Aso ebi

Last updated
Yoruba people in Aso Ebi (Nigeria) FUNERAL MRS. FAREMI.JPG
Yoruba people in Aso Ebi (Nigeria)
Yoruba Women in Aso ebi (Nigeria) Tenue Yoruba.JPG
Yoruba Women in Aso ebi (Nigeria)

Aso ebi (Yoruba), sometimes spelt as asoebi in Nigeria [1] [2] is a uniform dress or dressing code/style that is traditionally worn by the Yoruba People is an indicator of cooperation, camaraderie and solidarity during ceremonies, events and festive periods. [3] The purpose of wearing the dress can be to serve as self-identification with age mates, relatives or friends during social occasions or funerals.

Contents

Origins

The word aso in Yoruba means cloth and ebi denotes family, so aso ebi can be described as a family cloth usually worn during family ceremonies like weddings, funerals, naming ceremonies, birthdays etc. The practice has now spread beyond family dressing because well-wishers of a celebrant can wear the aso ebi. Aso ebi is also acculturized by other ethnic groups due to its popularity as well.

Ayodele Olukoju, a Nigerian economic historian, believes aso ebi became a novelty in 1920 during a period of post-World War I economic boom [3] triggered by the higher prices for products such as oil palm. William Bascom traced the origin to an earlier period when members of Yoruba age grade wore uniform dress to mark fraternal bonds. [4] [5] In the 1950s, members of women's organizations or egbes turned out to ceremonies and anniversaries of relatives in the same style of dress, sandals, lappa, smock, or necklace; the culture signifies close friendship. The uniform dressing can also be a measure of personal affluence because aso ebi involves rivalry between various egbes or groups with each group competing to outshine each other in terms of quality, originality and richness of the uniform. [6]

1960s and beyond

From the mid-1960s to the late 1970s, imported lace and george were incorporated into Nigerian fabrics and they became popular items used for aso ebi. Increased demand for handcrafted traditional dresses such as agbada led to a resurgence of tailors and fashion designers specializing in making native attires. The tailors strived to meet the increasing demand and designs of uniform dressing, sometimes with the aid of the fashion pages of magazines to make style choices. The rise of aso ebi also coincided with an intense market of fashion and lifestyle magazines in Lagos; tailors look at designs for inspiration and their patrons buy the magazines to see whether they or their friends are pictured in them. [7]

Aso ebi in recent times has become a city phenomenon that has spread to other West African cultures. [4] Dealers of imported and local textile materials have benefited from the boom in demand for uniform dressing. Some textile dealers offer consultation services and bulk rates for the choice and cost of the dress and fabrics. While the price of fabrics in sewing the traditional attire is affordable, the aso ebi practice is still sometimes used as an identification with affluence. Some wear expensive embroidery and extra layers of cloth, whereas others, who cannot afford a whole outfit, add only matching tops and head coverings. [4] Aso ebi has become an attire of class worn by celebrities and elites in recent times, especially Nigerian Nollywood stars. With fashion designers creatively making outfits for special occasions to meet the taste of their wealthy customers, aso ebi outfits have become a regular occurrence today.

Related Research Articles

<span class="mw-page-title-main">Skirt</span> Clothing worn from the waist or hips

A skirt is the lower part of a dress or a separate outer garment that covers a person from the waist downwards.

<span class="mw-page-title-main">Folk costume</span> Expression of identity through clothing, usually associated with a geographic area

A folk costume expresses a national identity through clothing or costume, which is usually associated with a specific region or period of time in history. It can also indicate social, marital, or religious status. If the costume is used to represent the culture or identity of a specific ethnic group, it is usually known as ethnic costume. Such costumes often come in two forms: one for everyday occasions, the other for traditional festivals and formal wear. The word "costume" in this context is sometimes considered pejorative due to the multiple senses of the word, and in such cases "clothing", "garments" or "regalia" can be substituted without offense.

<span class="mw-page-title-main">Clothing in Africa</span> Traditional clothing and fashion of Africa

African clothing is the traditional clothing worn by the people of Africa.

<span class="mw-page-title-main">Kebaya</span> Southeast Asian traditional clothing

A kebaya is an upper garment traditionally worn by women in Southeast Asia, notably in Brunei, Indonesia, Malaysia, Singapore, and Southern Thailand. It is also worn in parts of southern Philippines and Cambodia.

<span class="mw-page-title-main">Wrapper (clothing)</span> West African dress

The wrapper, lappa, or pagne is a colorful garment widely worn in West Africa by both men and women. It has formal and informal versions and varies from simple draped clothing to fully tailored ensembles. The formality of the wrapper depends on the fabric used to create or design it.

<span class="mw-page-title-main">African textiles</span> Textiles originating in and around continental Africa or through the African Diaspora

African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.

<span class="mw-page-title-main">Malaysian cultural outfits</span> Malaysian clothing

Pakaian is the term for clothing in Malaysia's national language. It is referring to things to wear such as shirts, pants, shoes etc. Since Malaysia is a multicultural nation: Malay, Chinese, Indian and hundreds of other indigenous groups of Malay Peninsula and Borneo, each has its own traditional and religious articles of clothing all of which are gender-specific and may be adapted to local influences and conditions. Previously, traditional clothes were worn daily. However, by excluding Baju Melayu, Baju Kurung many are now only worn on special occasions such as marriage ceremonies and cultural events.

<span class="mw-page-title-main">Fila (hat)</span> Traditional Yoruba hat

Aso oke hat, known as fila in the Yoruba language, is a soft hat traditionally worn by the Yoruba people of Western Africa. It is made of hand-woven aso oke fabric, cotton, velvet, or damask. They are usually lined with cotton, but can be unlined if crafted to be worn for a single event.

<span class="mw-page-title-main">Aso oke</span> A Yoruba handwoven fabric

Aso oke fabric, is a hand-woven cloth of Yoruba people. Usually woven by men and women, the fabric is used to make men's gowns, called agbada and hats, called fila, as well as Yoruba women's wrappers called Iro and a Yoruba women's blouse called Buba and a gown called Komole, as well as an head tie, called gele and so on.

<span class="mw-page-title-main">National costume of Indonesia</span> Indonesian clothing

The national costume of Indonesia is the national attire that represents the Republic of Indonesia. It is derived from Indonesian culture and Indonesian traditional textile traditions. Today the most widely recognized Indonesian national attires include batik and kebaya, although originally those attires mainly belong within the island of Java and Bali, most prominently within Javanese, Sundanese and Balinese culture. Since Java has been the political and population center of Indonesia, folk attire from the island has become elevated into national status.

<span class="mw-page-title-main">Traditional Thai clothing</span> National clothing of Thailand

Traditional Thai clothing refers to the traditional styles of dress worn by the Thai people. It can be worn by men, women, and children. Traditional clothing for Thai women usually consists of a pha nung or a chong kraben, a blouse, and a sabai. Northern and northeastern women may wear a sin instead of a pha nung and a chong kraben with either a blouse or a suea pat. Chut thai for men includes a chong kraben or pants, a Raj pattern shirt, with optional knee-length white socks and a sabai. Chut thai for northern Thai men is composed of a sado, a white Manchu-styled jacket, and sometimes a khian hua. In formal occasions, people may choose to wear a so-called formal Thai national costume.

<span class="mw-page-title-main">History of clothing in the Indian subcontinent</span>

History of clothing in the Indian subcontinent can be traced to the Indus Valley civilization or earlier. Indians have mainly worn clothing made up of locally grown cotton. India was one of the first places where cotton was cultivated and used even as early as 2500 BCE during the Harappan era. The remnants of the ancient Indian clothing can be found in the figurines discovered from the sites near the Indus Valley civilisation, the rock-cut sculptures, the cave paintings, and human art forms found in temples and monuments. These scriptures view the figures of human wearing clothes which can be wrapped around the body. Taking the instances of the sari to that of turban and the dhoti, the traditional Indian wears were mostly tied around the body in various ways.

<span class="mw-page-title-main">Boubou (clothing)</span> Flowing wide-sleeved robe in Africa

The boubou or grand boubou is a flowing wide-sleeved robe worn across West Africa, and to a lesser extent in North Africa, related to the dashiki suit.

Odo Ere, popularly called Ere Gajo, is the headquarters of Yagba West Local Government Area, Kogi State, Nigeria. The town is located in the old Kabba Province about 140 kilometres southeast of Ilorin. The people of Odo Ere share a common ancestry with the Yoruba people in South-West Nigeria and they are often referred to as Okun Yoruba people. The town is situated on a well-watered savannah plain consisting of dotted hills, forest and grassland. The topography earned the town the sobriquet: Ere Ọmọ Onilẹ Dun Rin, meaning "Odo Ere town with a beautiful flat terrain that enhances ease of movement".

<span class="mw-page-title-main">Fashion in Nigeria</span> Fashion in Nigeria

The fashion industry in Nigeria plays an important cultural role and contributes significantly to the country's economy. Clothing incorporates a variety of colours, fabrics, and embellishments. Many of the component cultures of Nigeria wear styles that are characteristic of their tribal society and customs. Nigeria produces fashionable textiles and finished garments and has designers who have achieved international recognition.

<span class="mw-page-title-main">Gele (head tie)</span> Traditional head tie native to Yoruba women

Gele is a traditional head tie native to Yoruba women of West Africa. The gele comes in specific shapes and designs. Gele is worn with other Yoruba women's outfits, like Iro ati buba, Komole and Asoebi.

<span class="mw-page-title-main">Agbada</span> Traditional robe worn by Yoruba men

Agbada is the flowing robe traditionally worn by the Yoruba people across West Africa. It comes with an inner cloth of varying lengths and it also comes with a pair of bottom wear in form of native trousers called Shokoto. It also is worn most times with different caps like fila or abeti aja. Traditional Yoruba beads are often worn with it. The agbada a male attire worn for special events and everyday life, depending on the extravagance of the garment. It is a distinct robe that comes in different styles and designs

<span class="mw-page-title-main">Yoruba clothing</span> Yoruba traditional clothing

Yoruba clothing are the traditional clothings worn by people of the Yoruba ethnic group in parts of Nigeria, Benin and Togo in a region called Yorubaland. The clothing reflects the rich culture, history and aesthetic preferences of the Yoruba people.

Owambe, also spelt as Owanbe, is a Yoruba term for extravagant parties in Nigeria, especially among the Yoruba people. The term "Owambe" is derived from the Yoruba expression "owan be," meaning the presence of a celebration or party. Owambe parties mark various occasions, including weddings, birthdays, anniversaries, funerals, housewarmings, graduations, and chieftaincy titles. They are known for their opulence, style, and abundance of food, music, dance, and money.

Aso Olona is a traditional Yoruba textile known for its intricate geometric patterns and cultural significance, particularly among the Ijebu subgroup. The term "Aso Olona" translates to "cloth with patterns" in the Yoruba language. Aso Olona is an handwoven fabrics that can come with motifs like the chameleon.

References

  1. "Special occasions in Sierra Leone are often marked by the wearing of "ashobie." Ashobie means "uniform" in Krio". 8 October 2021.
  2. "This Thing About 'Ashobies'". 8 October 2021.
  3. 1 2 Olukoju, A. (1992). "Maritime Trade in Lagos in the Aftermath of the First World War". African Economic History . 20: 119–135. doi:10.2307/3601633. JSTOR   3601633. S2CID   152774038.
  4. 1 2 3 Nwafor, O. (2011). "The spectacle of aso ebi in Lagos, 1990–2008". Postcolonial Studies. 14 (1): 45–62. doi:10.1080/13688790.2011.542114. S2CID   143039242.
  5. O.A. Ajani (2012). "Aso Ebi: The Dynamics of Fashion and Cultural Commodification in Nigeria" (PDF). The Journal of Pan African Studies. 5 (6): 108–18. Archived from the original (PDF) on December 29, 2017.
  6. Little, Kenneth. (1974). African Women in Towns: An Aspect of Africa's Social Revolution. Cambridge University Press. P. 142
  7. Yaakugh, Kumashe. "African Fashion: 9 Ladies Command Attention in Head-Turning Asoebi Styles". Legit Nigeria. Retrieved 26 October 2022.