Sally Mann HonFRPS is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Richard Avedon was an American fashion and portrait photographer. He worked for Harper's Bazaar, Vogue and Elle specializing in capturing movement in still pictures of fashion, theater and dance. An obituary published in The New York Times said that "his fashion and portrait photographs helped define America's image of style, beauty and culture for the last half-century".
Harry Morey Callahan was an American photographer and educator. He taught at both the Institute of Design in Chicago and the Rhode Island School of Design.
Peter Hujar was an American photographer best known for his black-and-white portraits. Hujar's work received only marginal public recognition during his lifetime, but he has since been recognized as a major American photographer of the late-20th century.
Aaron Siskind was an American photographer whose work focuses on the details of things, presented as flat surfaces to create a new image independent of the original subject. He was closely involved with, if not a part of, the abstract expressionist movement, and was close friends with painters Franz Kline, Mark Rothko, and Willem de Kooning.
Tina Barney is an American photographer best known for her large-scale, color portraits of her family and close friends in New York and New England. She is a member of the Lehman family.
Alexey Vyacheslavovich Brodovitch was a Russian-American photographer, designer and instructor who is most famous for his art direction of fashion magazine Harper's Bazaar from 1934 to 1958.
Lorna Simpson is an American photographer and multimedia artist whose works have been exhibited both nationally and internationally. In 1990, she became the first African-American woman to exhibit at the Venice Biennale. She came to prominence in the 1980s and 1990s with photo-text installations such as Guarded Conditions and Square Deal that questioned the nature of identity, gender, race, history and representation. Simpson continues to explore these themes in relation to memory and history using photography, film, video, painting, drawing, audio, and sculpture.
What Remains is a 2003 photography book by Sally Mann. The book is published by Bullfinch Press and contains 132 images on the subject of death, including photographs of decomposing bodies. The book lent its name to the 2005 film about Sally Mann, What Remains: The Life and Work of Sally Mann, in which Mann can be seen at the University of Tennessee's anthropological facility, taking photos for the book of corpses which had specifically been left outside for scientific study of human decomposition. Mann opened her exhibition for the book at the Corcoran College of Art and Design in 2004. The exhibition was divided into five sections that "visually depict[ed] the eternal cycle of life, death, and regeneration."
Jim Goldberg is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Nude photography is the creation of any photograph which contains an image of a nude or semi-nude person, or an image suggestive of nudity. Nude photography is undertaken for a variety of purposes, including educational uses, commercial applications and artistic creations. The exhibition or publication of nude photographs may be controversial, more so in some cultures or countries than in others, and especially if the subject is a minor.
Robert Heinecken was an American artist who referred to himself as a "paraphotographer" because he so often made photographic images without a camera.
Immediate Family is a 1992 photography book by Sally Mann. Images from the book were first exhibited in 1990 by Edwynn Houk Gallery in New York City. The book is published by Aperture and contains 65 duotone images. The book predominately features Mann's three children, Emmett, Jessie and Virginia, when all were under 10 years old. Thirteen of the pictures show nudity and three show minor injuries; Emmett with a nosebleed, Jessie with a cut and stitches, and Jessie with a swollen eye from an insect bite. Many explore typical childhood activities at the family's remote summer cabin along the Maury River but others touch on darker themes such as insecurity, loneliness, injury, sexuality and death. Several images from the book were re-published in Mann's next book, Still Time.
Fine art nude photography is a genre of fine-art photography which depicts the nude human body with an emphasis on form, composition, emotional content, and other aesthetic qualities. The nude has been a prominent subject of photography since its invention, and played an important role in establishing photography as a fine art medium. The distinction between fine art photography and other subgenres is not absolute, but there are certain defining characteristics.
Eileen Cowin is a Los Angeles–based artist known for photography, video and mixed-media installations that draw on the language of mass media and art history and explore the relationship between narrative, fiction and non-fiction, memory and experience. Associated with the 1970s Los Angeles experimental photography scene and the Pictures Generation artists, her work combines familiar human situations and carefully chosen gestures, expressions and props to create enigmatic images whose implied, open-ended stories viewers must complete. Cowin has exhibited in more than forty solo shows in the United States and abroad, including at the Los Angeles County Museum of Art (LACMA), Museum of Contemporary Photography, Armory Center for the Arts and Contemporary Arts Center. Her work is included in more than forty institutional collections, including LACMA, the J. Paul Getty Museum, Brooklyn Museum, Art Institute of Chicago, San Francisco Museum of Modern Art (SFMOMA), and Smithsonian American Art Museum. She has been recognized with awards and commissions from the National Endowment for the Arts, LACMA, the City of Los Angeles (COLA), Public Art Fund, and the Sundance and USA film festivals. New York Times critic Andy Grundberg wrote that her multi-image work "sets up a tension between the familiar and the mysterious, creating a climate of implied danger, sexual intrigue and violence" in which clues abound to intimate various narratives. Jody Zellen observed that Cowin "manipulates the conventions of photography, film, and video to tell a different kind of story—one that explores where truth and fiction merge, yet presents no conclusions. Cowin's work provokes."
Sherry Millner is an American artist working primarily in video. She has also worked in photography and installation art.
Jill Freedman was an American documentary photographer and street photographer. She was based in New York City.
Ellen Carey is an American artist known for conceptual photography exploring non-traditional approaches involving process, exposure, and paper. Her work has ranged from painted and multiple-exposure, Polaroid 20 x 24, Neo-Geo self-portraits beginning in the late 1970s to cameraless, abstract photograms and minimal Polaroid images from the 1990s onward, which critics often compare to color-field painting. Carey's sixty one-person exhibitions have been presented at museums, such as the Amon Carter Museum of American Art, International Center of Photography (ICP) and Wadsworth Atheneum Museum of Art, alternative spaces such as Hallwalls and Real Art Ways, and many commercial galleries. Her work is in numerous museum collections, including those of the Metropolitan Museum of Art, Whitney Museum of American Art, Los Angeles County Museum of Art, Centre Pompidou, and Smithsonian American Art Museum. In 2019, she was named one of the Royal Photographic Society (London) "Hundred Heroines", recognizing leading women photographers worldwide. Los Angeles Times critic Leah Ollman describes her photography as "inventive, physically involving, process-oriented work" and her recent photograms as "performative sculptures enacted in the gestational space of the darkroom" whose pure hues, shadows and color shifts deliver "optical buzz and conceptual bang". New York Times critic William Zimmer wrote that her work "aspires to be nothing less than a reinvention, or at least a reconsideration, of the roots or the essence of photography." In addition to her art career, Carey has also been a longtime educator at the Hartford Art School and a writer and researcher on the history of photography.
Anne Turyn is an American photographer. Her work is included in the collections of the Whitney Museum of American Art, the Metropolitan Museum of Art and the Museum of Modern Art, New York. She is also an adjunct professor at the Pratt Institute in Brooklyn, New York.
Mary E. Frey is an American photographer and educator who lives in western Massachusetts. Her staged scenes of mundane middle-class life, using family, friends and strangers, which appear to be documentary at first sight, are intended to address "the nature of the documentary image in contemporary culture."
