Jean de Fiennes

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Jean de Fiennes
53 Jean de Fiennes.jpg
Artist Auguste Rodin
Year1885-1886
MediumBronze cast

Jean de Fiennes is a sculpture by the French artist Auguste Rodin, first produced between 1885 and 1886. A bronze cast of it is now in the Museo Soumaya in Mexico City.

Contents

Burghers of Calais

It is an individual nude modello for his group The Burghers of Calais , showing Jean de Vienne, captain of Calais and the youngest of the burghers who surrendered to protect the citizens of Calais. However, de Fiennes' name was only assigned to one of the burghers long after the historical event in 1346.

Versions

Rodin made individual modellos of the figures to study the proportions of the figure and how each would emote aspects of the heroic. In one version of the modello for de Fiennes, Rodin he showed the figure's arms tense and fists clenched, while in another he showed his hands open and his arms by his sides. [1]

A second modello has a nude torso with arms extended and palms upwards; from his forearms a shirt is held – a shirt which covers his lower body and his legs. His face is in profile facing left. [2]

A third study shows him with no arms, totally covered by a robe from shoulders to feet, with more hair on his head and with more detail in the facial features. [3] In the final group the figure is clothed but has his arms extended as in the first nude modello. However, overall the figure of de Fiennes in the final group is the one with the most changes from the initial modello.

Third study Rodin - Study for armless Jean de Fiennes CAC 1992.146 2.JPG
Third study
Modello used in final group Jean de Fiennes, Draped LACMA M.90.205.jpg
Modello used in final group


See also

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References

  1. "Nude study for Jean de Fiennes". National Gallery of Australia. Retrieved 2016-12-16.
  2. Recent acquisitions: A Selection, 1985-1986. New York: The Metropolitan Museum of Art. 1986. p. 25. ISBN   0870994786.
  3. Benedek, Nelly Silagy (2000). Auguste Rodin: The Burghers of Calais: A Resource for Teachers. New York: The Metropolitan Museum of Art. pp. 11-23. ISBN   0870999486.