Aruna | |
---|---|
Major cult center | Ḫubešna, Tuwanuwa |
Personal information | |
Parents |
|
Children | Ḫatepuna |
Equivalents | |
Hurrian equivalent | Kiaše |
Aruna was the god of the sea in Hittite religion. His name is identical with the Hittite word for the sea, which could also refer to bodies of water, treated as numina rather than personified deities. His worship was not widespread, and most of the known attestations of it come exclusively from the southeast of Anatolia. He was celebrated in cities such as Ḫubešna and Tuwanuwa.
While most myths about the sea found in Hititte archives have Hurrian background, compositions involving Aruna are nonetheless known. The best known example is Telipinu and the Daughter of the Sea God, where he kidnaps the Sun god of Heaven, prompting Tarḫunna to send his son Telipinu to his abode. Out of fear Aruna offers him his daughter, possibly to be identified as the goddess Ḫatepuna, as a bride. Later he demands a bride price, which Telepinu's father agrees to pay. The composition of the myth is not preserved. Aruna and the sun god also appear together in the myth of Ḫaḫḫima , though here he tries to save the latter, rather than kidnap him.
Aruna was the Hittite sea god. [1] The word aruna means sea in Hittite, though according to Gernot Wilhelm it is possible that it was a loan from Hattic, as no plausible Indo-European etymology has been identified for it so far. [2] The view that it originates in a pre-Indo-European language is also considered plausible by Rostislav Oreshko. [3]
The sea and the deity representing it only had a marginal role in Hittite religion. [1] [4] Most of the available evidence comes from southeastern Anatolia or from Zalpa in the north. [5] While there is no direct evidence for a distinct cult of a sea deity in central Anatolia, Volkert Haas proposed such a tradition might have also existed in this area based on the discovery of literary texts involving Aruna which originated there. [6]
In addition to references to the personified sea deity, the worship of non-personified sea as a numen is also attested in Hittite sources. [7] [6] In the latter case, the name was written in cuneiform without the so-called "divine determinative" ( dingir ), a sign used to designate theonyms. [6] Known sources mention two distinct bodies of water in such a role, the "Great Sea", to be identified with the Mediterranean Sea, and the tarmana sea, possibly the Gulf of Iskenderun. [8] Iyaya, a spring goddess, played a role in rites pertaining to both of them. [8] Non-personified sea is also present among divine witnesses in Hittite treaties. [1] Most like the Mediterranean was meant in this case. [6]
In a ritual from the Middle Hittite period dedicated to the goddess Ḫuwaššanna, Aruna appears alongside Anna, Zarniza and Šarmamma. [6] Collectively they were referred to with the term ḫantezziuš DINGIRMEŠ, which according to Piotr Taracha designated them as primordial deities. [9] This group was worshiped in Ḫubešna (modern Ereğli). [10]
A festival involving Aruna, as well as Ḫudumana (or Ḫurdumana; otherwise unattested [11] ) and a deity designated by the logogram IŠTAR (Shaushka in Gary Beckman's translation [12] ), was celebrated in the city of Tuwanuwa, corresponding to later Tyana, located in the proximity of modern Bor. [13] He received offerings of offal during it. [14]
Queen Puduḫepa made a vow to the sea at Izziya (modern Kinet Hüyük), promising to deliver it sacrifices in exchange for delivering a certain Piyamaradu, presumed to be a warlord from western Anatolia. [15] No other similar votive texts dedicated to the sea are known. [16] The word is written in this text with a logogram, A.AB.BA, and without the divine determinative, but Ian Rutherford nonetheless presumes that a connection with the worship of Aruna in nearby Tuwanuwa is possible. [17] He suggests that Piyamardu might have originated in Ahhiyawa, and that perhaps the Hittites saw the god of the sea as possessing a unique connection to this land. [18] He also makes a tentative connection with the numerous attestations of Poseidon in Mycenean texts. [4]
A "ritual of the sea" (A-NA ZAG a-ru-na-aš; CTH 436) performed by kings after return from a military campaign was supposed to affirm the continuity of the borders of their domain and eliminate impurity. [19] Most likely, in this case the actual body of water is meant, rather than a personified deity. [20] A form of the Anatolian weather god associated with the sea, dU arunaš, appears in this text, but is otherwise scarcely attested. [21]
In most cases myths found in Hittite archives which feature the personified sea have foreign, specifically Hurrian, origin. [7] [1] One of such examples is the Song of the Sea. [22] Additionally, multiple such compositions portray the sea as an ally of Kumarbi. [6] Comparisons have been made between the portrayal of the sea god in them and Yam in Ugaritic texts. [7]
An exception from the aforementioned rule is the text CTH 322, which has Hittite origin. [1] It is referred to as Telipinu and the Daughter of the Sea God in modern publications. [22] In this composition, the sea, portrayed as a personified deity, kidnaps the Sun god of Heaven and hides him. [23] As a result, the world drowns in darkness, [24] which prompts Tarḫunna, the weather god, to send his firstborn son Telipinu to retrieve him. [23] His arrival apparently scares Aruna, who offers him his daughter as a bride. [25] } While not named in the myth, she is presumed to be one and the same as Telipinu's well attested spouse Ḫatepuna. [26] The myth states that she subsequently stayed with Telepinu, and that both of them came to live with his father. [23] Aruna apparently sent a messenger, possibly represented as a personified river, to demand a bride price from the storm god, prompting the latter to consult Ḫannaḫanna about the best course of action to take. [27] Ḫannaḫanna advises him to pay the expected bride price, and as a result in the final preserved section of the narrative the sea god receives a thousand cattle and a thousand sheep. [28] The tablet breaks off at this point, with the only other preserved line mentioning the brothers of an unspecified figure, though it is possible that the text KBo 26.128, a short fragment of a literary text in which Telipinu informs the sea god that he slept with his daughter, belongs to the same composition. [29]
Aruna also plays a role in the myth of Ḫaḫḫima ("frost"). [28] However, in this composition, the sun god is instead endangered by the aforementioned being instead, and the sea god tries to save him, as apparently he could be extinguished after falling down to earth otherwise. [30] Possibly he suggests that he hide his light in a sealed container, which is then hidden underwater. [31]
The text KUB 17 refers to the goddess Kamrušepa as the "mother of the sea". [32]
The sea could be connected to other adversaries of the gods, for example in the Illuyanka myth. [33] The eponymous monster is described as the "snake of the sea" (arunaš mušilluyanka). [34] Occasionally the sea was a metaphorical designation of distant locations or borders of the Hittite realm, as in the case of a ritual stating that the goddesses Istustaya and Papaya lived on its shores. [22] The sea was also believed to be the residence of three goddesses bearing the name Ammama, presumably related to the traditions of the city of Zalpa, [35] though their point of origin might have been the Mediterranean coast. [36]
Kušuḫ, also known under the name Umbu, was the Hurrian god of the moon. He is attested in cuneiform texts from many sites, from Hattusa in modern Turkey, through Ugarit, Alalakh, Mari and other locations in Syria, to Nuzi, located near modern Kirkuk in Iraq, but known sources do not indicate that he was associated with a single city. His name might be derived from the toponym Kuzina, possibly the Hurrian name of Harran, a city in Upper Mesopotamia, but both this etymology and identification of this sparsely attested place name remain uncertain. He was a popular, commonly worshiped god, and many theophoric names invoking him are known. In addition to serving as a divine representation of the moon, he was also associated with oaths, oracles and pregnancy. Some aspects of his character were likely influenced by his Mesopotamian counterpart Sin, while he in turn was an influence on the Ugaritic god Yarikh and Luwian Arma.
Kamrušepa was a Hittite and Luwian goddess of medicine and magic, analogous to Hattic and Palaic goddess Kataḫzipuri. She is best known as one of the deities involved in the Telepinu Myth, in which her actions were crucial to pacify the anger of the "missing" vegetation god.
Ḫannaḫanna was a Hittite mother goddess.
Hittite mythology and Hittite religion were the religious beliefs and practices of the Hittites, who created an empire centered in what is now Turkey from c. 1600–1180 BC.
Šauška (Shaushka), also called Šauša or Šawuška, was the highest ranked goddess in the Hurrian pantheon, associated with love and war, as well as with incantations and by extension with healing. While she was usually referred to as a goddess and with feminine titles, such as allai, references to masculine Shaushka are also known. The Hurrians associated her with Nineveh, but she was also worshiped in many other centers associated with this culture, from Anatolian cities in Kizzuwatna, through Alalakh and Ugarit in Syria, to Nuzi and Ulamme in northeastern Mesopotamia. She was also worshiped in southern Mesopotamia, where she was introduced alongside a number of other foreign deities in the Ur III period. In this area, she came to be associated with Ishtar. At a later point in time, growing Hurrian influence on Hittite culture resulted in the adoption of Shaushka into the Hittite state pantheon.
Ḫatepuna or Ḫatepinu was a Bronze Age Anatolian goddess of Hattian origin, also worshiped by Hittites and Kaška. She was regarded as the wife of Telipinu, and like him was likely an agricultural deity. In a different tradition, her husband was the male form of the grain deity Ḫalki. It is presumed that she can be identified with the anonymous "daughter of the sea" who appears in two Hittite myths.
The Hurrian religion was the polytheistic religion of the Hurrians, a Bronze Age people of the Near East who chiefly inhabited the north of the Fertile Crescent. While the oldest evidence goes back to the third millennium BCE, is best attested in cuneiform sources from the second millennium BCE written not only in the Hurrian language, but also Akkadian, Hittite and Ugaritic. It was shaped by the contacts between Hurrians and various cultures they coexisted with. As a result, the Hurrian pantheon included both natively Hurrian deities and those of foreign origin, adopted from Mesopotamian, Syrian, Anatolian and Elamite beliefs. The culture of the Hurrians were not entirely homogeneous, and different local religious traditions are documented in sources from Hurrian kingdoms such as Arrapha, Kizzuwatna and Mitanni, as well as from cities with sizeable Hurrian populations, such as Ugarit and Alalakh.
Arma was an Anatolian Moon god, worshipped by the Hittites and Luwians in the Bronze Age and early Iron Age.
Tarḫunna or Tarḫuna/i was the Hittite weather god. He was also referred to as the "Weather god of Heaven" or the "Lord of the Land of Hatti".
Maliya was a goddess worshiped by Hittites in the Bronze Age. She was most likely a deified river in origin, but she was also associated with gardens and with artisanship, specifically with leatherworking and carpentry. The oldest attestations of her have been identified in the Old Assyrian texts from Kanesh. This city continued to be associated with her in later tradition, though she was also worshiped in Hattusa and elsewhere in the Hittite Empire. She is also present in texts originating in Kizzuwatna, which indicate she had a temple in Kummanni, where she was worshiped alongside various Hurrian deities.
Anzili or Enzili was a Hittite goddess who was worshiped in Tamita and Zapišḫuna. Her name is sometimes written with the Sumerogram IŠTAR or the compound IŠTAR-li.
Šimige was the Hurrian sun god. Known sources do not associate him with any specific location, but he is attested in documents from various settlements inhabited by the Hurrians, from Kizzuwatnean cities in modern Turkey, through Ugarit, Alalakh and Mari in Syria, to Nuzi, in antiquity a part of the kingdom of Arrapha in northeastern Iraq. His character was to a large degree based on his Mesopotamian counterpart Shamash, though they were not identical. Šimige was in turn an influence on the Hittite Sun god of Heaven and Luwian Tiwaz.
Kiaše, also spelled Kiaže or Kiyaši was a Hurrian deity representing the sea. Sometimes in modern scholarship, he is simply referred to as "the Sea" or "the Sea God."
Allanzu, later known under the name Alasuwa, was a Hurrian goddess regarded as a daughter of Ḫepat. She was described as a youthful deity and in known texts often appears in association with her mother and siblings. She was also worshiped by Hittites and Luwians.
Ziparwa, originally known as Zaparwa, was the head of the pantheon of the Palaians, inhabitants of a region of northern Anatolia known as Pala in the Bronze Age. It is often assumed that he was a weather god in origin, though he was also associated with vegetation. Information about the worship of Ziparwa comes exclusively from Hittite texts, though some of them indicate that formulas in Palaic were used during festivals dedicated to him held in Hittite cities such as Hattusa.
Taru was a weather god worshiped in ancient Anatolia by Hattians. He was associated with the bull, and could be depicted in the form of this animal. It is presumed that the names of the Hittite and Luwian weather gods, Tarḫunna and Tarḫunz, while etymologically Indo-European, were meant to resemble Taru's as a result of Hattian cultural influence on other cultures of the region.
Tiyaz or Tiyad was the sun god of the Palaians, regarded as the third most important deity in their pantheon. He was also incorporated into Hittite religion. He appears in a ritual written in Palaic, though presumed to belong to a Hittite corpus, in which he is implored to anoint the king. After the fall of the Hittite Empire, he might have been worshiped by Phrygians.
Šulinkatte was a Hittite god of Hattian origin. He was regarded as a war deity. Additionally, he could fulfill the role of a protector of palaces and houses. In the local tradition of Nerik, he was regarded as the father of the weather god of Nerik. He first appears in texts dated to the fifteenth or fourteenth century BCE. His main cult center was the sparsely attested city Tamarmara, but he was also worshiped elsewhere in ancient Anatolia, for example in Hattusa and Nerik. Fragment of a Hattic song celebrating him is also known.
Iyaya was a Hittite and Luwian goddess. Her functions remain uncertain, though it has been suggested she was associated with water or more broadly with nature. She might have been associated with the god Šanta, though the available evidence is limited. Her main cult centers were Lapana and Tiura, though she was also worshiped in other cities.