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Numen (plural numina) is a Latin term for "divinity", "divine presence", or "divine will". The Latin authors defined it as follows: [1] Cicero writes of a "divine mind" (divina mens), a god "whose numen everything obeys", and a "divine power" (vis divina) "which pervades the lives of men". It causes the motions and cries of birds during augury. [2] In Virgil's recounting of the blinding of the one-eyed giant, Polyphemus, from the Odyssey , in his Aeneid , he has Odysseus and his men first "ask for the assistance of the great numina" (magna precati numina). [3] Reviewing public opinion of Augustus on the day of his funeral, the historian Tacitus reports that some thought "no honor was left to the gods" when he "established the cult of himself" (se ... coli vellet) "with temples and the effigies of numina" (effigie numinum). [4] Pliny the Younger in a letter to Paternus raves about the "power", the "dignity", and "the majesty"; in short, the "numen of history". [5] Lucretius uses the expression numen mentis, [6] or "bidding of the mind", [7] where "bidding" is numen, not, however, the divine numen, unless the mind is to be considered divine, but as simply human will. [1]
Since the early 20th century, numen has sometimes been treated in the history of religion as a pre-animistic phase; that is, a belief system inherited from an earlier time. Numen is also used by sociologists to refer to the idea of magical power residing in an object, particularly when writing about ideas in the western tradition. When used in this sense, numen is nearly synonymous with mana . However, some authors reserve use of mana for ideas about magic from Polynesia and Southeast Asia.
Etymologically, the word means "a nod of the head", here referring to a deity as it were "nodding", or making its will or its presence known. According to H. J. Rose:
The literal meaning is simply "a nod", or more accurately, for it is a passive formation, "that which is produced by nodding", just as flamen is "that which is produced by blowing", i.e., a gust of wind. It came to mean "the product or expression of power" — not, be it noted, power itself. [8]
Thus, numen (divinity) is not personified (although it can be a personal attribute) and should be distinguished from deus (god). [9]
Numen was also used in the imperial cult of ancient Rome, to refer to the guardian-spirit, 'godhead' or divine power of a living emperor—in other words, a means of worshiping a living emperor without literally calling him a god. [9]
The cult of Augustus was promoted by Tiberius, who dedicated the Ara Numinis Augusti. [10] In this context, a distinction can be made between the terms numen and genius . [11]
The expression Numen inest appears in Ovid's Fasti (III, 296) and has been translated as "There is a spirit here". [12] Its interpretation, and in particular the exact sense of numen has been discussed extensively in the literature. [13]
The supposition that a numinous presence in the natural world supposed in the earliest layers of Italic religion, as it were an "animistic" element left over in historical Roman religion and especially in the etymology of Latin theonyms, has often been popularly implied, but was criticised as "mostly a scholarly fiction" by McGeough (2004). [14]
The phrase "numen eris caeloque redux mirabere regna" appears on line 129 of the poem Metrum in Genesin, [15] attributed to Hilary of Arles. [16]
Animism is the belief that objects, places, and creatures all possess a distinct spiritual essence. Animism perceives all things—animals, plants, rocks, rivers, weather systems, human handiwork, and in some cases words—as being animated, having agency and free will. Animism is used in anthropology of religion as a term for the belief system of many Indigenous peoples in contrast to the relatively more recent development of organized religions. Animism is a metaphysical belief which focuses on the supernatural universe: specifically, on the concept of the immaterial soul.
Ares is the Greek god of war and courage. He is one of the Twelve Olympians, and the son of Zeus and Hera. The Greeks were ambivalent towards him. He embodies the physical valor necessary for success in war but can also personify sheer brutality and bloodlust, in contrast to his sister Athena, whose martial functions include military strategy and generalship. An association with Ares endows places, objects, and other deities with a savage, dangerous, or militarized quality.
An augur was a priest and official in the classical Roman world. His main role was the practice of augury, the interpretation of the will of the gods by studying events he observed within a predetermined sacred space (templum). The templum corresponded to the heavenly space above. The augur's decisions were based on what he personally saw or heard from within the templum; they included thunder, lightning and any accidental signs such as falling objects, but in particular, birdsigns; whether the birds he saw flew in groups or alone, what noises they made as they flew, the direction of flight, what kind of birds they were, how many there were, or how they fed. This practice was known as "taking the auspices". As circumstance did not always favour the convenient appearance of wild birds or weather phenomena, domesticated chickens kept for the purpose were sometimes released into the templum, where their behaviour, particularly how they fed, could be studied by the augur.
In ancient Roman religion and mythology, Liber, also known as Liber Pater, was a god of viticulture and wine, male fertility and freedom. He was a patron deity of Rome's plebeians and was part of their Aventine Triad. His festival of Liberalia became associated with free speech and the rights attached to coming of age. His cult and functions were increasingly associated with Romanised forms of the Greek Dionysus/Bacchus, whose mythology he came to share.
In Greek mythology, Chrysothemis or Khrysothemis is a name ascribed to several female characters in Greek mythology.
Aius Locutius, or Aius Loquens, was a Roman deity or numen associated with the Gallic invasions of Rome during the early 4th century BC.
In Roman religion, the genius is the individual instance of a general divine nature that is present in every individual person, place, or thing. Much like a guardian angel, the genius would follow each man from the hour of his birth until the day he died. For women, it was the Juno spirit that would accompany each of them.
Fauna is a Roman rustic goddess said in differing ancient sources to be the wife, sister, or daughter of Faunus. Varro regarded her as the female counterpart of Faunus, and said that the fauni all had prophetic powers. She is also called Fatua or Fenta Fauna.
Flora is a Roman goddess of flowers and spring. She was one of the twelve deities of traditional Roman religion who had their own flamen, the Floralis, one of the flamines minores. Her association with spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She is one of several fertility goddesses and a relatively minor figure in Roman mythology. Her Greek counterpart is Chloris.
In ancient Greek religion and myth, the Anemoi were wind gods who were each ascribed a cardinal direction from which their respective winds came, and were each associated with various seasons and weather conditions. They were the progeny of the goddess of the dawn Eos and her husband, the god of the dusk, Astraeus.
Tityos or Tityus was a giant from Greek mythology.
In ancient Roman religion and mythology, Mars is the god of war and also an agricultural guardian, a combination characteristic of early Rome. He is the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him, and in October, the months which traditionally began and ended the season for both military campaigning and farming.
In ancient Roman culture, the olla is a squat, rounded pot or jar. An olla would be used primarily to cook or store food, hence the word "olla" is still used in some Romance languages for either a cooking pot or a dish in the sense of cuisine. In the typology of ancient Roman pottery, the olla is a vessel distinguished by its rounded "belly", typically with no or small handles or at times with volutes at the lip, and made within a Roman sphere of influence; the term olla may also be used for Etruscan and Gallic examples, or Greek pottery found in an Italian setting.
Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of ancient Greek folklore, today absorbed alongside Roman mythology into the broader designation of classical mythology. These stories concern the ancient Greek religion's view of the origin and nature of the world; the lives and activities of deities, heroes, and mythological creatures; and the origins and significance of the ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself.
The Idea of the Holy: An Inquiry into the Non-Rational Factor in the Idea of the Divine and its Relation to the Rational is a book by the German theologian and philosopher Rudolf Otto, published in 1917. It argues that the defining element of the holy is the experience of a phenomenon which Otto calls the numinous. The book had a significant influence on religious studies in the 20th century.
Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans, and is a form of Roman folklore. "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and shares mythemes with Proto-Indo-European mythology.
Xian ling is the notion of a numinous, sacred (ling) presence of a god or gods in the Chinese traditional religion. The term can be variously translated as "divine efficacy", "divine virtue", or also "efficacious response"; these terms describe the manifestation and activity of the power of a god.
Numen is a Latin term for "divinity", "divine presence", or "divine will".
The Samnites were an ancient Italic people who lived in modern south-central Italy, placing them between the Latins to the north and the Greek settlements to the south. Consequently, the Samnites had anthropomorphic deities shared with both Rome and Greece, especially after their conquest of Campania at the end of the fourth century BCE. There is additional evidence that suggests the Samnites also believed in spirits called numina. Numina are believed to have been kinless, animistic spirits that could take human form to walk amongst the living. To the Samnites, having good relations with these spirits was of the utmost importance. To honor these deities, the Samnites would sacrifice either living things or make votive offerings.
Manth, latinized as Mantus, is an epithet of the Etruscan chthonic fire god Śuri as god of the underworld; this name was primarily used in the Po Valley, as described by Servius, but a dedication to the god manθ from the Archaic period was found in a sanctuary in Pontecagnano, Southern Italy. His name is thought to be the origin of Mantua, the birthplace of Virgil.