Category | Sans-serif |
---|---|
Classification | Geometric Sans-serif |
Designer(s) | Freda Sack David Quay Herbert Bayer |
Foundry | The Foundry |
Date released | 1997 |
Architype Bayer is a geometric sans-serif typeface based upon the 1927 experimentation of Herbert Bayer. Bayer reacted to the Germanic use of capitalization for all nouns by abandoning uppercase. His new case combined characters based on the Carolingian minuscule with uppercase K rescaled to top-align on the mean line. The Bayer Architype typeface is one of a collection of several revivals of early twentieth century typographic experimentation designed by Freda Sack and David Quay of The Foundry.
Herbert Bayer was an Austrian and American graphic designer, painter, photographer, sculptor, art director, environmental and interior designer, and architect. He was instrumental in the development of the Atlantic Richfield Company's corporate art collection until his death in 1985.
Carolingian minuscule or Caroline minuscule is a script which developed as a calligraphic standard in Europe so that the Latin alphabet of Jerome's Vulgate Bible could be easily recognized by the literate class from one region to another. It was developed for the first time, in about 780, by a Benedictine monk of Corbie Abbey, namely, Alcuin of York. It was used in the Holy Roman Empire between approximately 800 AD and 1200 AD. Codices, pagan and Christian texts, and educational material were written in Carolingian minuscule throughout the Carolingian Renaissance. The script developed into blackletter and became obsolete, though its revival in the Italian Renaissance forms the basis of more recent scripts.
Architype Albers is a modular stencil sans-serif typeface based upon a series of experiments between 1926 and 1931 by Josef Albers, German designer, educator and typographer, (1888–1976). The Architype Albers typeface is one of a collection of several revivals of early twentieth century typographic experimentation designed by Freda Sack and David Quay of The Foundry.
Architype Renner is a geometric sans-serif typeface reproducing the experimental alternate characters of Paul Renner's 1927–29 typeface Futura for the Bauer foundry. Renner's original design for Futura shows the influence of Herbert Bayer's experimental "Universal" alphabet. The alternate characters Renner proposed for Futura were mostly deleted from the face's character set, resulting in a more conventional, and perhaps more economically successful typeface.
Architype Schwitters is a geometric sans-serif typeface based upon a 1927 phonetic alphabet designed by Kurt Schwitters (1887–1948). The digital revival, shown at right, was produced by Freda Sack and David Quay of The Foundry.
Rockwell is a slab serif typeface designed by the Monotype Corporation and released in 1934. The project was supervised by Monotype's engineering manager Frank Hinman Pierpont. This typeface is distinguished by a serif at the apex of the uppercase A, while the lowercase a has two storeys. Because of its monoweighted stroke, Rockwell is used primarily for display or at small sizes rather than as a body text. Rockwell is based on an earlier, more condensed slab serif design cast by the Inland Type Foundry called Litho Antique.
Caslon is the name given to serif typefaces designed by William Caslon I in London, or inspired by his work.
Royal Joh. Enschedé is a printer of security documents, stamps and banknotes based in Haarlem, Netherlands. Joh. Enschedé specialises in print, media and security. The company hosted the Museum Enschedé until 1990 and has branches in Amsterdam, Brussels and Haarlem.
Janson is the name given to a set of old-style serif typefaces from the Dutch Baroque period, and modern revivals from the twentieth century. Janson is a crisp, relatively high-contrast serif design, most popular for body text.
Bart van der Leck was a Dutch painter, designer, and ceramicist. With Theo van Doesburg and Piet Mondrian he founded the De Stijl art movement.
H. Berthold AG was one of the largest and most successful type foundries in the world for most of the modern typographic era, making the transition from foundry type to cold type successfully and only coming to dissolution in the digital type era.
Didot is a group of typefaces named after the famous French printing and type producing Didot family. The classification is known as modern, or Didone.
Bulmer is the name given to a serif typeface originally designed by punchcutter William Martin around 1790 for the Shakespeare Press, run by William Bulmer (1757–1830). The types were used for printing the Boydell Shakespeare folio edition.
Architype van der Leck is a geometric sans-serif typeface based upon the 1941 typeface designed by Bart van der Leck for the Dutch magazine Flax, a journal of the De Stijl art movement.
Architype Van Doesburg is a geometric sans-serif typeface based upon a 1919 alphabet designed by Theo van Doesburg, a cofounder of the De Stijl art movement. The digital revival shown at right was produced by Freda Sack and David Quay of The Foundry.
Red Circle is a geometric sans-serif typeface designed by Harold Lohner and based upon the c. 1930 lettering used in packaging and advertising for the range of A&P's Eight O'Clock, Red Circle, and Bokar brands of whole bean arabica coffees.
FontShop International is an international manufacturer of digital typefaces (fonts), based in Berlin. It is one of the largest digital type foundries.
New Alphabet is a parametric typeface designed by Wim Crouwel, released in 1967. It embraced the limitations of the display technology that it was displayed on by only using horizontal and vertical strokes. This meant that some of the letters had little resemblance to the letters they were supposed to represent. New Alphabet was notably used on of Joy Divisions 1988 album Substance
Fodor is a geometrical typeface designed by Dutch graphic designer and type designer Wim Crouwel, around 1973.
Gridnik is a geometrical typeface designed by Dutch graphic designer Wim Crouwel, in 1974. It is the digital version of the typewriter typeface Olivetti Politene.
Walbaum is the name given to serif typefaces in the "Didone" or modern style that are, or revive the work of early nineteenth-century punchcutter Justus Erich Walbaum, based in Goslar and then in Weimar.
The International Standard Book Number (ISBN) is a numeric commercial book identifier which is intended to be unique. Publishers purchase ISBNs from an affiliate of the International ISBN Agency.