Location | 3636 Lower Falls Road Sheboygan, Wisconsin, U.S. |
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Coordinates | 43°44′35″N87°45′17″W / 43.74306°N 87.75472°W |
Type | Art museum |
Founder | Ruth DeYoung Kohler II |
Executive director | Sam Gappmayer |
Architect | Tres Birds |
Owner | John Michael Kohler Arts Center |
Public transit access | Shoreline Metro |
Website | artpreserve |
The Art Preserve is an art museum and a satellite campus of the John Michael Kohler Arts Center. The preserve houses a collection of artist-built environments and sculptural works. It is designed by Tres Birds and located in Sheboygan, Wisconsin. [1] Opened in June 2021, the Art Preserve is the first museum dedicated to the exhibition, preservation, and care of artist-built environments. [2] The museum also serves as a research space for the art environment genre. [3]
The museum was first envisioned by Ruth DeYoung Kohler II, who served as director of the John Michael Kohler Arts Center from 1972 to 2016. [4] Kohler traveled through rural Wisconsin as a child and became fascinated with artist-built environments, in particular Fred Smith's Wisconsin Concrete Park. Kohler worked throughout her life to preserve and display these artist-built environments. [5]
The artist-built environment genre of art-making refers to spaces transformed by an artist to express their personal identity, culture, or history. These spaces can include homes, gardens, parks, or built structures covered with art. While artist-built environments are designed to be permanent or semi-permanent, they often require care and preservation in order to maintain the original artistic integrity. [6]
The three-story building of the museum is 56,000 sq ft (5,200 m2), on a 38-acre (15 ha) site. Ruth DeYoung Kohler II was committed to the idea that the building should include natural materials such as stone, wood, and earth, as a sign of respect for the materials often utilized by artists in creating the art environments held in the collection. The Art Preserve was built into a hill, with construction beginning in 2016. The museum was designed by the Denver-based architectural firm Tres Birds [7] using timber, concrete, and river stones from the nearby Sheboygan River. [8] Eighty percent of the building is made from local ground rock. The building was also designed to shade itself in order to protect the art inside. [9] The museum's four artist-designed washrooms respond to the collection and continue in the tradition of the John Michael Kohler Arts Center washrooms. The washrooms at the Art Preserve were designed by Michelle Grabner, Beth Lipman, and the team of Joy Feasley and Paul Swenbeck with Kohler Co. materials.
The first floor of the building is dedicated to the history of the preserve, its focus on Wisconsin artists, and the acquisition of Eugene Von Bruenchenhein's work. The second floor upends the assumptions made about artist-built environments and shows works by artists from the mainstream art world and urban areas. The third floor contains fully immersive artist-built environments. [10]
Many artist-built environments in the collection were originally domestic spaces, as artists in this genre frequently blur the lines between studio, home, and gallery. The environments in the collection include more than 25,000 objects by over 30 artists. [11] The collection includes works by Eugene Von Bruenchenhein, [12] Emery Blagdon, [12] Loy Bowlin, [12] Lenore Tawney, Dr. Charles Smith, Mary Nohl, Vollis Simpson and Ray Yoshida. [12]
Eugene Von Bruenchenhein (1910–1983) was an American self-taught artist from Milwaukee, Wisconsin. Over the course of fifty years, from the 1930s until his death in 1983, Von Bruenchenhein produced an expansive oeuvre of poetry, photography, painting, drawing and sculpture. His body of work includes over one thousand colorful, apocalyptic landscape paintings; hundreds of sculptures made from chicken bones, ceramic and cast cement; pin-up style photos of his wife, Marie; plus dozens of notebooks filled with poetic and scientific musings. Never confined to one particular method or medium, Von Bruenchenhein continually used everyday, discarded objects to visually explore imagined past and future realities.
The Madison Museum of Contemporary Art (MMoCA), formerly known as the Madison Art Center, is an independent, non-profit art museum located in downtown Madison, Wisconsin.
The Mary Nohl Art Environment is a residence in the Milwaukee suburb of Fox Point, Wisconsin. The property, which is filled with folk art created by artist Mary Nohl (1914–2001), is listed on the National Register of Historic Places.
The John Michael Kohler Arts Center is an independent, not-for-profit contemporary art museum and performing arts complex located in Sheboygan, Wisconsin, United States. The center preserves and exhibits artist-built environments and contemporary art. In 2021, the center opened the Art Preserve, a satellite museum space dedicated to art environments.
The John Michael Kohler House is an historic house listed on the National Register of Historic Places in Sheboygan, Wisconsin, United States. The house is currently a part of the John Michael Kohler Arts Center complex.
John Michael Kohler II was member of the Kohler family of Wisconsin and was a prosperous industrialist and mayor of Sheboygan, Wisconsin. Kohler founded what later became known as the Kohler Company, a large producer of bathroom and kitchen products.
Gary Lee Noffke is an American artist and metalsmith. Known for versatility and originality, he is a blacksmith, coppersmith, silversmith, goldsmith, and toolmaker. He has produced gold and silver hollowware, cutlery, jewelry, and forged steelware. Noffke is noted for his technical versatility, his pioneering research into hot forging, the introduction of new alloys, and his ability to both build on and challenge traditional techniques. He has been called the metalsmith's metalsmith, a pacesetter, and a maverick. He is also an educator who has mentored an entire generation of metalsmiths. He has received numerous awards and honors. He has exhibited internationally, and his work is represented in collections around the world.
Kohler Foundation, Inc. is a philanthropic organization that works in the areas of art preservation, grants, scholarships, and performing arts.
M12, aka M12 STUDIO, is an American artist collective and non-profit organization based in Colorado that features an evolving group of artist practitioners, curators, and designers. Together they create artworks, research projects, and education programs that explore rural cultures and landscapes. Initially formed as the municipalWORKSHOP in 2002 in York, Alabama by Richard Saxton when he was an artist-in-residence at the Rural Studio, an architecture studio run by Auburn University, the group evolved into M12 in 2007 when it became incorporated as a non-profit organization. The core members have created over 20 projects since founding; their work was featured in the 2014 publication "A Decade of Country Hits: Art on the Rural Frontier."
Beth Lipman is a contemporary artist working in glass. She is best known for her glass still-life compositions which reference the work of 16th- and 17th-century European painters.
Myra Mimlitsch-Gray is an American metalsmith, artist, critic, and educator living and working in Stone Ridge, New York. Mimlitsch-Gray's work has been shown nationally at such venues as the John Michael Kohler Arts Center, Museum of the City of New York, Metropolitan Museum of Art, Cooper-Hewitt Smithsonian Design Museum, and Museum of Arts and Design. Her work has shown internationally at such venues as the Middlesbrough Institute of Modern Art, Stadtisches Museum Gottingen, and the Victoria and Albert Museum, and is held in public and private collections in the U.S, Europe, and Asia.
Jack Earl is an American ceramic artist and former teacher, known for drawing inspiration from his home state of Ohio to create rural pieces “with meticulous craftsmanship and astute details… to where you could smell the air, hear the silence and swat the flies.” Although his works hint at highly personal, intellectual, and narrative themes in an almost unsettling manner, Earl is “a self-described anti-intellectual who shuns the art world." He is known particularly for using his trademark format, the dos-a-dos : “This art form is like a book with two stories… the two seemingly incongruent images prompt the viewer to fill in the conceptual gap through poetic speculation.” His work often involves dogs or the character “Bill”, who is said to be a combination of Earl’s father-in-law, himself, and others. The titles to his pieces are typically lengthy, stream-of-consciousness narratives that suggest the folk or rural lifestyle. These are intended to add another dimension to the artwork. His work has received a notable response over his decades-long career, especially since he is regarded as “a master at reminding us that within the events we take for granted are moments of never-ending mystery and wonder.” Earl continues to live in Lakeview, Ohio with his wife, Fairlie.
Kevin Blythe Sampson is an American artist and retired police officer living in Newark, New Jersey. He makes sculptures from discarded found objects that act as memorials for various people who have died. He has a studio based out of Newark.
Melissa Stern is an American artist and journalist. Her drawing and sculpture have been exhibited in museums, galleries, private and corporate collections throughout the world. Her art reviews and cultural commentary have been featured in Hyperallergic, the Brooklyn-based digital arts publication. She serves as Art Editor for Posit, a journal of literature and art.
Dr. Charles Smith is a visual artist, historian, activist and minister who lives and works in Hammond, Louisiana. His sculptural work focuses on African and African American history.
Indira Allegra is a multidisciplinary American artist and writer based in Oakland, California.
Beth Katleman is an American artist known for porcelain assemblage sculpture cast from found objects. Her allegorical installations fall within the genre of pop surrealism, combining decorative elements, such as Rococo embellishments and 19th century Toile de Jouy wallpaper scenery, with satirical references to consumer culture, fairy tales and classic literature. Katleman's work is in private and institutional collections and is exhibited internationally, including an installation commissioned by architect Peter Marino for Christian Dior, in the Hong Kong and London flagship boutiques. She lives and works in Brooklyn, New York, and is the recipient of the 2011 Moët Hennessey Prize, a Mid-Atlantic Arts Foundation grant, the Watershed Generation X Award, a Kohler Arts/Industry Fellowship and a residency in Cortona, Italy sponsored by the University of Georgia, Athens. Katleman holds a BA in English from Stanford University, an MFA from Cranbrook Academy of Art and an MBA in Arts Management from UCLA.
Stella Waitzkin (1920–2003) was an American installation artist known for sculptural representation of books.
Albert Zahn was a self-taught sculptor from the Prussian province of Pomerania, who lived and worked in Door County, Wisconsin for most of his life. He is known primarily for his painted wood carvings of birds. Zahn is also well known for his depictions of angels and for the creation of the Albert Zahn House which he built with his wife Louise Zahn, and adorned with hundreds of his carvings. Albert Zahn carved most of his sculptures from cedar and then instructed Louise Zahn who painted them. Some of Zahn's other notable subjects include maritime workers, Prussian soldiers, dogs, and deer.
Ruth DeYoung Kohler II was a museum director and teacher from Wisconsin who championed under-recognized, self-taught artists and vernacular art. She was the director of the John Michael Kohler Arts Center from 1972–2016. She led the development of the Art Preserve in Sheboygan, Wisconsin, the first museum dedicated to the exhibition and conservation of artist-built environments.