Australian Film Development Corporation

Last updated

The Australian Film Development Corporation was an organisation created and funded by the Australian Government in the 1970s, intended to allow filmmakers in the Australian film industry to create movies for everyone to see. In 1975 it was replaced with Australian Film Commission.

Contents

History

Creation of the Corporation

The AFDC was created so that Australians could create and distribute high-quality Australian films, [1] for everyone to see. [2]

In 1970, the Prime Minister of Australia asked five people to become a part of the AFDC. Those people were John Darling, Ronald S. Elliott, Talbot S. Duckmanton, Denys E. Brown, and Barry Jones. John Darling IV was the chairman of Darling & Co., as well as a member of the Australian National University Council. Ronald S. Elliott was a General Manager for the Commonwealth Development Bank. T. S. Duckmanton the General Manager of the Australian Broadcasting Commission. D. E. Brown was the Producer-in-Chief for the Film Division of the Australian News and Information Bureau, as well as a member of the Australian National Film Board. Barry Jones was a lecturer in history, a member of the Australian Council for the Arts, and a governor of the Australian Film Institute. [1] The AFDC was brought to the Australian House of Representatives in March 1970. The House of Representatives did not hesitate to pass the Corp, which had bipartisan support. [3]

Tom Stacey was the manager of the corporation. [2]

AFDC Replacement: Australian Film Commission

In 1975, the Australian Film Development was replaced by the Australian Film Commission. [4] [5] This was partly due to the fact that the Australian film industry is a fast-paced environment, which endures change quite often. [6] Another reason was that the Australian Film Commission made a point of focusing on cultural and artistic excellence, rather than economic success. With the change to the Australian Film Commission, directors were given more funding in order to create better quality films for the public. [4]

Films funded

Among the films in which the AFDC invested were: [7]

Related Research Articles

<span class="mw-page-title-main">Special Broadcasting Service</span> Australian public radio and TV network

The Special Broadcasting Service (SBS) is an Australian hybrid-funded public service broadcaster. About 80 percent of funding for the company is derived from the Australian Government. SBS operates six TV channels and seven radio networks.

<span class="mw-page-title-main">Australian Broadcasting Authority</span>

The Australian Broadcasting Authority was an Australian government agency whose main roles were to regulate broadcasting, radio communications and telecommunications. The Authority took over the functions of the Australian Broadcasting Tribunal on 5 October 1992 as stipulated in the Broadcasting Services Act 1992.

<span class="mw-page-title-main">National Library of Australia</span> National reference library in Canberra, Australia

The National Library of Australia (NLA), formerly the Commonwealth National Library and Commonwealth Parliament Library, is the largest reference library in Australia, responsible under the terms of the National Library Act 1960 for "maintaining and developing a national collection of library material, including a comprehensive collection of library material relating to Australia and the Australian people", thus functioning as a national library. It is located in Parkes, Canberra, ACT.

Sir Harry Talbot Gibbs, was Chief Justice of the High Court of Australia from 1981 to 1987 after serving as a member of the High Court between 1970 and 1981. He was known as one of Australia's leading federalist judges although he presided over the High Court when decisions such as Koowarta v Bjelke-Petersen in 1982 and Commonwealth v Tasmania expanded the powers of the Commonwealth at the expense of the states. Gibbs dissented from the majority verdict in both cases. On 3 August 2012, the Supreme Court of Queensland Library opened the Sir Harry Gibbs Legal Heritage Centre. It is the only legal heritage museum of its kind in Queensland and features a permanent exhibition dedicated to the life and legacy of Sir Harry Gibbs.

Humphrey Dennis McQueen is an Australian public intellectual. Over the course of his career he has written histories, biographies and cultural criticism. McQueen was the pivotal figure in the development of the Australian New Left. His most iconic work, A New Britannia, gained notoriety for challenging the dominant approach to Australian history developed by the Old Left. He has written books on history, the media, politics and the visual arts. Although McQueen began his career as an academic at the Australian National University under Manning Clark, most of his career has been as an independent scholar.

The Clayton Cup is a trophy that was awarded by the Country Rugby League to the NSW country rugby league team with the best overall record for that season. To be eligible, the team must win the highest level of competition in its region. Usually the winner of the Clayton Cup goes through the season undefeated. In late 2019, the Country Rugby League was absorbed by the New South Wales Rugby League.

<span class="mw-page-title-main">Australian Film Commission</span>

The Australian Film Commission (AFC) was an Australian government agency was founded in 1975 with a mandate to promote the creation and distribution of films in Australia as well as to preserve the country's film history. It also had a production arm responsible for production and commissioning of films for the government. It was superseded by Screen Australia from 1 July 2008.

The Australian Broadcasting Control Board was an Australian government agency formed in 1949 whose main roles were to regulate commercial radio and television broadcasting. It was also the introducer and regulator for FM broadcasting.

The Aboriginal Land Rights Commission, also known as the Woodward Royal Commission, was a Royal Commission that existed from 1973 to 1974 with the purpose to inquire into appropriate ways to recognise Aboriginal land rights in the Northern Territory of Australia. The Commission was chaired by Justice Edward Woodward, who was appointed to the role by Gough Whitlam. It was not long after the 1971 defeat of the Yolngu claimants in the Northern Territory Supreme Court, in Milirrpum v Nabalco Pty Ltd, in the first Aboriginal land rights case in Australia.

Serpent in the Rainbow is an Australian mini series which first screened on the ABC in 1973. It was set in the late 19th century.

The Department of the Media was an Australian government department that existed between December 1972 and December 1975.

The Man Who Shot the Albatross is a play by Ray Lawler about the Rum Rebellion, first performed in 1971. A 1972 television film featured the stage cast.

David Wheatcroft Cory was a member of the Queensland Legislative Assembly.

Seven Little Australians was a 10-part TV series that aired on ABC Television in 1973. The mini-series was based on Ethel Turner's best-selling novel, Seven Little Australians.

<i>Bradley v Commonwealth</i> Judgement of the High Court of Australia

Bradley v Commonwealth, also referred to as the Rhodesian Information Centre case, is a 1973 High Court of Australia case. It was brought by Denzil Bradley against Australia following the Postmaster-General of Australia cutting off telephones and postal service to the Rhodesian Information Centre that he operated. The court ruled on a 3–2 majority that the Postmaster-General lacked the power to arbitrarily stop providing services.

Jutta Feddersen was a German-born Australian fibre artist, sculptor, lecturer.

Devlin is a 1971 Australian television play. It was made as the pilot for a series but aired as a stand-alone television play.

The Resistible Rise of Arturo Ui is a 1972 Australian television play based on the stage play by Bertolt Brecht.

References

  1. 1 2 Gorton, John. "Australian Film Development Corporation". No. 84, The Australian Government, 1970
  2. 1 2 David Stratton, The Last New Wave: The Australian Film Revival, Angus & Robertson, 1980 p14
  3. “Australian Screen.” Curator's Notes Samson and Delilah (2009) on ASO - Australia's Audio and Visual Heritage Online, 2018, ASO - 1970s.
  4. 1 2 Goldsmith, Ben. "Australia's film industry owes a debt to Gough Whitlam". The Conversation. Retrieved 2 December 2018.
  5. Australian Film Development Corporation Act 1970 accessed 2 Oct 2012
  6. Alony, Irit, et al. "Sharing tacit knowledge: a case study in the Australian film industry." Informing Science: the International Journal of an Emerging Transdiscipline, vol. 10, 2007, p. S41+. Academic OneFile, http://link.galegroup.com/apps/doc/A199195043/AONE
  7. “Ozmovies - Australian Film and Television Database.” Ozmovies, www.ozmovies.com.au/
  8. 1 2 Australian Film Development Corporation., "Film Finance Applications", v. ; 25 cm., Annual report, Parliamentary paper (Australia. Parliament), Canberra: Acting Commonwealth Government Printer (1970/1971, PP no. 271 of 1971), nla.obj-2057316591, retrieved 27 June 2023 via Trove
  9. Australian Film Development Corporation., "Statistics FEATURE FILMS PRODUCED WITH FINANCIAL ASSISTANCE FROM THE CORPORATION TELEVISION FILMS PRODUCED WITH FINANCIAL ASSISTANCE FROM THE CORPORATION", v. ; 25 cm., Annual report, Parliamentary paper (Australia. Parliament), Canberra: Acting Commonwealth Government Printer (1971/1972, PP no. 19 of 1973), nla.obj-1102651047, retrieved 27 June 2023 via Trove
  10. Australian Film Development Corporation., Annual report, v. ; 25 cm., Parliamentary paper (Australia. Parliament), Canberra: Acting Commonwealth Government Printer, nla.obj-843194105, retrieved 27 June 2023 via Trove
  11. Australian Film Development Corporation., "Script Development or Pre- Production", v. ; 25 cm., Annual report, Parliamentary paper (Australia. Parliament), Canberra: Acting Commonwealth Government Printer (1973/1974, PP no. 170 of 1974), nla.obj-1102555559, retrieved 28 June 2023 via Trove