Avarice and Lust | |
---|---|
French: La luxure et l'avarice | |
Artist | Auguste Rodin |
Year | 1885 |
Type | sculpture |
Medium | Bronze |
Location | Museo Nacional de Bellas Artes, Buenos Aires |
Avarice and Lust is a sculpture by French artist Auguste Rodin, conceived between 1885 and 1887, representing two of the seven capital sins and is part of his sculptural group The Gates of Hell , [1] where it can be found in the lower part of the right door. [2] It's possible that the name was inspired by Victor Hugo's poem Après une lecture du Dante: [1]
Et la luxure immonde, et l'avarice infâme, | And filthy lust, and shameful greed: |
—Victor Hugo, from Les Voix intérieures | —James Johnson |
The piece is made of several parts: the torso of a falling man, whose extremely long arms encircle a woman who is partially covering her face, while he is reaching for some coins. He represents greed. His body is made up with the torso from The Falling Man , with the arms in a different position, a new head and hair. [2] Lust is represented with the female figure offering her body, based on an 1888 drawing by Rodin, titled Skeleton embracing a woman. [5]
François Auguste René Rodin was a French sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.
The Thinker is a bronze sculpture by Auguste Rodin, usually placed on a stone pedestal. The work depicts a nude male figure of heroic size sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand. The pose is one of deep thought and contemplation, and the statue is often used as an image to represent philosophy.
The Musée Rodin of Paris, France, is an art museum that was opened in 1919, primarily dedicated to the works of the French sculptor Auguste Rodin. It has two sites: the Hôtel Biron and surrounding grounds in central Paris, as well as just outside Paris at Rodin's old home, the Villa des Brillants at Meudon, Hauts-de-Seine. The collection includes 6,600 sculptures, 8,000 drawings, 8,000 old photographs and 7,000 objets d'art. The museum receives 700,000 visitors annually.
The Kiss is an 1882 marble sculpture by the French sculptor Auguste Rodin.
The Gates of Hell is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
Après une lecture du Dante: Fantasia quasi Sonata is a piano sonata in one movement, written by Hungarian composer Franz Liszt in 1849. It was first published in 1856 as part of the second volume of his Années de pèlerinage. This work of program music was inspired by the reading of Victor Hugo's poem “Après une lecture de Dante” (1836).
The Martyr or The Little Martyr is a c.1885 plaster sculpture of a naked dead or sleeping female figure by Auguste Rodin, now in the Musee Rodin.
Cybele is a sculpture by French artist Auguste Rodin. It is one of the first of Rodin's partial figures known as "fragments" to be displayed as sculpture in its own right, rather than an incomplete study.
Eternal Springtime is a c. 1884 sculpture by the French artist Auguste Rodin, depicting a pair of lovers. It was created at the same time as The Gates of Hell and originally intended to be part of it. One of its rare 19th-century original casts belongs to the permanent collection of Calouste Gulbenkian Museum.
The Falling Man is a sculpture by French artist Auguste Rodin modeled in 1882 and is part of Rodin's emblematic group The Gates of Hell.
I Am Beautiful, also known as The Abduction, is a sculpture of 1882 by the French artist Auguste Rodin, inspired in a fragment from Charles Baudelaire's collection of poems Les Fleurs du mal.
Fugitive Love is a sculpture by Auguste Rodin made between 1886 and 1887, both sculpted in marble and cast in bronze. It represents a man and a woman embracing each other on top of a rock. More specifically, the author was inspired by the story of Francesca da Rimini's love affair with Paolo Malatesta, an allusion to Dante Alighieri's depiction of lust on the second circle of Hell in his Inferno.
Ugolino and his sons is a plaster sculpture by French artist Auguste Rodin, part of the sculptural group known as The Gates of Hell. As an independent piece, it was exhibited by its author in Brussels (1887), Edinburgh (1893), Genoa (1896), Florence (1897), Netherlands (1899) and in his own retrospective in 1900.
Standing Mercury is a bronze sculpture by French artist Auguste Rodin, first exhibited in 1888. Rodin depicts the mythological god Mercury, son of Maia and Jupiter—messenger of the gods and guide to the Underworld—as a young man, representing eloquence and reason. This depiction is opposite to the traditional representation of Hermes, its Greek counterpart, as a mature man.
The Kneeling Man is a work originally conceived in 1888 by the French artist Auguste Rodin for his The Gates of Hell project.
Despair or Despair at the Gate is a sculpture by Auguste Rodin that he conceived and developed from the early 1880s to c. 1890 as part of his The Gates of Hell project. The figure belongs to a company of damned souls found in the nine circles of Hell described by Dante in The Divine Comedy. Other title variations are Shade Holding her Foot, Woman Holding Her Foot, and Desperation. There are numerous versions of this work executed as both plaster and bronze casts and carved marble and limestone.
Meditation or The Interior Voice is an 1886 sculpture by Auguste Rodin, showing a young woman resting her head on her right shoulder.
Torso of Adele is an 1878-1884 sculpture by the French artist Auguste Rodin, originally modelled in plaster before being worked in terracotta.
Iris, Messenger of the Gods is a bronze sculpture by Auguste Rodin. A plaster model, created between 1891 and 1894, was cast in bronze by Fonderie Rudier at various times from about 1895. Iris is depicted with her right hand clasping her right foot and her naked body posed provocatively with her legs spread wide, displaying her genitalia.