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References
- ↑ Fernandes-Weiss, Ledice (2018). "Estudo do gesto instrumental sob o prisma da Labanotation: o exemplo da Tapping Technique em Percussion Study I para violão solo de Arthur Kampela". Capa. 24 (1): 199. doi: 10.20504/opus2018a2410 .
- ↑ Fernandes-Weiss, Ledice (2021). "Arthur Kampela and the Exoskeletons: the gesture and the guitarist". Er Musi. 40: 123. doi: 10.35699/2317-6377.2020.15077 . S2CID 237806030.
- ↑ Bortz, Grazie (2006). "Modulação micrométrica na música de Arthur Kampela". Per Musi, Bela Horizonte. 13: 85–99.
- ↑ Bortz, Grazie (2003). Rhythm in the music of Brian Ferneyhough, Michael Finnissy, and Arthur Kampela: A guide for performers (Thesis). City University of New York.
- ↑ Santos, Lucas Albuquerque Matias (2021). Rhythm in Arthur Kampela and Brian Ferneyhough (Thesis). UNIVERSIDADE ESTADUAL PAULISTA “JÚLIO DE MESQUITA FILHO” (UNESP) – INSTITUTO DE ARTES. hdl:11449/215656.
- ↑ Smetak Inventions: The Interfused Realms of Inventor, Sound Artist, and Musician Walter Smetak (1913-84). Wolke. 2019. ISBN 978-3-95593-094-3.
- ↑ "BBC programmes".
- ↑ "Berlin Kunstlerprogramm".
- ↑ "Smetak Inventions" (PDF).
- ↑ "An Arthur Kampela Playlist Frictions and utopian mixtures". VAN Magazine. 2017.
- ↑ Hornsby, Sarah (2015). The exploded flute of Arthur Kampela: An interpretative guide to Elastics II and Happy Days (Thesis). Campinas:Unicamp.
- ↑ Madrid, Alejandro (2015). "RENOVATION, RUPTURE, AND RESTORATION: The modernist musical experience in Latin America". In Lindgren, Allana; Ross, Stephen (eds.). The Modernist World. Routledge. p. 415. ISBN 9781315778334.
- ↑ "Dozens of renditions of Kampela's Percussion Etudes 1 for Guitar on YouTube".