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Radha, also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is worshiped as the goddess of love, tenderness, compassion, and devotion. She is the avatar of goddess Lakshmi and is also described as the chief of the Gopis (milkmaids). During Krishna's youth, she appears as his lover and companion. Many traditions and scriptures accord Radha the status of the eternal consort and wife of Krishna. Radha, as a supreme goddess, is considered as the female counterpart and the internal potency of Krishna, who resides in Goloka, the celestial abode of Radha Krishna. Radha is said to accompany Krishna in all his incarnations.
The Gita Govinda is a work composed by the 12th-century Hindu poet, Jayadeva. It describes the relationship between Krishna, Radha and gopis of Vrindavan.
Jayadeva, also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem Gita Govinda which concentrates on Krishna's love with the gopi, Radha, in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism.
Vidyapati, also known by the sobriquet Maithil Kavi Kokil, was a Maithili and Sanskrit polymath-poet-saint, playwright, composer, biographer, philosopher, law-theorist, writer, courtier and royal priest. He was a devotee of Shiva, but also wrote love songs and devotional Vaishnava songs. He knew Sanskrit, Prakrit, Apabhramsha, and Maithili.
Om Jai Jagdish Hare is a Hindu religious song written by Pandit Shardha Ram Phillauri. It is dedicated to Supreme Lord Vishnu and is mostly sung in Vishnu temples. Although the religious hymn is a Hindi-language composition, it is widely sung by Sanatanis. The prayer is sung by the entire congregation at the time of Aarti, a form of Satya sanatan worship.
Radha-Krishna are collectively known within Hinduism as the combined forms of feminine as well as the masculine realities of God. Krishna and Radha are the primeval forms of God and his pleasure potency, respectively, in several Vaishnavite schools of thought.
Sri Narayana Teertha was a great saint, devotee of Lord Sri Krishna, the supreme lord, and sang many songs on him.
The birthplace of the great twelfth-century poet Jayadeva has been disputed, with the neighboring states of Odisha and West Bengal in eastern India staking a claim. This had led to a bitter feud between people on both sides that lasted for over a century. The issue is still debated by scholars.
The Satasai (Satsai) or Bihari Satsai is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. It contains Dohas, or couplets, on Bhakti (devotion), Neeti and Shringara (love).
Akshaya Mohanty, also known as Khoka Bhai, was an Indian singer, lyricist, composer, musician and writer in Odia. He has contributed Odia bhajans, Odissi songs, folk songs, film and non-film modern light songs in Odisha on contemporary themes and ballads based on popular legends in Odisha.
Odisha is one of the 28 states of India, located in the eastern coast. It is surrounded by the states of West Bengal to the north-east, Jharkhand to the north, Chhattisgarh to the west and north-west, Andhra Pradesh to the south and south-west. Odia is the official and most widely spoken language, spoken by 33.2 million according to the 2001 Census. The modern state of Odisha was established on 1 April 1936, as a province in British India, and consisted predominantly of Odia-speaking regions. April 1 is celebrated as Odisha Day.
Venkatamakhin or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his Chaturdandiprakashika in which he explicates the melakarta system of classifying ragas. Venkatamakhin composed geethams and prabandhas, as well as 24 ashtapadis in praise of Lord Thyagaraja of Tiruvarur.
Jayadeva was an 11th-century Sanskrit poet and lyricist from present-day India. The works of Jayadeva have had a profound influence on Indian culture. They form the basis of the east Indian classical dance form, Odissi as well as traditional classical music of the state, Odissi music and have strongly influenced the Bharatanatyam classical dance as well as Carnatic music. Jayadeva's composition has also been incorporated in the Guru Granth Sahib.
Borgeets are a collection of lyrical songs that are set to specific ragas but not necessarily to any tala. These songs, composed by Srimanta Sankardeva and Madhavdeva in the 15th-16th centuries, are used to begin prayer services in monasteries, e.g. Satra and Namghar associated with the Ekasarana Dharma; and they also belong to the repertoire of Music of Meghalaya outside the religious context. They are a lyrical strain that express the religious sentiments of the poets reacting to different situations, and differ from other lyrics associated with the Ekasarana Dharma. Similar songs composed by others are not generally considered borgeets.
Odissi music is a genre of classical music in India, originated from the eastern state of Odisha. The traditional ritual music for the service of Lord Jagannatha, Odissi music has a history spanning over two thousand years, authentic sangita-shastras or treatises, unique Ragas & Talas and a distinctive style of rendition.
'Suramani' PanditRaghunath Panigrahi was an Odissi music Guru, vocalist, composer and music director. He is most known for his renditions of Jayadeva's Gita Govinda and his vocal support for his wife, the Odissi danseuse Sanjukta Panigrahi. Raghunath belonged to a family associated with Odissi music for centuries, members of which were 19th-century Odissi poet-composer Sadhaka Kabi Gourahari Parichha and Gayaka Siromani Apanna Panigrahi who was the royal musician (raja-sangitagya) of Paralakhemundi. He started his musical training from his father Pt Neelamani Panigrahi, who had been collecting traditional Odissi melodies of the Gita Govinda from the Jagannatha Temple of Puri. Later, Raghunath continued learning Odissi music under Pt Narasingha Nandasarma and Pt Biswanatha Das. He was widely known as 'Gitagobinda Panigrahi'.
The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts - Natya Shastra. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayaka. As archetypal states of the romantic heroine, it has been used as theme in Indian painting, literature, sculpture as well as Indian classical dance and music.
The Radha Krsna Temple is a 1971 album of Hindu devotional songs recorded by the UK branch of the Hare Krishna movement – more formally, the International Society for Krishna Consciousness (ISKCON) – who received the artist credit of "Radha Krishna Temple (London)". The album was produced by George Harrison and released on the Beatles' Apple record label. It compiles two hit singles, "Hare Krishna Mantra" and "Govinda", with other Sanskrit-worded mantras and prayers that the Temple devotees recorded with Harrison from July 1969 onwards.
Jhulan Purnima or Jhulan Yatra is a Hindu festival and is dedicated to Hindu god Radha Krishna. It is celebrated in the month of Shraavana, which usually falls in the period of July-August. This festival is known for its spectacular display of decorated swings, songs and dance. It is a joyful festival which celebrates the amour of divine couple Radha and Krishna along with the romantic fervor of the rainy season in India.
AcharyaTarini Charan Patra was a renowned Odissi musician, Guru, singer, scholar, poet, composer & Binākara. One of the most eminent artistes of Odissi classical music in the 20th century, he was known for his vocal renditions & Bina recitals on gramophone records & over the All India Radio, as well as his pioneering efforts in institutionalizing the training of Odissi music by setting up one of the earliest music universities in erstwhile Odisha, the Gandhiji Sangita Kalamandira at Boirani, Ganjam that remained active from 1940 until Patra's demise in 1979.
References
- ↑ 'South Indian Music', Prof.Sambamoorthy
