Victorio Candido Edades was a Filipino painter. He led the revolutionary Thirteen Moderns, who engaged their classical compatriots in heated debate over the nature and function of art. He was named a National Artist in 1976. The history names Victorio Edades as “the father of Modern Philippine art". Schooled in the US upon his return he introduced an entirely new way of thinking about art. He argued that art can be more than representation of reality, it can be representation of reality as seen through the mind and emotions of the artist.
Juan Luna de San Pedro y Novicio Ancheta was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
Fernando Amorsolo y Cueto was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," he was the first-ever to be recognized as a National Artist of the Philippines. He was recognized as such for his "pioneering use of impressionistic technique" as well as his skill in the use of lighting and backlighting in his paintings, "significant not only in the development of Philippine art but also in the formation of Filipino notions of self and identity."
The Ayala Museum is a museum in Makati, Metro Manila, Philippines. It is run privately by the Ayala Foundation and houses archaeological, ethnographic, historical, fine arts, numismatics, and ecclesiastical exhibits. Since its establishment in April 1967, the museum has been committed to showcasing overseas collections and situating contemporary Philippine art in the global arena in a two-way highway of mutual cooperation and exchange with local and international associates. The museum was reopened on December 4, 2021, after a two-year renovation.
Guillermo Estrella Tolentino was a Filipino sculptor and professor of the University of the Philippines. He was designated as a National Artist of the Philippines for Sculpture in 1973, three years before his death.
Félix Resurrección Hidalgo y Padilla was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano López Jaena, although he neither involved himself directly in that movement, nor later associated himself with the First Philippine Republic under Emilio Aguinaldo.
Martino Abellana (1914–1988), known as "Noy Tinong", was a renowned Cebuano painter from Carcar. Dubbed "The Dean of Cebuano Painters", he was born to an artistic family. His main influence was his father, who was a school principal and a sculptor. Martino, along with his four brothers, including renowned sculptor and composer Dr. Ramon Abellana, were exposed to art early, and they helped their father with his sculptures.
Marilou Correa Diaz-Abaya was a Filipina multi-award winning film director. She was posthumously conferred the Order of National Artists of the Philippines for Film and Broadcast Arts in 2022, she was the founder and president of the Marilou Diaz-Abaya Film Institute and Arts Center, a film school based in Antipolo, Philippines. She was the director of the 1998 film José Rizal, a biographical film on the Philippines' national hero of the same name. She was part of the Second Golden Age of Philippine Cinema.
Pablo Cueto Amorsolo was a Filipino painter. He was the younger brother of the Philippine National Artist Fernando Amorsolo.
Don Fabián de la Rosa y Cueto was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. He is regarded as a "master of genre" in Philippine art.
Fernando Zóbel de Ayala y Montojo Torrontegui, also known as Fernando M. Zóbel, was a Spanish Filipino painter, businessman, art collector and museum founder.
The Ateneo Art Gallery is a museum of modern art of the Ateneo de Manila University. It is the first of its kind in the Philippines. It serves as an art resource for the university community and the general public as well. The Gallery is located at the Arts Wing, Areté, Ateneo de Manila University, Katipunan Avenue, Loyola Heights, Quezon City.
Women in Philippine art is the many forms of art in the Philippines that utilizes women in the Philippines and even women from other parts of the world as the main subject depending on the purpose of the Filipino artist. The portrayal of women in the visual arts depend on the context on how Philippine society perceives women and their roles in human communities, such as their own.
Geraldine Javier is a contemporary Filipina Visual Artist whose work is best known for her work which blends of painting with various media, and is "recognized as one of the most celebrated Southeast Asian artists both in the academic world and in the art market."
Norma Belleza is a Filipino painter. She was born in San Fernando, Pampanga. Back then, her family was composed of billboard designers. Married to the Filipino artist, Angelito Antonio, with their children Fatima Baquiran, Emil Antonio, and Marcel Antonio. She studied at the University of Santo Tomas in 1962 and obtained her bachelor's degree in Fine Arts.
Anita Magsaysay-Ho was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches. She was the only female member of the "Thirteen Moderns," a standing group of Filipino modernist artists, and in 1958 was chosen by a panel of experts as one of the six major painters of the country's history. The most famous work of Magsaysay-Ho are subject to the beauty of Filipino women dealing with everyday issues. Collections of her artwork can be found in museums around the Philippines.
Celeste Lecaroz-Aceron y Salud, also known as Celeste Lecaroz, is a Filipino visual artist who is known for her works in the spontaneous realism style.
Nena Saguil was a Filipina artist of modernist and abstract paintings and ink drawings. She was most known for her cosmic, organic, and spiritual abstract works depicting internal landscapes of feeling and imagination. For these, Saguil is considered a pioneer of Filipino abstract art.
Enrique Malaya Belo was a Filipino lawyer, educator, diplomat, and politician. He was a delegate to the 1971 Constitutional Convention. He served to the Batasang Pambansa from 1984 to 1986, as representative for Capiz.
Brenda Fajardo was a Filipino art teacher, visual artist, and printmaker. Her work centered on social issues, women's issues, and the colonial history of the Philippines, with focus on the "aesthetics of poverty and the art of the people". She was a professor Emerita in the department of Art Studies at the University of the Philippines.
