Dekhi, followed by the nikah, which is conducted by a Qazi with a fixed denmohor. It ends with the Bou Bhat ceremony, which is popular as the wedding reception arranged by the groom's family. This is the dominant tradition of weddings seen among the Bengali Muslims of Bangladesh and the West Bengal state of India.
Pyebaek (Korean: 폐백) is a Korean wedding custom that is traditionally held a few days after the official ceremony, with only family members present. The ceremony begins with the older couple seated on cushions behind a table in front of a painted screen, with the newlyweds opposite them. The newlyweds perform a deep bow which begins standing and ends with the newlyweds pressing their foreheads to their hands while kneeling on the floor. The bride may present the groom's parents with jujubes and chestnuts, which symbolize children. A variation will have the newlyweds offering cups of wine, usually cheongju. The bride offers the cup to the father, and the groom offers the cup to the mother. Sometimes the parents will then also offer the newlyweds cups of cheongju or soju. The older couple then shares some wisdom on marriage from their advanced experience. Finally they will throw the jujubes and chestnuts back at the bride, who has to try catching them with her wedding skirt.
Singkil is an ethnic dance of the Philippines that has its origins in the Maranao people of Lake Lanao, a Mindanao Muslim ethnolinguistic group. The dance is widely recognized today as the royal dance of a prince and a princess weaving in and out of crisscrossed bamboo poles clapped in syncopated rhythm. While the man manipulates a sword and shield, the woman gracefully twirls a pair of fans. The dance takes its name from the belled accessory worn on the ankles of the Maranao princess. A kulintang and agung ensemble always accompanies the dance. Singkil has evolved over time, with significant reinterpretations and changes introduced by the Bayanihan folk dance group, such as the incorporation of the elements from the Darangen epic, particularly the episodes involving Prince Bantugan and Princess Gandingan.
Tais is a form of Tenun weaving tradition native to the eastern Indonesian regions of the Maluku Islands, the Tanimbar Islands, the East Nusa Tenggara Islands and the independent nation of Timor Leste. It has become an essential part of people in the eastern Indonesia hemisphere region, which mainly used for ceremonial adornment, sign of respect and appreciation towards guests, friends, relatives, home decor, and personal apparel.
The Tagalog maginoo, the Kapampangan ginu, and the Visayan tumao were the nobility social class among various cultures of the pre-colonial Philippines. Among the Visayans, the tumao were further distinguished from the immediate royal families, the kadatuan.
Headgear, headwear, or headdress is any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions.
The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.
Pamaypay, also known as paypay, payupas, buri fan, or anahaw fan, is a type of traditional hand-held fan from the Philippines. It is typically made of woven buri palm or anahaw palm leaves. It is usually heart-shaped, and woven in a technique known as sawali (twilled). The edges are braided and merges into a looped handle. It is also typically made into wall decorations and other handicrafts.
Waist beads is a type of jewelry worn around the waist or on the hips originating from West Africa, they are traditionally worn by women as a symbol of beauty, sexuality, femininity, fertility, well-being or maturity.
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