Author | Georgette Heyer |
---|---|
Cover artist | Philip Gough |
Country | United Kingdom |
Language | English |
Genre | Regency, Romance |
Publisher | William Heinemann |
Publication date | 1949 |
Media type | Print (Hardback & Paperback) |
Pages | 288 pp |
Arabella is a Regency romance novel written by Georgette Heyer. It records the plight of a relatively poor girl from the English gentry who captures the attention of a very wealthy man by claiming to be an heiress; although he disbelieves her, he is amused by her presumption and character. The story is set in the spring of 1817. [1]
Arabella, the beautiful daughter of a country vicar, sets out to London to have a season and make an advantageous marriage. On her way there, her carriage has an accident and she has to stop over at the hunting box of Robert Beaumaris, the Nonpareil of the town and one of the wealthiest men in England.
Mr Beaumaris suspects the 'accident' to be a ruse on the part of someone chasing him for his fortune. Overhearing him make a remark to this effect, Arabella impulsively pretends to be an heiress. Mr. Beaumaris, knowing this to be untrue is amused by her daring to put him in his place, and decides to encourage his friend's belief in this falsehood. He is bored with Society and views the town cynically. He is also amused by the fact that society will follow whoever leads, irrespective of the wisdom of the person's behaviour.
Arabella requests that Mr Beaumaris and his friend Lord Fleetwood not reveal her "fortune". She continues on her journey to London to stay with her godmother, Lady Bridlington, blithely believing that nothing will come of this interlude. However, Lord Fleetwood is not very discreet, and the town soon believes Arabella to be an heiress. To amuse himself, Mr Beaumaris decides to make Arabella the rage of the town by flirting with her and driving her out in his carriage. Arabella is aware that his intentions are not serious, but plays along because to be admired by him makes her a social success.
Arabella feels that she cannot make a good match when all the town mistakenly believe her to be wealthy. Knowing that Mr Beaumaris can have no designs on her supposed fortune and is only amusing himself with her, she is most comfortable in his company. She enchants him with her unusual behaviour (which includes foisting a climbing boy and a mongrel on him) and the fact that she does not appear to fancy him.
Mr Beaumaris eventually falls in love with Arabella and proposes. Arabella, not knowing him to be aware of her deception from the start, tearfully refuses, realising that she is indeed in love with him, but cannot reveal her deception without risking his love. Meanwhile, Arabella's brother Bertram has come to town on 100 pounds that he won. The wealthy friends he makes soon lead him into debt and Arabella decides she must accept Mr Beaumaris's proposal in order to pay off Bertram's debts. Mr Beaumaris guesses the cause of her sudden reversal and is amused, knowing her to be in love with him, despite the appearance of the situation. She insists they elope together since she's desperate and he agrees, but instead takes her to visit his grandmother's house. Once they arrive, she reveals that she is not a wealthy woman, he reveals that he knew all along and that he went to visit her family. All is resolved by the fact that his fortune is so massive, the lack of hers will never be noticed, and the lack of fortune for her brothers and sisters will be explained away by an eccentric uncle who left the money to Arabella.
The titular character Arabella is described as impetuous and impulsive. “…her besetting sin, as her Mama had frequently told her, was the impetuosity which led her into so many scrapes.” She is also compassionate, courageous, and warm hearted. Following her beloved papa’s teachings, she impetuously defends those in need: a horse mercilessly beaten on the streets of London, a housemaid whose jaw is swollen with toothache, a climbing boy whose feet are scorched to force him up the chimney, a small mongrel dog tortured by a gang of louts. Her impetuous decisions lead her into her final “scrape” — seeking to hastily elope to save her brother from debtors prison. The books ends with her encouraging dear Robert (Mr. Beaumaris) to offer a job to Leaky Peg, a “doxy” she met near “the corner of Duck Lane, Tothill Fields.”
Robert Beaumaris describes her character to his grandmother:
‘She is the most enchanting little wretch I ever encountered,’ he said. ‘When she is trying to convince me that she is up to every move in the social game, she contrives to appear much like any other female, but when, as happens all too often for my comfort, her compassion is stirred, she is ready to go to any lengths to succour the object of her pity. If I marry her, she will undoubtedly expect me to launch a campaign for the alleviation of the lot of climbing-boys, and will very likely turn my house into an asylum for stray curs.’
Heyer may well have been influenced by Jane Austen, even though the two writers approached British society from different perspectives, as discussed by Aja Romano at Vox. [2] Both writers set their work in the Regency era, and Austen actually lived during that period.
Heyer’s novel Arabella, set in 1817, brings to mind two of Jane Austen’s novels. Arabella Tallant grew up in a vicarage amongst a large family of modest means, similar to the heroine of Austen’s 1813 publication, Pride and Prejudice. Both Elizabeth Bennett and Arabella Tallant are encouraged by their mothers to marry well. However, Arabella has a “delightful” papa, an "admirable" mama and a “lively” family (attested by Mr. Beaumaris in ch. 17, and described in ch. 1-2).
Heyer’s novel also brings Austen’s Northanger Abbey to mind, as both books include a country parsonage. Both books also describe society’s “toadeating” and hypocritical response to a supposed fortune. However, compared to Northanger Abbey, the tone of Arabella is more lighthearted and humorous, despite its brief portrayals of the seamier side of London.
Mukul Kesavan of The Telegraph observed similarities between the character of Arabella and many of Heyer's other Regency heroines: while they all travel to London to find wealthy husbands, they do so on their own terms. Kesavan said,
"The remarkable thing about Heyer’s Regency novels is the way in which her heroines manage not to dance the marriage minuet, their awkward refusal to 'fit' the model of the eager, conforming debutante. Her heroines aren’t revolutionaries or even proto-feminists: they accept the mannered marriage market as the way of the world, but they work to make room for themselves and their natures within its constraints." [3]
Writing for Tor.com, Mari Ness stated that Arabella was notable for being one of the few of Heyer's novels to depict real signs of poverty. Ness wrote that Heyer
"decided to introduce a touch—a mere touch—of poverty, as if to acknowledge that even in the idealistic Regency world of her creation, genuine, real poverty could appear. And as if to immediately soften this, she surrounded this poverty with witty dialogue, romantic banter, and what by all appearances is the expected romantic ending." [4]
In a 1949 review, The New York Times critiqued the novel for showing "no sign of the rough and sordid London of Swift and Defoe... Nor is there the least sign of the robustness and vitality that made those masters' creations come to life... Arabella and the Nonesuch are stereotypes from The Ladies Monthly Museum ." [5]
Ness considers Arabella to be a fan favourite, "with passages that are among [Heyer's] very best, and some of her most ironic writing. And up until those last pages, it is one of Heyer’s most delightful, comforting novels, filled with laugh out loud moments and sharp comments on human behavior." [4] Ness disliked the ending, especially as it seems that Beaumaris' will and superior social standing will be employed to overrule his new wife's criticism of London Society and willingness to aid the downridden. [4]
Northanger Abbey is a coming-of-age novel and a satire of Gothic novels written by the English author Jane Austen. Northanger Abbey was completed in 1803, the first of Austen's novels completed in full, but was published posthumously in 1817 with Persuasion, although the title page is dated 1818. The story concerns Catherine Morland, the naïve young protagonist, and her journey to a better understanding of herself and of the world around her. How Catherine views the world has been distorted by her fondness for Gothic novels and an active imagination.
Georgette Heyer was an English novelist and short-story writer, in both the Regency romance and detective fiction genres. Her writing career began in 1921, when she turned a story conceived for her ailing younger brother into the novel The Black Moth. In 1925 Heyer married George Ronald Rougier, a mining engineer. The couple spent several years living in Tanganyika Territory and Macedonia before returning to England in 1929. After her novel These Old Shades became popular despite its release during the General Strike, Heyer determined that publicity was not necessary for good sales. For the rest of her life she refused to grant interviews, telling a friend: "My private life concerns no one but myself and my family."
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Elizabeth Bennet is the protagonist in the 1813 novel Pride and Prejudice by Jane Austen. She is often referred to as Eliza or Lizzy by her friends and family. Elizabeth is the second child in a family of five daughters. Though the circumstances of the time and environment push her to seek a marriage of convenience for economic security, Elizabeth wishes to marry for love.
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The Foundling is a Regency romance novel written by Georgette Heyer and published by William Heinemann Ltd in 1948. It was also serialised in the Woman's Journal as "His Grace, the Duke of Sale", followed by a Book Club edition in 1949.
Sylvester, or the Wicked Uncle is a Regency romance novel by Georgette Heyer. First published by Heinemann, London and Putnam, New York in 1957, it is the story of intelligent and desperate Phoebe who ends up marrying the man she has run away from home to avoid, and whom she has caricatured as the villain in her novel. The book features gentle mockery of the Gothic novel genre and also features Heyer's characteristic strong heroine, with a desire for independence, who marries on her own terms. The story is set in 1817-1818.
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April Lady is a Regency romance by Georgette Heyer, published in 1957 by Heinemann in the UK and by Putnam in the US. Previously serialised in the Woman's Journal as “My Lady Cardross”, the new novel was Heyer’s forty-fourth book and her fifteenth Regency novel.
The Unknown Ajax is a Regency romance by Georgette Heyer, published in 1959 by Heinemann in the UK and in 1960 by Putnam in the US. It was her forty-seventh novel and the eighteenth set in Regency times.
Fitzwilliam Darcy Esquire, generally referred to as Mr. Darcy, is one of the two central characters in Jane Austen's 1813 novel Pride and Prejudice. He is an archetype of the aloof romantic hero, and a romantic interest of Elizabeth Bennet, the novel's protagonist. The story's narration is almost exclusively from Elizabeth's perspective; the reader is given a one-sided view of Darcy for much of the novel, but hints are given throughout that there is much more to his character than meets the eye. The reader gets a healthy dose of dramatic irony as Elizabeth continually censures Mr. Darcy's character despite the aforementioned hints that Mr. Darcy is really a noble character at heart, albeit somewhat prideful. Usually referred to only as "Mr. Darcy" or "Darcy" by characters and the narrator, his first name is mentioned twice in the novel.
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The Reluctant Widow is a 1946 Regency romance by Georgette Heyer, published by Heinemann in the UK, and by Putnam the following year in the US. A humorous parody of a Gothic Novel, it is set in early 1813. It was published with the description "By midnight she is a bride, by dawn a widow", and with gouache artwork by Philip Gough.
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Georgian society in Jane Austen's novels is the ever-present background of her work, the world in which all her characters are set. Entirely situated during the reign of George III, the novels of Jane Austen describe their characters' everyday lives, joys, sorrows, and loves, providing insight into the period.
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