Arakkal Beevi

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Arakkal Beevi refers to the female ruler of Arakkal Kingdom in Kerala, South India. [1]

The Arakkal family followed a matriarchal system of descent: the eldest member of the family, whether male or female, became its head and ruler. While male rulers were called Ali Rajah, female rulers were known as Arakkal Beevis.

Sultana Aysha Aliraja was the ruler until her death on the morning of 27 September 2006.

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Arakkal kingdom

Arakkal kingdom was a Muslim kingdom in Kannur town in Kannur district, in the state of Kerala, South India. The king was called Ali Raja and the ruling queen was called Arakkal Beevi. Arakkal kingdom included little more than the Cannanore town and the southern Laccadive Islands, originally leased from the Kolattiri. The royal family is said to be originally a branch of the Kolattiri, descended from a princess of that family who converted to Islam. They owed allegiance to the Kolattiri rulers, whose ministers they had been at one time. The rulers followed the Marumakkathayam system of matrilineal inheritance, a system which is unique to a section of Hindus of Kerala. Under Marumakkathayam, the succession passes to the male offspring of its female members, in other words from a man to his sister's son and so forth. As the only Muslim rulers in Malabar, they saw the rise of Hyder Ali, de facto ruler of the Mysore Sultanate as the opportunity to increase their own power at the expense of Chirakkal, and invited him to invade Kerala.

Anaam is a 1992 Indian Hindi-language film directed by Ramesh Modi and produced by Vinod S. Choudhary. It stars Armaan Kohli and Ayesha Jhulka. It is based on the Hindi novel Vidhwa Ka Pati written by Ved Prakash Sharma.

The loosu ponnu is a stock character predominantly in Tamil cinema and frequently in Telugu cinema, a girl who is portrayed as attractive but naïve and unintelligent. It is regarded as the equivalent of the Manic Pixie Dream Girl and dumb blonde stereotypes in the United States. The loosu ponnu trope became increasingly popular in 1990s Tamil cinema when the masculinity of the hero became severely overblown. It has since received criticism for being misogynistic and regressive.

References

  1. Logan, William (2006). Malabar Manual, Mathrubhumi Books, Calicut. ISBN   978-81-8264-046-7