At Carnegie Hall | ||||
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Studio album by | ||||
Released | April 1, 1966 | |||
Studio | RCA Studio A (Nashville, Tennessee) | |||
Genre | Country | |||
Length | 36:15(original) 38:46 (reissue) | |||
Label | Little Darlin' Records | |||
Producer | Aubrey Mayhew | |||
Johnny Paycheck chronology | ||||
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Singles from At Carnegie Hall | ||||
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Reissue cover | ||||
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At Carnegie Hall is the debut studio album by American country music artist Johnny Paycheck. The album was released on April 1,1966,via Little Darlin' Records. It was produced by Aubrey Mayhew.
Despite the album's title,At Carnegie Hall is a studio album that features the material played in a recent concert he had performed in New York City at Carnegie Hall. [1]
Prior to launching his solo career,Paycheck worked as a bass player and harmony vocalist for artists like George Jones and Ray Price. In 1966,Paycheck signed with Little Darlin' Records,a small label founded by producer Aubrey Mayhew,who would become instrumental in shaping Paycheck's early sound. [2]
At Carnegie Hall marked Paycheck's full-length debut and introduced audiences to the fierce,emotionally raw performances that would characterize his tenure with the label. The title,though misleading,was part of an artistic conceit that elevated the material's dramatic intensity. [2]
Though billed as a concert album,At Carnegie Hall is a studio recording with no live audience. [2] Its sound typifies the stripped-down,emotionally heightened style of 1960s hard country—marked by simple chord changes,strong melodies,and narrative lyrics. [2] The album is especially notable for its prominent pedal steel guitar,played by Lloyd Green,which is mixed nearly as loud as the vocals. [2] This bold mix choice was driven by Mayhew,who recognized Green's expressive power and gave the instrument a dramatic presence rarely heard in commercial country music of the time. [2]
Paycheck's vocal delivery on the album is described as heartfelt and virtuosic,with looming sense of danger underlying many of the lyrics. [2] His clean-cut appearance contrasted with the gritty,often R-rated lyrical content,which explored betrayal,regret,and violence. [2]
The album's songs feature dark and twisted storytelling,drawing comparisons to the narrative style of the Coen brothers. [2]
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Though relatively obscure upon release,At Carnegie Hall became a cult favorite among country traditionalists and collectors. [2] The album's stark realism,powerful vocals,and innovative instrumentation have earned its posthumous praise as one the most underrated country debuts of the 1960s. [2]
Track lengths from the original release in 1966,the album was reissued and featured slightly different track lengths.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "King of the Road" | Roger Miller | 2:05 |
2. | "Bayou Bum" |
| 2:36 |
3. | "Not What I Had in Mind" | Jack Clement | 2:40 |
4. | "Pride Covered Ears" | Larry Kingston | 2:42 |
5. | "He's in a Hurry" | Joe Poovey | 2:21 |
6. | "Something He'll Have to Learn" |
| 2:40 |
7. | "My Last Night in Town" | Red Simpson | 2:20 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Ballad of the Green Berets" | 3:30 | |
2. | "Yes She's Gone" | Joan Moskatel | 2:40 |
3. | "Wherever You Are" |
| 2:45 |
4. | "Handcuffed to Love" | Hope Harlow | 2:20 |
5. | "Ballad of Frisco Bay" |
| 2:40 |
6. | "Big Town Baby" | Paul Angel | 2:00 |
7. | "Understanding Makes Love" | Bob Leftridge | 2:40 |
Total length: | 29:17 |
Paycheck is a co-writer credited as Donny Young on "Bayou Bum," "Something He'll Have to Learn," "Wherever You Are," and "Ballad of Frisco Bay."
Chart (1966) | Peak position |
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US Top Country Albums ( Billboard ) | 22 |