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| Eve | |
|---|---|
 The Museo Soumaya version | |
| Artist | Auguste Rodin |
| Medium | white marble |
Eve is a nude sculpture by the French artist Auguste Rodin. [1] It shows Eve despairing after the Fall.
In 1880 Rodin was commissioned to produce The Gates of Hell , for which he exhibited Adam at the 1881 Paris Salon. In a sketch for Gates Rodin showed a central silhouette possibly intended as Eve (both the sketch and Gates are now in the Musée Rodin), but in October 1881 he decided to produce Eve as a pair for Adam, with the two sculptures flanking a huge high-relief bas-relief. This would be the first free-standing female sculpture he had produced since the destruction of his Bacchante in an accident between 1864 and 1870.
He began Eve in 1881, later abandoning his intended colossal version of it when he realised his model, probably Adèle Abruzzesi, was pregnant. [2] [3] It was first exhibited to the public at the 1899 Paris Salon. It shows a strong influence from Michelangelo, picked up by Rodin in Italy in 1876.
He also produced an autograph white marble version in 1884 (now in the Museo Soumaya in Mexico City), a version in patinated plaster and a much-reproduced 71 cm high bronze version in 1883 (known as the Petite Ève or Little Eve, whose original is also in the Musée Rodin in Paris). He also reused the same figure of Eve in his marble Eve and the Serpent (1901) and his plaster Adam and Eve (1884).
François Auguste René Rodin was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as The Thinker, Monument to Balzac, The Kiss, The Burghers of Calais, and The Gates of Hell.
The Thinker is a bronze sculpture by Auguste Rodin, usually placed on a stone pedestal. The work depicts a nude male figure of heroic size sitting on a rock. He is seen leaning over, his right elbow placed on his left thigh, holding the weight of his chin on the back of his right hand. The pose is one of deep thought and contemplation, and the statue is often used as an image to represent philosophy.
Hippolyte Alexandre Julien Moulin, sometimes given as Julien-Hippolyte Moulin or Hypolite Moulin, (1832–1884) was a 19th-century French sculptor.
The Musée Rodin in Paris, France, is an art museum that was opened in 1919, primarily dedicated to the works of the French sculptor Auguste Rodin. It has two sites: the Hôtel Biron and surrounding grounds in central Paris, as well as just outside Paris at Rodin's old home, the Villa des Brillants at Meudon, Hauts-de-Seine. The collection includes 6,600 sculptures, 8,000 drawings, 8,000 old photographs and 7,000 objets d'art. The museum receives 700,000 visitors annually.
Louis-Ernest Barrias was a French sculptor of the Beaux-Arts school. In 1865 Barrias won the Prix de Rome for study at the French Academy in Rome.
The Kiss is an 1882 marble sculpture by the French sculptor Auguste Rodin.
The Gates of Hell is a monumental bronze sculptural group work by French artist Auguste Rodin that depicts a scene from the Inferno, the first section of Dante Alighieri's Divine Comedy. It stands at 6 metres high, 4 metres wide and 1 metre deep (19.7×13.1×3.3 ft) and contains 180 figures.
Jean-Baptiste Auguste Clésinger was a 19th-century French sculptor and painter.
The Mature Age, also named Destiny, The Path of Life or Fatality (1894–1900) is a sculpture by French artist Camille Claudel. The work was commissioned by the French government in 1895, but the commission was cancelled in 1899 before a bronze was cast. A plaster version of the sculpture was exhibited in 1899, and then cast in bronze privately in 1902. A second private bronze casting was made in 1913, and it is thought that the plaster version was destroyed at that time.
The Martyr or The Little Martyr is a c.1885 plaster sculpture of a naked dead or sleeping female figure by Auguste Rodin, now in the Musee Rodin.
Onésime-Aristide Croisy was a French sculptor. He is known for his dramatic bronze military statues, but perhaps best known for his marble Le Nid, showing two children asleep in an armchair.
Cybele is a sculpture by French artist Auguste Rodin. It is one of the first of Rodin's partial figures known as "fragments" to be displayed as sculpture in its own right, rather than an incomplete study.
Jean Barnabé Amy was a French sculptor who mainly specialized in bas relief. He was close to members of the Félibrige, a society that promoted Provençal culture, and often made statues, busts or reliefs of members of this society.
The Bust of Victor Hugo is an 1883 patinated plaster sculpture by the French artist Auguste Rodin of the Romantic writer Victor Hugo. It is now in the Museo Soumaya in Mexico City.
The Three Shades is a sculptural group produced in plaster by Auguste Rodin in 1886 for his The Gates of Hell. He made several individual studies for the Shades before finally deciding to put them together as three identical figures gathered around a central point. The heads hang low so that the neck and shoulders form an almost-horizontal plane. They were to be placed above the gates looking down on the viewer.
Adam is an 1880-1881 statue of Adam by Auguste Rodin, first exhibited at the Paris Salon that year entitled The Creation of Man.
The Waltz or The Waltzers is a sculpture by French artist Camille Claudel. It depicts two figures, a man and a woman, locked in an amorous embrace as they dance a waltz. The work was inspired by Claudel's burgeoning love affair with her mentor and employer Auguste Rodin. Various versions were made from 1889 to 1905, initially modelled in plaster, and later cast in bronze. Examples are held by the Musée Rodin and the Musée Camille Claudel.
Sakuntala, also known as Sakountala or Çacountala, is a sculpture by the French artist Camille Claudel, made in several versions in different media from 1886, with a marble version completed in 1905, and bronze castings made from 1905. The sculpture depicts a young couple, with a kneeling man embracing a woman leaning towards him. It was named after the play Shakuntala by the 4th-5th century Indian poet Kālidāsa, and is inspired by the moment when the title character Shakuntala is reunited with her husband Dushyanta after a long separation.
Frédéric Brou was a self-taught French painter and sculptor.
Media related to Eve by Auguste Rodin at Wikimedia Commons
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