Michelle Grabner | |
---|---|
Born | 1962 (age 61–62) |
Education | |
Known for | painting |
Awards | Guggenheim Fellowship for Visual Art |
Website | www.michellegrabner.com |
Michelle Grabner (born 1962 in Oshkosh, Wisconsin) is an artist, curator, and critic based in Wisconsin. [1] She is the Crown Family Professor of Art at the School of the Art Institute of Chicago where she has taught since 1996. [2] She has curated several important exhibitions, including the 2014 Whitney Biennial at the Whitney Museum of American Art along with Anthony Elms and Stuart Comer, and FRONT International, the 2016 Portland Biennial at the Oregon Contemporary, a triennial exhibition in Cleveland, Ohio in 2018. In 2014, Grabner was named one of the 100 most powerful women in art [3] and in 2019, she was named a 2019 National Academy of Design's Academician, a lifetime honor. [4] In 2021, Grabner was named a Guggenheim Fellow by The John Simon Guggenheim Memorial Foundation. [5] In 2024 Grabner was inducted into the Wisconsin Academy of Art and Science.
Grabner received a B.F.A. (painting and drawing) in 1984 and an M.A. in art history in 1987 from the University of Wisconsin–Milwaukee. Her MA thesis and exhibition was titled "Postmodernism: A Spectacle of Reflexivity" and included work by Richard Prince, Sherrie Levine, and Kay Rosen among others. She received an M.F.A. from Northwestern University in 1990. [6] [7] She is the Crown Family Professor of Art at the School of the Art Institute of Chicago, where she has been teaching since 1996. In addition, Grabner has also held teaching appointments at The University of Wisconsin-Madison, Cranbrook Academy of Art, Yale Norfolk, Bard College's Milton Avery Graduate School of Arts, and Skowhegan School of Painting and Sculpture, Maine. [8]
Her work is in the collection of the Art Museum of West Virginia University, Morgantown; Walker Art Center, Minneapolis; the Milwaukee Art Museum; the Museum of Contemporary Art, Chicago; DaimlerChrysler Collection, Berlin; Musée d'art moderne Grand-Duc Jean, Luxembourg; Smithsonian American Art Museum, Washington, DC; the Indianapolis Museum of Art; the Allen Memorial Art Museum, Oberlin, OH; the Madison Museum of Contemporary Art, Madison, WI; the Museum of Fine Arts, Boston, MA; the RISD MUSEUM, Providence, RI; the Sheldon Museum of Art, Lincoln, NE; Mount Holyoke College Art Museum, South Hadley, MA; the Wellin Museum of Art, Hamilton College, Clinton, NY; the Bates College, Lewiston, ME; and the Victoria and Albert Museum, London among others. [9] The Museum of Contemporary Art Cleveland presented her first solo retrospective, Michelle Grabner, "I Work From Home", November 1, 2013 - February 16, 2014. [10] The Indianapolis Museum of Art, MOCA Cleveland, Illinois State Galleries, and INOVA at University of Wisconsin-Milwaukee have each hosted survey exhibitions of Grabner's work. Her work has been commissioned by the Art Preserve, John Michel Kohler Art Center, Sheboygan, WI; the Columbus Public Library, Dublin Branch, OH; and Sculpture Milwaukee, Milwaukee WI.
Grabner is presently represented by James Cohan, New York; EFREMIDIS, Berlin/Seoul; Rocket Gallery, London, and Green Gallery, Milwaukee among others. Notable recent solo exhibitions include A Minor Survey at MICKEY, Chicago (2023); Similitude at EFREMIDIS, Berlin (2022); and Michelle Grabner at James Cohan, New York (2021). Her work has been included in group exhibitions at Gallery Gisela Clement, Bonn, Germany; the Cleveland Museum of Art, Cleveland; La Mama Galleria, New York; and PS, Amsterdam, Netherlands among many others. She has participated in residencies at the Atlantic Center for the Art, Master Teacher, New Smyrna Beach, Florida; Arts/Industry, Foundry Kohler Company, Kohler, Wisconsin; and Bullseye Glass, Portland, Oregon.
She is a National Academician at the National Academy of Design; a Lifetime Distinguished Artist at the Union League Club of Chicago; a Trustee and member of the Acquisition Committee, Milwaukee Art Museum; holds a seat on the advisory Committee of the CUE Foundation New York; is a member of the International Association of Art Critics; and an Artist Pension and Trust Participant. Grabner is currently the Kohler Company Arts/Industry curator.
Grabner co-curated the 2014 Whitney Museum Biennial [11] and curated the 2016 Portland Biennial. [12] She was the Artistic Director for the inaugural exhibition, FRONT International, [13] the 2018 Cleveland Triennial for Contemporary Art, titled "An American City." [14]
A 2023 Artforum review describes Grabner's "enduring interest in vernacular patterns drawn from domestic life" which informs works that "dazzle with intricate geometries—fractal arrays of flowers, starbursts, swirls, spirals—all of which emerge from deep histories of ornamentation that go back into antiquity and loop forward to grandmothers’ afghans." [15]
Her reviews are regularly published in X-tra,New City.and Artforum . [16] In 2010, Mary Jane Jacob and Grabner co-edited THE STUDIO READER, published by the University of Chicago Press. [17] In 2018, Grabner edited An American City: Front International, a two-volume exhibition catalog published by the Cleveland Museum of Art. [18]
With her husband Brad Killam, she founded The Suburban [19] in Oak Park, Illinois in 1999 as a project space that honors the tradition of artist directed programs. The space hosted a range of international contemporary art. In 2015, The Suburban began programming exhibitions in Milwaukee's Walker's Point neighborhood.
In 2009 Grabner and Killam opened The Poor Farm [20] in rural Waupaca County, Wisconsin. [21] The Poor Farm is dedicated to annual historical and contemporary exhibitions, lectures, performances, publications, screenings and alternative educational programs. Since 2018, the Poor Farm is committed to hosting a long-term research residency called Living Within the Play, exploring the contingent nature of hosting and gathering, the fleeting and the reverberating, particular to the moment of temporary, intentional assembly.
The Whitney Biennial is a biennial exhibition of contemporary American art organized by the Whitney Museum of American Art in New York City, United States. The event began as an annual exhibition in 1932; the first biennial was in 1973. It is considered the longest-running and most important survey of contemporary art in the United States. The Biennial helped bring artists like Georgia O'Keeffe, Jackson Pollock, and Jeff Koons, among others, to prominence.
Jessica Jackson Hutchins is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.
Inka Essenhigh is an American painter based in New York City. Throughout her career, Essenhigh has had solo exhibitions at galleries such as Deitch Projects, Mary Boone Gallery, 303 Gallery, Stefan Stux Gallery, and Jacob Lewis Gallery in New York, Kotaro Nukaga, Tomio Koyama Gallery in Tokyo, and Il Capricorno in Venice.
Rachel Harrison is an American visual artist known for her sculpture, photography, and drawing. Her work often combines handmade forms with found objects or photographs, bringing art history, politics, and pop culture into dialogue with one another. She has been included in numerous exhibitions in Europe and the US, including the Venice Biennale, the Whitney Biennial and the Tate Triennial (2009). Her work is in the collections of major museums such as The Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Tate Modern, London; among others. She lives and works in New York.
Anne Wilson is a Chicago-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and DVD stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of fiber art to other media. Wilson is a professor in the Department of Fiber and Material Studies at The School of the Art Institute of Chicago.
Helidon Gjergji is a contemporary artist who works in various media.
Alma Allen is an American sculptor. He lived and worked in Joshua Tree, California. He currently works in Tepotzlán, Mexico.
Douglas Ischar is an openly gay, American artist known for his work in documentary photography, installation art, sound art and video art addressing stereotypes of masculinity and male behavior. He currently lives and works in Chicago, where he teaches art at the University of Illinois at Chicago. Ischar serves on the curatorial board of Chicago's Iceberg Projects, a not-for-profit experimental exhibition space.
Laura Owens is an American painter, gallery owner and educator. She emerged in the late 1990s from the Los Angeles art scene. She is known for large-scale paintings that combine a variety of art historical references and painterly techniques. She lives and works in Los Angeles, California.
Sabina Ott was an American artist known for her broad range of work—from painting to installation to sculpture—and her central role in the art world as teacher, administrator, and recently, as the founder of the exhibition space Terrain, which invites artists to create installations and performances using the exterior of her Oak Park home.
Aaron Flint Jamison is an American conceptual artist and associate professor in the University of Washington School of Art + Art History + Design. He works with various media including sculpture, publication, video, and performance.
Jennifer Bolande is an American postconceptual artist. Her art explores affinities and shifts of meaning among sets of objects and images across different contexts and media including sculpture, photography, film and installation. She emerged in the early 1980s with work that expanded on ideas and strategies rooted in conceptualism, Pop, Arte Povera and the so-called Pictures Generation. Her work focuses on thresholds, liminal and peripheral spaces, and transitional moments—states she enacts by the repetition, accumulation and recontextualization of found materials. She frequently selects cultural artifacts on the verge of obsolescence or in flux—and thus acquiring new meanings—and archives, studies and reframes them. Artforum critic Paula Marincola wrote, "Bolande's highly individualized amalgam of sculpture and photography proceeds obliquely but precisely toward an accumulation of possible meanings. She is a connoisseur of unlikely but evocative details, of subliminally perceived, fragmentary images and events."
Kay Rosen is an American painter. Rosen's paintings are included in the collections of the Art Institute of Chicago, the Museum of Contemporary Art, Los Angeles, and the Museum of Modern Art, Whitney Museum of American Art in New York City, and The Blanton Museum of Art in Austin, Texas. Rosen lives in Gary, Indiana, and New York City.
LaToya Ruby Frazier is an American artist.
Stuart Comer is an American art curator and writer who is currently Chief Curator of Media and Performance Art at The Museum of Modern Art in New York City. He was co-curator of the 2014 Biennial at the Whitney Museum of American Art, alongside Michelle Grabner and Anthony Elms.
Pamela Helena Wilson is an American artist. She is best known for watercolor drawings and paintings derived from photographs, largely of news events, architectural forms and landscapes. Her journalistic sources frequently portray scenes of natural and human-made calamity and the conflict, devastation and reactions that follow, often involving teeming crowds and demonstrations. Wilson's process and visual editing obscure these events, translating the images into suggestive, new visual experiences with greater urgency, universality and an open-endedness that plays against expectations. In 2013, critic Michelle Grabner wrote, "The luminosity of watercolor on white paper and the alluring atmospheric effects [Wilson] achieves in this medium creates images that are neither photographic or illustrational but seductively abstract and representational."
Emily Ginsburg is a conceptual artist who lives in Portland, Oregon. She was selected for the Portland2016 Biennial by curator Michelle Grabner. And her work was noted as a highlight of the Oregon Biennial in 2006. Jennifer Gately, the curator of that Biennial, noted that Ginsburg's work, "reveals a deep interest in the signs and symbols of communication, scientific illustration, architectural notation, electronics, and the human nervous system." Ginsburg's "work often functions as a map or code for understanding an aspect of an individual or collective consciousness."
Margaret Wharton (1943-2014) was an American artist, known for her sculptures of deconstructed chairs. She deconstructed, reconstructed and reimagined everyday objects to make works of art that could be whimsical, witty or simply thought-provoking in reflecting her vision of the world.
Sienna Shields is an American abstract artist specializing in large-format collage pieces. She was also the chief organizer of the HowDoYouSayYaminAfrican? artist collective and the director of its digital work, Good Stock on the Dimension Floor: An Opera which was accepted for the 2014 Whitney Biennial.
Carissa Rodriguez is an American artist who lives and works in New York City.