Arson, Inc. | |
---|---|
Directed by | William Berke |
Screenplay by | Maurice Tombragel |
Story by | Arthur Caesar |
Produced by | William Stephens |
Starring | Robert Lowery Anne Gwynne Edward Brophy |
Cinematography | Carl Berger |
Edited by | Edward Mann |
Music by | Raoul Kraushaar |
Distributed by | Lippert Pictures |
Release date |
|
Running time | 63 minutes |
Country | United States |
Language | English |
Box office | $60,000 [1] |
Arson, Inc. is a 1949 American film noir directed by William Berke. It is also known as Firebug Squad and Three Alarm Fire.
Joe Martin is a fire fighter in Los Angeles who is assigned to the Arson Detail. His first assignment is to investigate a suspicious fur store fire that seems to be set by the store owner himself, Thomas Peyson. Joe's predecessor in the Arson Detail was killed when investigating the same fire and his file with his findings wasn't recovered from his body. This is just one of many suspicious fires in the last few years, where the insurance claims have been filed by the same agent, Frederick P. Fender.
Joe begins with Peyson, and visits his apartment which is a site of a recent fire. He meets the babysitter, Jane, a young teacher, and Joe drives her home and ask her out on a date the next evening. It turns out Peyson and Fender are in cahoots together - the first thing Peyson does after Joe leaves is phone his accomplice. They meet the day after, as Joe comes to see Fender as the next logical step in his investigation. Joe never sees Peyson, who sneaks out through a back door. Joe gets very little information from Fender, but Fender has one of his men, Pete, tail Joe.
Soon Joe realizes that he is being followed and when Pete finally makes contact, offering Joe a chance of making a little extra money, Joe decides to play along. When visiting an illegal bookie, Joe starts to fight a policeman and he gets fired for this behaviour. Pete makes contact again, wanting to use the ex-fireman in the insurance fraud racket. Joe and Jane both meet Fender at a party at Pete's, and Fender is smitten with the young teacher. Fender's secretary Betty sees this, and feels her own agenda is threatened.
Joe is hired to do some work for Fender, and the following day he is to drive a car for Pete when he is setting fire to another store. Joe's job is to block the way for the fire trucks. Joe shares the plan with an undercover policeman, Murph, and after the fire is set, the cop steps in and extinguishes the fire before it grows out of control. All the goods are already removed from the store by Pete. Pete returns to the store and finds Murph at the scene. Pete shoots Murph, but more police arrive to the store, and a car chase ensues, where Joe and Pete ultimately manage to shake the police.
Fender realizes the police were warned and suspects Betty. Fender orders her to watch Pete by dating him, and so they go on a double date with Joe and Jane that night. Joe tells Jane about his undercover assignment on the way to the club. When Betty gets drunk she accidentally discloses the address where the furs are stored and after the dinner, Joe and Jane go there. Joe is unaware that Betty was ordered to slip the address to trap Joe.
Joe drives the drunk Pete home and manages to find the file from his predecessor in Pete's apartment. He takes Jane with him and returns to the warehouse where the furs are, alerting the police on the way. When Joe and the police arrive at the warehouse there are no furs in it. The police look at the file Joe brought and they find evidence implicating Pete in setting the fire. The police leave to arrest Pete, but Pete arrives to the warehouse with a gun. Fender is alerted of the situation by a night watchman and tries to get there as fast as he can, driving with Betty by his side.
Joe manages to take the gun from Pete, but Pete gets the gun from the night watchman and pursues Joe and Jane as they try to escape. Pete sets fire to the warehouse, trying to trap Joe and Jane inside. Fire trucks get the alarm and comes to the warehouse, and Fender crashes his car on the way, driving too fast. With the help of the firemen, Joe catches Pete and overpowers him, and the rest of the villains are caught. Joe and Jane continue dating each other. [2]
Filming began March 10, 1949. Location footage was shot in San Francisco. [3] [4]
Actor George Reeves did some dialogue directing on the film. (Reeves ad directed in theatre). [5]
The Los Angeles Times called the film "lively". [6]
Charles Clarence Robert Orville Cummings was an American film and television actor who appeared in roles in comedy films such as The Devil and Miss Jones (1941) and Princess O'Rourke (1943), and in dramatic films, especially two of Alfred Hitchcock's thrillers, Saboteur (1942) and Dial M for Murder (1954). He received five Primetime Emmy Award nominations, and won the Primetime Emmy Award for Best Actor in a Single Performance in 1955. On February 8, 1960, he received two stars on the Hollywood Walk of Fame for his contributions to the motion picture and television industries, at 6816 Hollywood Boulevard and 1718 Vine Street. He used the stage name Robert Cummings from mid-1935 until the end of 1954 and was credited as Bob Cummings from 1955 until his death.
The Devil and Miss Jones is a 1941 American comedy film directed by Sam Wood and starring Jean Arthur, Robert Cummings, and Charles Coburn. Its plot follows a department store tycoon who goes undercover in one of his Manhattan shops to ferret union organizers, but instead becomes involved in the employees' personal lives.
Joseph M. Newman was an American film director most famous for his 1955 film This Island Earth. His credits include episodes of The Twilight Zone and The Alfred Hitchcock Hour.
Howard Green Duff was an American actor.
Philip Yordan was an American screenwriter, film producer, novelist and playwright. He was a three-time Academy Award nominee, winning Best Story for Broken Lance (1951).
Jeff Richards was an American minor league baseball player with the Portland Beavers, who later became an actor. He was sometimes credited as Dick Taylor and Richard Taylor.
Red Light is a 1949 American film noir crime film starring George Raft and Virginia Mayo, and directed and produced by Roy Del Ruth. Based on the story "This Guy Gideon" by Don "Red" Barry, it features strong religious overtones.
I Shot Jesse James is a 1949 American Western film starring Reed Hadley as Jesse James and John Ireland as Bob Ford. Directed by Samuel Fuller in his debut behind the camera, it portrays the murder of Jesse James by Robert Ford and Robert Ford's life afterwards. The story is built around a fictional rivalry between Ford and his eventual killer Edward O’Kelley over a woman.
Rumba is a 1935 American musical drama film starring George Raft as a Cuban dancer and Carole Lombard as a Manhattan socialite. The movie was directed by Marion Gering and is considered an unsuccessful follow-up to Raft and Lombard's smash hit Bolero the previous year.
Last of the Wild Horses is a 1948 American Western film directed by Robert L. Lippert and starring James Ellison, Mary Beth Hughes and Jane Frazee.
Red, Hot and Blue is a 1949 American musical comedy film directed by John Farrow and starring Betty Hutton, Victor Mature, William Demarest and June Havoc. It was released by Paramount Pictures. Hutton plays an actress who gets mixed up with gangsters and murder. Frank Loesser wrote the songs and plays a key role. The film has no connection to Cole Porter's play of the same name.
Rimfire is a 1949 American Western film directed by B. Reeves Eason. It is a noir Western.
Johnny Allegro is a 1949 American film noir directed by Ted Tetzlaff and starring George Raft. An ex-gangster (Raft), temporarily working as a federal agent, runs afoul of a counterfeiting crime lord (Macready) who enjoys hunting. It was one of several thrillers Raft made in the late 1940s.
Jungle Goddess is a 1948 American action/adventure crime film starring George Reeves, Ralph Byrd, and Wanda McKay. Directed by Lewis D. Collins, the film was based on an idea by producer William Stephens.
Loan Shark is a 1952 American crime film noir directed by Seymour Friedman and starring George Raft, Dorothy Hart and Paul Stewart.
The San Francisco Story is a 1952 American Western film directed by Robert Parrish and starring Joel McCrea and Yvonne De Carlo. The rough and tumble Barbary Coast of San Francisco is recreated with attention to detail, including Florence Bates as a saloon keeper Shanghaiing the unwary. Noir elements include many shadows, a discordant musical score, snappy dialogue, a disabused hero who resists the good fight, and a femme fatale. A schematic but insightful rendering of political corruption, the film is essentially about standing up to bullies.
Deputy Marshal is a 1949 American Western film directed by William Berke and starring Jon Hall, Frances Langford, and Dick Foran.
Song of India is a 1949 American adventure film directed and produced by Albert S. Rogell and starring Sabu, Gail Russell and Turhan Bey. It was produced and distributed by Columbia Pictures.
Sky Liner is a 1949 American film noir action crime film directed by William Berke. It was released on the bottom half of double bills.
William Stephens (1897–1962) was an American film producer.