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Arthena or Association pour la Diffusion de l'Histoire de l'Art is a French company which regularly publishes art history books and most particularly catalogues.
President : Pierre Rosenberg of the Académie française, président-directeur honoraire du Musée du Louvre.
Colin B. Bailey (Director, Fine Arts Museums, San Francisco), Marco Chiarini (Former Director of the Galleria Palatina, Palazzo Pitti, Florence), Keith Christiansen (Curator of the European painting, The Metropolitan Museum of Art, New York), Thomas W. Gaehtgens (Director, Getty Research Institute, Los Angeles), Michel Laclotte (président-directeur honoraire, Musée du Louvre, Paris), Alastair Laing (Curator Emeritus of Pictures & Sculptures, The National Trust, London), Anna Ottani Cavina (Professore di Storia dell'Arte, Università di Bologna. Direttore, Fondazione Federico Zeri), Nicholas Penny (Director, The National Gallery, London).
(Former): Sir Anthony Blunt, André Chastel, Francis Haskell, Robert Herbert, Michel Laclotte, Robert Rosenblum, Federico Zeri.
Claire Barbillon (université Paris Ouest Nanterre La Défense), Olivier Bonfait (université de Bourgogne), Jean-Pierre Cuzin, Bruno Foucart, Jacques Foucart, Christine Gouzi (université Paris-Sorbonne), Christophe Leribault (Petit Palais - musée des Beaux-Arts de la Ville de Paris), Stéphane Loire (musée du Louvre), Alain Mérot (université Paris-Sorbonne), Patrick Michel (université Lille 3 - Charles de Gaulle), Xavier Salmon (musée du Louvre), Guilhem Scherf (musée du Louvre), Philippe Sénéchal (université de Picardie - Jules Verne ; Institut national d'histoire de l'art).
(Former): Jacques Foucart, Marianne Roland-Michel, Pierre Rosenberg, Antoine Schnapper, Alain Mérot.
By date of publication
The School for Advanced Studies in the Social Sciences is a graduate grande école and grand établissement in Paris focused on academic research in the social sciences. It is regarded as one of the most prestigious institutions of graduate education in France. The school awards Master and PhD degrees alone and conjointly with the grandes écoles École Normale Supérieure, École Polytechnique, and École pratique des hautes études.
Jean Restout the Younger was a French artist, who worked in painting and drawing. Although little remembered today, Restout was well-respected by his contemporaries for his religious compositions.
Jean-Baptiste Santerre was a French painter and draughtsman of the Style Louis XIV, known for his history paintings, portraits, and portrait-like genre subjects. Considerably influenced by Italian masters of the Bolognese school as well as his French contemporaries, Santerre nonetheless made an original contribution in his art, being among the first French painters to bring Netherlandish influences.
Bon Boullogne was a French painter.
Jean-Baptiste Perronneau was a French painter who specialized in portraits executed in pastels.
François Lemoyne or François Le Moine was a French rococo painter. He was a winner of the Prix de Rome, professor of the Académie royale de peinture et de sculpture, and Premier peintre du Roi to Louis XV. He was tutor to Charles-Joseph Natoire and François Boucher.
Fleury François Richard, sometimes called Fleury-Richard, was a French painter of the École de Lyon. A student of Jacques-Louis David, Fleury-Richard and his friend Pierre Révoil were precursors of the Troubador style.
Antoine Schnapper was a French art historian on art of the 17th and the 18th century. A student of André Chastel, he organised many retrospectives on artists of that period, notably one at the Louvre in 1989 on Jacques-Louis David to commemorate the bicentenary of the French Revolution. He taught at the Paris-Sorbonne University.
Jean-Baptiste Marie Pierre was a French painter, draughtsman and administrator.
Jean Alexis Achard (1807–1884) was a French painter.
This is a bibliography of the history of Lyon. The history of Lyon has been deeply studied by many historians who published hundreds of books on architecture, arts, religion, etc., in Lyon throughout centuries.
Nicolas-Henri Tardieu, called the "Tardieu the elder", was a prominent French engraver, known for his sensitive reproductions of Antoine Watteau's paintings. He was appointed graveur du roi to King Louis XV of France. His second wife, Marie-Anne Horthemels, came from a family that included engravers and painters. She is known as an engraver in her own right. Nicolas-Henri and Marie-Anne Tardieu had many descendants who were noted artists, most of them engravers.
Jacques-Nicolas Tardieu, called "Tardieu fils" or "Tardieu the younger", was a French engraver.
Claude Garache is a French artist. He has worked in painting, sculpture, illustration and engraving. His principal subject is the female nude. Much of his work uses a single colour on a monochrome background, very often blood-red on white.
The Master of Robert Gaguin was an anonymous painter, active in Paris around 1485–1500. He was so named by Nicole Reynaud after a manuscript of Robert Gaguin's translation of Julius Caesar's De Bello Gallico, offered by the translator to Charles VIII, king of France. He belongs to a circle of French artists, whose art follows the style of the Master François.
Alain Tallon is a French modernist historian, specialist of religious history.
Pierre Rabon was a French portrait painter, who was active during the reign of Louis XIV.
Nicolas de Poilly, also called Nicolas de Poilly the Younger, Nicolas de Poilly jeune, or Nicolas II de Poilly, was an academically trained French artist who won the Prix de Rome for painting in 1698. Despite an impressive start, he largely abandoned painting for drawing and became an engraver like his father, his uncle François de Poilly, and several others in the Poilly family.
Maurice Paul Jean Asselin was a French painter, watercolourist, printmaker, lithographer, engraver and illustrator, associated with the School of Paris. He is best known for still lifes and nudes. Other recurring themes in his work are motherhood, and the landscapes and seascapes of Brittany. He also worked as a book illustrator, particularly in the 1920s. His personal style was characterised by subdued colours, sensitive brushwork and a strong sense of composition and design.
The Death of Saint Bruno is a 1645-1648 oil on canvas painting by Eustache Lesueur, the last in a cycle of 22 paintings of episodes from the life of Bruno of Cologne produced for the walls of the minor cloister of the couvent des Chartreux in Paris and in 1776 offered to Louis XVI by the Couvent. It is now in the Louvre Museum.