Arti Dhand

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Arti Dhand
OccupationAssociate Professor, Department for the Study of Religion, University of Toronto, Ontario, Canada
EducationPh.D. (McGill), M.A. (Calgary), B.A. (Calgary)
Website
religion.utoronto.ca/people/faculty/arti-dhand/

Arti Dhand is an associate professor at the University of Toronto, Department for the Study of Religion. [1] She specialises in the Mahabharata and the Ramayana Hindu epics, Hindu ethics, gender issues in Hinduism, and religion and sexuality. [2]

Contents

Career

She has authored several publications including Woman as Fire, Woman as Sage: Sexual Ideology in the Mahabharata published in 2008 and numerous articles on topics such as "Engendering Brahmanirvanam in the Mahabharata: A Conversation between Suka and Sulabha," "Hinduism and Pedagogy: Teaching Hinduism to Hindus in the Canadian Diaspora," and "The Subversive Nature of Dharma in the Mahabharata: A Tale of Women, Smelly Ascetics, and God."

She was a key speaker at the 2005 conference of the London School of Oriental and African Studies. [3] The SOAS also commends her scholarly works in her chosen field of research. [4]

Education

Arti Dhand has a B.A. and M.A. from the University of Calgary, and a Ph.D. from McGill University.

Principal publications

See also

Related Research Articles

<span class="mw-page-title-main">Dharma</span> Key concept in Indian philosophy and Eastern religions, with multiple meanings

Dharma is a key concept in the Indian religions of Hinduism, Buddhism, Jainism and Sikhism. The term dharma is held as an untranslatable into English ; it is understood to refer to behaviours which are in harmony with the "order and custom" that sustains life; "virtue", righteousness or "religious and moral duties". The antonym of dharma is adharma.

Hinduism is an umbrella term for a range of Indian religious and spiritual traditions (sampradayas) that are unified by adherence to the concept of dharma, a cosmic order maintained by its followers through rituals and righteous living, as first expounded in the Vedas. The word Hindu is an exonym, and while Hinduism has been called the oldest religion in the world, it has also been described by the modern term Sanātana Dharma emphasizing its eternal nature. Another endonym for Hinduism is Vaidika Dharma.

<span class="mw-page-title-main">Yogi</span> Practitioner of Yoga

A yogi is a practitioner of Yoga, including a sannyasin or practitioner of meditation in Indian religions. The feminine form, sometimes used in English, is yogini.

<span class="mw-page-title-main">Hindu mythology</span>

Hindu mythology is the body of myths attributed to, and espoused by, the adherents of the Hindu religion, found in Hindu texts such as the Vedas, the itihasa the Puranas, and mythological stories specific to a particular ethnolinguistic group like the Tamil Periya Puranam and Divya Prabandham, and the Mangal Kavya of Bengal. Hindu myths are also found in widely translated popular texts such as the fables of the Panchatantra and the Hitopadesha, as well as in Southeast Asian texts.

<span class="mw-page-title-main">Agastya</span> Vedic sage

Agastya was a revered Indian sage of Hinduism. In the Indian tradition, he is a noted recluse and an influential scholar in diverse languages of the Indian subcontinent. He is regarded in some traditions to be a Chiranjivi. He and his wife Lopamudra are the celebrated authors of hymns 1.165 to 1.191 in the Sanskrit text Rigveda and other Vedic literature.

<span class="mw-page-title-main">Ahalya</span> Wife of the sage Gautama Maharishi in Hinduism

In Hinduism, Ahalya also spelt as Ahilya, is the wife of the sage Gautama Maharishi. Many Hindu scriptures describe her legend of seduction by the king of the gods Indra, her husband's curse for her infidelity, and her liberation from the curse by the god Rama.

Smṛti, also spelled smriti, smruti, is a body of Hindu texts representing the remembered, written tradition in Hinduism, rooted in or inspired by the Vedas. Smṛti works are generally attributed to a named author and were transmitted through manuscripts, in contrast to Vedic or śruti literature, which is based on a fixed text with no specific author, and preserved through oral transmission. Smṛti are derivative, secondary works and considered less authoritative than śruti in Hinduism, except in the Mīmāmsa school of Hindu philosophy. The authority of smṛti accepted by orthodox schools is derived from that of śruti, on which it is based.

Gṛhastha literally means "being in and occupied with home, family" or "householder". It refers to the second phase of an individual's life in a four age-based stages of the Hindu asrama system. It follows celibacy life stage, and embodies a married life, with the duties of maintaining a home, raising a family, educating one's children, and leading a family-centred and a dharmic social life.

Brahmacharya is a concept within Indian religions that literally means "conduct consistent with Brahman" or "on the path of Brahman". Brahmacharya, a discipline of controlling the senses, is seen as a way to liberation. Though sexual restraint is a part of brahmacharya, brahmacharya encompasses all striving toward a passionless state.

<span class="mw-page-title-main">Svayamvara</span> Practice in ancient India

Svayaṃvara is a matrimonial tradition in ancient Indian society where a bride, usually from Kṣatriya (warrior) caste, selects her husband from a group of assembled suitors either by her own choice or a public contest between her suitors. This practice is mainly featured in the two major Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, though its prevalence and portrayal vary significantly between them.

Hindu texts or Hindu scriptures are manuscripts and voluminous historical literature which are related to any of the diverse traditions within Hinduism. Some of the major Hindu texts include the Vedas, the Upanishads, and the Itihasa. Scholars hesitate in defining the term "Hindu scriptures" given the diverse nature of Hinduism, but many list the Agamas as Hindu scriptures, and Dominic Goodall includes Bhagavata Purana and Yajnavalkya Smriti in the list of Hindu scriptures as well.

Hindu texts present diverse views on the position of women, ranging from feminine leadership as the highest goddess, to limiting gender roles. The Devi Sukta hymn of Rigveda, a scripture of Hinduism, declares the feminine energy as the essence of the universe, the one who creates all matter and consciousness, the eternal and infinite, the metaphysical and empirical reality (Brahman), the soul, of everything. The woman is celebrated as the most powerful and the empowering force in some Hindu Upanishads, Sastras and Puranas, particularly the Devi Upanishad, Devi Mahatmya and Devi-Bhagavata Purana.

Purushartha literally means "object(ive) of men". It is a key concept in Hinduism, and refers to the four proper goals or aims of a human life. The four puruṣārthas are Dharma, Artha, Kama and Moksha.

The following list consists of notable concepts that are derived from Hindu culture and associated cultures’ traditions, which are expressed as words in Sanskrit or other Indic languages and Dravidian languages. The main purpose of this list is to disambiguate multiple spellings, to make note of spellings no longer in use for these concepts, to define the concept in one or two lines, to make it easy for one to find and pin down specific concepts, and to provide a guide to unique concepts of Hinduism all in one place.

<span class="mw-page-title-main">Lopamudra</span> Female Hindu sage

Lopamudra, also known as Kaveri, Kaushitaki and Varaprada, was a philosopher according to ancient Vedic Indian literature. She was the wife of the sage Agastya who is believed to have lived in the Rigveda period as many hymns have been attributed as her contribution to this Veda. She was not only the consort of Agastya but a Rishiki in her own right, as she was the well known Rishiki who visualized the "Hadi Panchadasi" mantra of the Srikul Shakta tradition of Hinduism. She was one of the prominent Brahmavadinis.

Shaucha literally means purity, cleanliness, and clearness. It refers to purity of mind, speech and body. Shaucha is one of the niyamas of Yoga. It is discussed in many ancient Indian texts such as the Mahabharata and Patanjali's Yoga Sutras. It is a virtue in Hinduism and Jainism. In Hinduism purity is a part of worship and an important quality for salvation. Purity is a mind pure and free of evil thoughts and behaviors.

<span class="mw-page-title-main">Hinduism and abortion</span>

Abortion in Hinduism, while generally considered reprehensible by traditional Hindu scriptures and the guiding precept of non-injury, can be interpreted equivocally within the vast spectrum of Hindu beliefs and texts and ultimately depends on individual context. The Mahanarayana Upanishad lists abortion with actions such as breaking one's vow of chastity. Some Hindu scriptures assert that "abortion is a worse sin than killing one's parents" and another text says that "a woman who aborts her child will lose her status". In general, Hinduism teaches the guiding principle of Ahimsa, abstention from causing harm or injury to all living beings, which serves as the root of the ethic of non-violence. However, in the modern context, individual decision-making may be guided by this precept of least harm as it relates to fetus, parents, and society.

<span class="mw-page-title-main">LGBTQ themes in Hindu mythology</span>

In Hindu mythology, there are deities or heroes whose attributes or behavior can be interpreted as lesbian, gay, bisexual, transgender, or queer (LGBTQ) or have elements of gender variance and non-heterosexual sexuality. Traditional Hindu literary sources do not speak of homosexuality directly, but changes of sex, homoerotic encounters, and intersex or third gender characters are often found both in traditional religious narratives such as the Vedas, Mahabharata, Ramayana and Puranas as well as in regional folklore.

Akrodha literally means "free from anger". It's an important virtue in Indian philosophy and Hindu ethics.

Ghritachi is a prominent apsara in Hindu mythology. She is known for her beauty and seduction of many men, both divine and human, and for becoming the mother of their children.

References

  1. "Dhand, Arti – Department for the Study of Religion". Archived from the original on 2020-02-25. Retrieved 2013-07-22.
  2. "Arti Dhand". Archived from the original on 2015-09-25. Retrieved 2013-07-22.
  3. "SOAS: Epic Constructions: Gender, Myth & Society in the Mahabharata International Conference 7-9 July 2005".
  4. "SOAS Search".