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| FBI Girl | |
|---|---|
| Theatrical release poster | |
| Directed by | William A. Berke |
| Screenplay by | Dwight V. Babcock Richard H. Landau |
| Based on | Rupert Hughes |
| Produced by | William A. Berke |
| Starring | Cesar Romero George Brent Audrey Totter |
| Narrated by | Cesar Romero |
| Cinematography | Jack Greenhalgh |
| Edited by | Philip Cahn |
| Music by | Darrell Calker |
Production company | Jadger Productions |
| Distributed by | Lippert Pictures |
Release date |
|
Running time | 74 minutes |
| Country | United States |
| Language | English |
FBI Girl is a 1951 American crime film noir about a female FBI employee who becomes involved in a government plot involving corruption and murder. The film was directed by William A. Berke and stars Cesar Romero, George Brent and Audrey Totter. It was produced and distributed by Lippert Pictures. [1]
Governor Grisby is politically ambitious, as are his ruthless right-hand man Blake and Chercourt, an influential lobbyist on their payroll. However, Grisby is actually a wanted murderer named John Williams.
Fearing that Williams' fingerprints on file with the FBI will someday be traced back to him, Blake coaxes petty crook Paul Craig to ask his sister Natalie, a clerk for the FBI, steal the Williams file. She now knows too much, so Blake arranges for Natalie to be killed in a car crash. FBI agents Stedman and Donley investigate. Natalie's roommate is Shirley Wayne, another clerk for the FBI. Shirley tells them that when Natalie was visited by Paul at lunch, both looked extremely nervous.
Shirley's fiancée is revealed to be Chercourt. She is asked to assume an undercover identity and carry a handheld radio, as Blake and Chercourt are still trying to find the right file so that the fingerprints can be destroyed. Grisby surrenders when the FBI arrives, and Blake tries to flee on a speedboat but is shot.
In a contemporary review for the Los Angeles Times , critic John L. Scott wrote: "It is somewhat of a lightweight to carry the load ... though interesting in some fresh plot angles. ... There are some situations in the film that are hard to believe, though they are fashioned expertly. The finish 'chase' generates some excitement." [2]