 | |
 | |
| Established | 1999 |
|---|---|
| Location |
|
| Type | Art gallery |
| Founder | James and Jane Cohan |
| Website | jamescohan |
James Cohan is a contemporary art gallery co-founded by James and Jane Cohan in 1999, which operates spaces in the Manhattan, New York neighborhoods of Tribeca and the Lower East Side. [1] [2] [3]
James Cohan has had six primary locations in its history: an initial space on West 57th Street in Manhattan (1999–2002); [4] a subsequent space at West 26th Street in Chelsea (2002–summer 2019); [1] a second location in Shanghai, China (2008–15); [5] [6] [4] a third satellite space at 291 Grand Street in the Lower East Side (November 2015–19; 2023–present); [7] [2] a new main space relocation to Tribeca at 48 Walker Street (September 2019–present); [1] [8] [9] and a second Tribeca space at 52 Walker Street (October 2021–present). [10]
James Cohan began his career as an art dealer after moving to New York from Cleveland in the 1980s with his wife Jane. [9] [11] He worked for over a decade, becoming the director of the John Weber Gallery and the Paula Cooper Gallery in SoHo, before working for Anthony d'Offay Gallery in London for most of the 1990s. [12] [9] [11] His first exposure to art dealing came as a child through his uncle, the late Carl Solway, who operated a (still active) gallery for avant-garde work for over fifty years in Cincinnati, Ohio. [13] [12]
James and Jane Cohan founded their gallery In the fall of 1999 on West 57th Street with a show of late-1970s "photopieces" by the London-based collaborative duo Gilbert and George, followed by exhibitions featuring Robert Smithson and Trenton Doyle Hancock. [14] [4] [11] [15] The gallery moved to West 26th Street in Chelsea in 2002, where it represented a roster that included Chinese-American painter Yun-Fei Ji, [16] British sculptor Richard Long, [12] British-Nigerian artist Yinka Shonibare, [17] painter Fred Tomaselli, [18] video artist Bill Viola, [19] and Chinese conceptualist Xu Zhen, [20] among others.
In 2008, James Cohan opened a second space in Shanghai, China in a 1936 Art Deco villa once occupied by the military in the city's French Concession. [21] [5] [6] Directed by Arthur Solway, the gallery sought to introduce American and European contemporary art to Chinese audiences and Chinese artists to the Cohan's New York programming. [7] [21] The Shanghai location operated through 2015. [4] [7]
The gallery opened a third, satellite branch in November 2015 in a former fish market at 291 Grand Street in the Lower East Side neighborhood. [2] [7] Directed by David Norr (formerly senior curator at the Wexner Center and MOCA Cleveland), [22] [3] the space was inaugurated with an exhibition of Robert Smithson's seldom-seen Pop works created between 1961 through 1964. [7] [23]
In September 2019, James Cohan Gallery relocated its main location Chelsea to Tribeca, in a new 9,000-square-foot, two-level space at 50 Walker Street. [1] [8] [9] It was inaugurated with an exhibition of Josiah McElheny's work, largely focused on glass, reflection optics and the nocturnal. [24] [25] The gallery opened an additional Tribeca space in October 2021 at 52 Walker Street. [10]
In 2024, James Cohan joined with five other Manhattan art galleries—Bortolami, Kaufmann Repetto, Anton Kern, Andrew Kreps and Kurimanzutto—in the collaborative purchase of a 78,000-square-foot abandoned school and its surrounding land in Columbia County, N.Y., outside Hudson; the site was inaugurated as a new collective art space called "The Campus" in June 2024. [26] [27]
In 2003, Observer described the gallery's programming approach as eclectic, with "a flair for presenting off-beat, curiously titled theme exhibitions that combine serious, established avant-garde artists of the past with attention-getting newer artists." [12] Noting the mix of artists on the gallery's roster in 2018, ARTnews wrote that it suggested "a policy of inclusivity." [28] [6]
While in its Chelsea location in the 2000s, the gallery showed work by Yun-Fei Ji, [16] video artist Hiraki Sawa, [29] Yinka Shonibare, [17] the collaborative duo Simon Evans, [30] Japanese animation artist Tabaimo, [31] marquetry artist Alison Elizabeth Taylor, [32] Fred Tomaselli, [18] Bill Viola [19] and Xu Zhen, [20] among others.
In the 2010s, the gallery began representing sculptor Kathy Butterly, [33] conceptual artists Spencer Finch, Michelle Grabner and Katie Paterson, [34] [35] [36] painters Federico Herrero, Byron Kim, Mernet Larsen, the late Lee Mullican and Scott Olson, [37] [38] [22] [39] [40] Josiah McElheny, [41] Vietnamese art collective The Propeller Group, [42] Matthew Ritchie and Ethiopian artist Elias Sime. [43] In 2017, an exhibit by Omer Fast generated controversy when a coalition of Asian-American groups entered and protested, making claims involving orientalism, gentrification, colonialism and stereotypes of Chinatown aesthetics. [28] [44] [45] In a statement, Fast wrote that in re-creating the appearance of the building before the gallery moved in, he sought to heighten "the tension between appearance and essence" of the immigrant experience, which he related to his own as an Israel-born naturalized American. [28]
Since moving to Tribeca, the gallery has begun to represent sculptors Alexandre da Cunha and Kennedy Yanko, [46] the late Iranian artist Monir Shahroudy Farmanfarmaian, [47] Delhi-based artist Gauri Gill, [10] conceptualist Teresa Margolles, [48] painters Kelly Sinnapah Mary, Jesse Mockrin, Eamon Ore-Giron, Kaloki Nyamai and Naudline Pierre, [49] [50] [51] [52] [53] interdisciplinary artists Christopher Myers and Tuan Andrew Nguyen, [54] [55] textile artist Jordan Nassar [56] and Diane Simpson. [57]
Yinka Shonibare, is a British artist living in the United Kingdom. His work explores cultural identity, colonialism and post-colonialism within the contemporary context of globalisation. A hallmark of his art is the brightly coloured Ankara fabric he uses. As Shonibare is paralysed on one side of his body, he uses assistants to make works under his direction.
Artforum is an international monthly magazine specializing in contemporary art. The magazine is distinguished from other magazines by its unique 10½ × 10½ inch square format, with each cover often devoted to the work of an artist. Notably, the Artforum logo is a bold and condensed iteration of the Akzidenz-Grotesk font, a feat for an American publication to have considering how challenging it was to obtain fonts favored by the Swiss school via local European foundries in the 1960s. Artforum is published by Artforum Media, LLC, a subsidiary of Penske Media Corporation.
The Luhring Augustine Gallery is an art gallery in New York City. The gallery has three locations: Chelsea, Bushwick, and Tribeca. Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video and photography.
Josiah McElheny is an artist and sculptor, primarily known for his work with glass blowing and assemblages of glass and mirrored glassed objects. He is a 2006 recipient of the MacArthur Fellows Program. He lives and works in New York City.
Barbara Gladstone was an American art dealer and film producer. She was owner of Gladstone Gallery, a contemporary art gallery with locations in New York and Brussels.
Yun-Fei Ji is a Chinese-American painter who has been based largely in New York City since 1990. His art synthesizes old and new representational modes, subverting the classical idealism of centuries-old Chinese scroll and landscape painting traditions to tell contemporary stories of survival amid ecological and social disruption. He employs metaphor, symbolic allusion and devices such as caricature and the grotesque to create tumultuous, Kafka-esque worlds that writers suggest address two cultural revolutions: the first, communist one and its spiritual repercussions, and a broader capitalist one driven by industrialization and its effects, both in China and the US. ARTnews critic Lilly Wei wrote, "Ancestral ghosts and skeletons appear frequently in Ji’s iconography; his work is infused with the supernatural and the folkloric as well as the documentary as he records with fierce, focused intensity the displacement and forced relocation of people, the disappearance of villages, and the environmental upheavals of massive projects like the controversial Three Gorges Dam."
David Maupin is an American art dealer.
Xu Zhen, born in 1977 in Shanghai, China, is a multimedia artist. Xu Zhen's body of work, which includes photography, installation art and video, entails theatrical humour and social critique. His projects are informed by performance and conceptual art. Xu's work focuses on human sensitivity and dramatizes the humdrum of urban living.
Timothy Taylor is an international gallery with locations in London, and New York. Founded in Mayfair, London, in 1996, the gallery has worked with post-war and contemporary artists as well as artist estates.
Tanya Bonakdar Gallery is an art gallery founded by Tanya Bonakdar, located in both Chelsea in New York City and Los Angeles. Since its inception in 1994, the gallery has exhibited new work by contemporary artists in all media, including painting, sculpture, installation, photography, and video. The New York City location is at 521 W. 21st Street and the Los Angeles gallery is located at 1010 N. Highland Avenue.
Marian Goodman is owner of the Marian Goodman Gallery, a contemporary art gallery opened in Manhattan, New York in 1977. Goodman has been called one of the most respected and influential gallerists of contemporary art in the world. She is known for introducing European artists like Gerhard Richter, Joseph Beuys, and Marcel Broodthaers to the United States and has represented a number of artists including Steve McQueen, Thomas Struth, Pierre Huyghe, Thomas Schütte, Lothar Baumgarten, Tony Cragg, Richard Deacon, Tacita Dean, Christian Boltanski, Annette Messager, Chantal Akerman, Niele Toroni, Gabriel Orozco, Maurizio Cattelan, Giuseppe Penone, Giovanni Anselmo, Jeff Wall, Rineke Dijkstra, and William Kentridge. Marian Goodman gained prominence in the art world in the 1970s and 1980s, a time when few women worked in this sector.
The Kasmin Gallery, formerly known as the Paul Kasmin Gallery, is a New York City fine art gallery, founded in SoHo in 1989.
Goodman Gallery is an art gallery founded in Johannesburg, South Africa by Linda Givon in 1966. The gallery operates spaces in Johannesburg, Cape Town, and London. It represents both established and emerging artists who are regarded as having helped shape the landscape of contemporary art in Southern Africa.
Tuesday Smillie is an American interdisciplinary artist based in Brooklyn, New York. Her work focuses on trans-feminist politics and the aesthetics of protest.
Bortolami is a contemporary art gallery founded in 2005 by Stefania Bortolami and Amalia Dayan.
Almine Rech Ruiz-Picasso is a French art dealer and owner of the eponymous contemporary art gallery. The gallery has exhibition spaces in Paris, Brussels, London, New York, Shanghai, Gstaad and Monaco. The gallery opened in 1997 in Paris.
For people with the surname, see Skarstedt (surname).
Jack Shainman Gallery is a contemporary art gallery in New York City. The gallery was founded by Jack Shainman and his then-partner Claude Simard (1956—2014) in 1984 in Washington, D.C. The gallery has a focus on artists from Africa, East Asia, and North America.
The American Library is a 2018 contemporary art installation artwork piece by British-Nigerian artist Yinka Shonibare comprising 6,000 books of different sizes wrapped in Dutch wax printed cotton; 3,200 of the books carry names of immigrants, or the descendants of recent immigrants, to the United States who have had an impact on American culture. It was conceived as a reaction to Donald Trump's anti-immigration rhetoric.
James Fuentes is an American gallerist whose eponymous contemporary art gallery opened in Manhattan, New York, United States in 2007.
| International | |
|---|---|
| National | |
| Other | |
