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Associated Recording Studios, familiarly known as Associated, was based in the music district of New York City from 1946 to 1985, near the famous Brill Building. As New York's major independent recording studio for almost 40 years, Associated was used by all types of musicians, singers, songwriters, producers and publishers in New York's thriving music industry.
First located on Broadway, Associated moved a few blocks to a larger space in 1961 at 723 7th Avenue, near 48th Street, at the northern end of Times Square. Associated was owned and operated by Nathan “Nat” Schnapf and Paul Friedberger, who met while working as radar technicians at Western Electric during World War II.
As a major independent studio, Associated was available to anyone with a recording need. It was used by talent from the entire range of New York's music industry: opera, jazz, broadway, pop, blues, and even country. Beyond pure entertainment, the studio recorded political ads, advertising jingles, comedy albums – just about anything; including a rare field recording of a speech by Albert Einstein.
With the ascendency of Rock and Roll in the 1950s and 1960s, Associated's staple business became making “demo” records for up and coming singers and bands, and for New York's large community of songwriters, publishers and producers seeking to strike it rich with a hit song. Much of the material covered by the artists of the 1950s and 1960s was written by the many great songwriters of the day. These songwriters acted independently of the major record labels, often working for one of the large number of publishing companies inhabiting the Brill Building and surrounding area. Taking the idea for a song, the writers/publishers/producers would come to Associated to cut a demo, often adapting and improvising along the way, which would then be used to try to entice a known artist to cover the song. In most instances, once an act's success was established it would sign with a record label and typically, would thereafter use the label's private studio. Accordingly, making recordings for established artists was only a small portion Associated's business. Nonetheless, many major “hits” where recorded there. Some by up and coming artists who went on to long, successful careers; others by “one hit wonders.” Associated was never involved in mass production of records or tapes. In most cases the end product of a recording session was a session tape and a record made using a lathe to cut a groove on a lacquer-covered aluminum disk.
In addition to providing the recording space and equipment, Associated provided engineers and, if requested, hired studio musicians, many of which were enormously talented. It maintained a large assortment of standard and exotic instruments – from penny whistles to Hammond organs, and its engineers were always willing to experiment with new recording techniques to get that new sound many artists were looking for.
The 1970s and 1980s brought major changes to the recording industry which impacted Associated business. During this time, recording technology was changing and developing quickly, and more and more recording artists began writing their own material, cutting the role of independent songwriters. Ultimately, these factors led the Associated's owners to shut down as they neared retirement age.
A record producer is a music recording project's overall supervisor whose responsibilities can involve a range of creative and technical leadership roles. Typically the job involves hands-on oversight of recording sessions: ensuring artists deliver acceptable performances, supervising the technical engineering of the recording, and coordinating the production team and process. The producer's involvement in a musical project can vary in depth and scope. Sometimes in popular genres the producer may create the recording's entire sound and structure. However, in classical music recording, for example, the producer serves as more of a liaison between the conductor and the engineering team. The role is often likened to that of a film director though there are important differences. It is distinct from the role of an executive producer, who is mostly involved in the recording project on an administrative level, and from the audio engineer who operates the recording technology.
Atlantic Recording Corporation is an American record label founded in October 1947 by Ahmet Ertegun and Herb Abramson. Over the course of two decades, starting from the release of its first recordings in January 1948, Atlantic earned a reputation as one of the most important American labels, specializing in jazz, R&B, and soul by Aretha Franklin, Ray Charles, Wilson Pickett, Sam and Dave, Ruth Brown and Otis Redding. Its position was greatly improved by its distribution deal with Stax. In 1967, Atlantic became a wholly owned subsidiary of Warner Bros.-Seven Arts, now the Warner Music Group, and expanded into rock and pop music with releases by Crosby, Stills, Nash & Young, Led Zeppelin, and Yes.
A songwriter is a musician who professionally composes musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed among a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers.
A record label, or record company, or simply records, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information.
Columbia Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese conglomerate Sony. It was founded on January 15, 1889, evolving from the American Graphophone Company, the successor to the Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels: Epic Records, and former longtime rivals, RCA Records and Arista Records as the latter two were originally owned by BMG before its 2008 relaunch after Sony's acquisition alongside other BMG labels.
Wilson Pickett was an American singer and songwriter.
Robert George "Joe" Meek was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation.
The Brill Building is an office building at 1619 Broadway on 49th Street in the New York City borough of Manhattan, just north of Times Square and further uptown from the historic musical Tin Pan Alley neighborhood. It was built in 1931 as the Alan E. Lefcourt Building, after the son of its builder Abraham E. Lefcourt, and designed by Victor Bark Jr. The building is 11 stories high and has approximately 175,000 square feet (16,300 m2) of rentable area.
Artists and repertoire or A&R is the division of a record label or music publishing company that is responsible for scouting and overseeing the artistic development of recording artists and songwriters. It also acts as a liaison between artists and the record label or publishing company. Every activity involving artists to the point of album release is generally considered under the purview and responsibility of A&R.
A demo is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists.
The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts.
Mark Kramer known professionally as Kramer, is a musician, composer, record producer and founder of the New York City record label Shimmy-Disc. He was a full-time member of the bands New York Gong, Shockabilly, Bongwater and Dogbowl & Kramer, has played on tour with bands such as Butthole Surfers, B.A.L.L., Ween, Half Japanese and The Fugs, and has also performed regularly with John Zorn and other improvising musicians of New York City's so-called "downtown scene" of the 1980s.
Festival Records was an Australian recording and publishing company founded in Sydney, Australia, in 1952 and operated until 2005.
Eleanor Louise Greenwich was an American pop music singer, songwriter, and record producer. She wrote or co-wrote "Da Doo Ron Ron", "Be My Baby", "Maybe I Know", "Then He Kissed Me", "Do Wah Diddy Diddy", "Christmas ", "Hanky Panky", "Chapel of Love", "Leader of the Pack", and "River Deep – Mountain High", among others.
Les Fradkin is an American MIDI guitarist, keyboardist, songwriter, composer, and record producer. He is best known for being a member of the original cast of the hit Broadway show Beatlemania. In addition to playing MIDI guitar, he plays 12 string guitar, the Starr Labs Ztar, guitar synthesizer, SynthAxe, Hammond organ, Mellotron, piano, bass guitar, and Moog synthesizer.
Andre' Nathaniel Deyo, better known by his stage name mrDEYO, is an American R&B singer and hit songwriter best known for his songwriting abilities and arrangements on "Jenny From The Block" for Jennifer Lopez and subsequently writing the book "Jenny & Becky From The Block" after the release of "Becky From The Block" by Becky G, which she covered as her first single as a solo artist. He has been signed to a publishing deal with Sony/ATV Music Publishing since 2002.
Albert "Al" Nevins was an American musician, producer, arranger, guitarist and violinist. He was also a member of pop trio The Three Suns, and is considered one of the major forces behind the evolution of the 1950s music into the early 1960s pop/rock music.
Arthur Marcus "Artie" Ripp is an American music industry executive and record producer.
Mark David Bright is an American country music producer, songwriter, and publishing company executive based in Nashville. His peers call Bright "one of the architects of the modern contemporary country sound". Bright's most noted success in producing records has been with the country acts BlackHawk, Rascal Flatts, and Carrie Underwood, but he has produced recordings for many artists including Reba McEntire, Sara Evans, Scotty McCreery, Lonestar, Peter Cetera, Brad Paisley, Luke Bryan, and Keith Urban
Bell Sound Studios was an independent recording studio in New York City from 1950 to 1976. At its height, the studio was the largest independent recording studio in the United States, and the site of recording sessions that produced seminal hits by Frankie Lymon & the Teenagers, the McGuire Sisters, the Flamingos, Dion and the Belmonts, Paul Anka, Frankie Avalon, the Drifters and Ben E. King, the Four Seasons, Lesley Gore, the Dixie Cups, the Everly Brothers, Buddy Holly, and Kiss.
See, for example, David Simons, Studio Stories, Backbeat Books, San Francisco, 2004; Ken Emerson, Always Magic in the Air – the Bomp and Brilliance of the Brill Building Era, 2005, Viking Press.
I Was a Teen-age Idol? by Paul Evans http://www.paulevans.com/recollec.htm