Armenian church architecture is the architectural style of the Armenian church buildings created since the Apostolic era of Christianity in the Armenian Highland during the 1st century. It was developed over the last 1900 years. According to professor Dickran Kouymjian (Ph.D. in Armenian Studies from Columbia University), [1] the unique national style of Armenian church architecture came into being by the late 6th or early 7th century, probably becoming the first national style in Christian architecture, long before the Byzantine, Romanesque and Gothic or the less known Ethiopian, Scandinavian and Slavic styles were concretely formed. [2]
Christianity's institution as Armenia's official religion in 300 allowed new developments in Armenian architecture. The first Armenian churches were built on the orders of Saint Gregory the Illuminator, and were often built on top of pagan temples, imitating some aspects of Armenian pre-Christian architecture. Armenian churches particularly have several distinctive features with common characteristics:
Within the bounds of the aforementioned common characteristics, individual churches display considerable variation which may reflect time, place, and the creativity of its designer. Toros Toramanian distinguished the following classical styles while studying these variations in the early 20th century: [3]
Style | Armenian nomenclature | Example |
---|---|---|
Basilica | Bazilik (Բազիլիկ) | Yererouk |
Domed basilica | Gmbetakir bazilik (Գմբեթակիր բազիլիկ) | Tekor Basilica |
Cruciform | Etchmiadznatip (Էջմիածնատիպ; literally "Etchmiadzin-type") | Etchmiadzin Cathedral |
Vertical-emphasis rectangular | Oughghagitz karankiun (Ուղղագիծ քառանկյուն) | Saint Gayane Church |
Radial | Sharavighayin (Շառավիղային) | Saint Hripsime Church |
Circular | Zvartnotsatip (Զվարթնոցատիպ; literally "Zvartnots-type") | Zvartnots Cathedral |
In architecture, a cupola is a relatively small, usually dome-like structure on top of a building often crowning a larger roof or dome. Cupolas often serve as a roof lantern to admit light and air or as a lookout.
A dome is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them.
Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.
Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire, usually dated from 330 AD, when Constantine the Great established a new Roman capital in Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453. There was initially no hard line between the Byzantine and Roman Empires, and early Byzantine architecture is stylistically and structurally indistinguishable from late Roman architecture. The style continued to be based on arches, vaults and domes, often on a large scale. Wall mosaics with gold backgrounds became standard for the grandest buildings, with frescos a cheaper alternative.
An onion dome is a dome whose shape resembles an onion. Such domes are often larger in diameter than the tholobate (drum) upon which they sit, and their height usually exceeds their width. They taper smoothly upwards to a point.
Kecharis Monastery, is a medieval Armenian monastic complex dating back to the 11th to 13th centuries, located 60 km from Yerevan, in the ski resort town of Tsaghkadzor in Armenia. Nestled in the Pambak mountains, Kecharis was founded by a Pahlavuni prince in the 11th century, and construction continued until the middle of the 13th century with its acquisition by the Proshian family. In the 12th and 13th centuries, Kecharis was a major religious center of Armenia and a place of higher education. Today, the monastery has been fully restored and is clearly visible from the ski slopes.
Makaravank is a 10th-13th century church complex near the Achajur village of Tavush Province, Armenia, located on the slope of Paitatap Mountain. The complex of Makaravank ranks among Aghtamar, Bgheno-Noravank, Gandzasar with its originality, richness and variety of ornaments and occupies an important place in Armenian architecture.
The Saint Gayane Church is a 7th-century Armenian church in Vagharshapat (Etchmiadzin), the religious center of Armenia. It is located within walking distance from the Etchmiadzin Cathedral of 301. St. Gayane was built by Catholicos Ezra I in the year 630. Its design has remained unchanged despite partial renovations of the dome and some ceilings in 1652.
Eastern Orthodox church architecture constitutes a distinct, recognizable family of styles among church architectures. These styles share a cluster of fundamental similarities, having been influenced by the common legacy of Byzantine architecture from the Eastern Roman Empire. Some of the styles have become associated with the particular traditions of one specific autocephalous Eastern Orthodox patriarchate, whereas others are more widely used within the Eastern Orthodox Church.
The Harichavank is a 7th century Armenian monastery located near the village of Harich in the Shirak Province of Armenia. The village is 3 km southeast of the town of Artik.
Armenian architecture comprises architectural works with an aesthetic or historical connection to the Armenian people. It is difficult to situate this architectural style within precise geographical or chronological limits, but many of its monuments were created in the regions of historical Armenia, the Armenian Highlands. The greatest achievement of Armenian architecture is generally agreed to be its medieval churches and seventh century churches, though there are different opinions precisely in which respects.
A roof lantern is a daylighting architectural element. Architectural lanterns are part of a larger roof and provide natural light into the space or room below. In contemporary use it is an architectural skylight structure.
Tsitsernavank is a fifth-to-sixth century Armenian Apostolic monastery in the Lachin District of Azerbaijan. The monastery is within five kilometers of the border of Armenia's province of Syunik, in an area historically known as Kashataghk.
Karmravor, also known as the Church of Holy Mother of God is a 7th-century Armenian Apostolic church in the town of Ashtarak in the Aragatsotn Province.
Armenian art is the unique form of art developed over the last five millennia in which the Armenian people lived on the Armenian Highland. Armenian architecture and miniature painting have dominated Armenian art and have shown consistent development over the centuries. Other forms of Armenian art include sculpture, fresco, mosaic, ceramic, metalwork, engraving, and textiles, especially Armenian carpets.
The Church of Shoghakat was erected in 1694 by Prince Aghamal Sorotetsi during the reign of Catholicos Nahabed I in the city of Vagharshapat (Etchmiadzin), in Armenia's Armavir Province.
A conical roof or cone roof is a cone-shaped roof that is circular at its base and terminates in a point.
Romanesque architecture appeared in France at the end of the 10th century, with the development of feudal society and the rise and spread of monastic orders, particularly the Benedictines, which built many important abbeys and monasteries in the style. It continued to dominate religious architecture until the appearance of French Gothic architecture in the Île-de-France between about 1140 and 1150.
Surp Krikor Lusavoriç Armenian Church is an Armenian Apostolic church dedicated to Saint Gregory the Illuminator in Kuzguncuk, Üsküdar, Istanbul, Turkey. It was rebuilt in 1861.