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BANK was an artists' group active in London during the 1990s. Simon Bedwell and David Burrows were involved with it.[ citation needed ]
BANK also published a satirical magazine delivering tabloid-style critiques of the art world. Headlines included, "AD MAN YOU’RE A BAD MAN," and, "GALLERIES 'ALL OWNED BY RICH PEOPLE' SHOCK." [1] Other "frankly adolescent" headlines were "ARSE COUNCIL", "SIMON PATTERSON - ONE IDEA, EIGHT YEARS", "CARRY ON CURATING", "PIPPA-LOTTA-RIST-ACTION" and "SAM-TAYLOR WOULD-NOT" [2]
Julian Stallabrass said BANK’s activity was "the parodic creation of corporate identity at the centre of which (as their name suggests) is a noisy and constant reference to that matter of which the art world usually whispers: money." [3] They had, according to Matthew Collings, a "surly, self-destructive, self-conscious, introspective attitude - combined...with critical intelligence and a flair for spotting weaknesses in the art system". [4]
Contemporary art is a term used to describe the art of today, generally referring to art produced from the 1970s onwards. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality.
Dame Tracey Karima Emin is an English artist known for autobiographical and confessional artwork. She produces work in a variety of media including drawing, painting, sculpture, film, photography, neon text and sewn appliqué. Once the "enfant terrible" of the Young British Artists in the 1980s, Tracey Emin is now a Royal Academician.
Keith Tyson is an English artist. In 2002, he was the winner of the Turner Prize. Tyson works in a wide range of media, including painting, drawing and installation. His artistic philosophy rejects the notion of a fixed self or a singular artistic style.
Fortean Times is a British monthly magazine devoted to the anomalous phenomena popularised by Charles Fort. Previously published by John Brown Publishing, I Feel Good Publishing, Dennis Publishing, and Exponent (2021), as of December 2021 it is published by Diamond Publishing, part of Metropolis International.
Jeffrey Wall, OC, RSA is a Canadian photographer. He is artist best known for his large-scale back-lit Cibachrome photographs and art history writing. Early in his career, he helped define the Vancouver School and he has published essays on the work of his colleagues and fellow Vancouverites Rodney Graham, Ken Lum, and Ian Wallace. His photographic tableaux often take Vancouver's mixture of natural beauty, urban decay, and postmodern and industrial featurelessness as their backdrop.
Matthew Barney is an American contemporary artist and film director who works in the fields of sculpture, film, photography and drawing. His works explore connections among geography, biology, geology and mythology as well as notable themes of sex, intercourse, and conflict. His early pieces were sculptural installations combined with performance and video. Between 1994 and 2002, he created The Cremaster Cycle, a series of five films described by Jonathan Jones in The Guardian as "one of the most imaginative and brilliant achievements in the history of avant-garde cinema." He is also known for his projects Drawing Restraint 9 (2005), River of Fundament (2014) and Redoubt (2018).
Richard Billingham is an English photographer and artist, film maker and art teacher. His work has mostly concerned his family, the place he grew up in the West Midlands, but also landscapes elsewhere.
Mary Ellen Mark was an American photographer known for her photojournalism, documentary photography, portraiture, and advertising photography. She photographed people who were "away from mainstream society and toward its more interesting, often troubled fringes".
Daniel Graham was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show. His early magazine-based art predates, but is often associated with, conceptual art. His later work focused on cultural phenomena by incorporating photography, video, performance art, glass and mirror installation art structures, and closed-circuit television. He lived and worked in New York City.
Sensation was an exhibition of the collection of contemporary art owned by Charles Saatchi, including many works by Young British Artists (YBAs), which first took place 18 September – 28 December 1997 at the Royal Academy of Arts in London. The exhibition later toured to the Hamburger Bahnhof in Berlin and the Brooklyn Museum in New York City. A proposed showing at the National Gallery of Australia was cancelled when the gallery's director decided the exhibition was "too close to the market."
Matthew Collings is a British art critic, writer, broadcaster, and artist. He is married to Emma Biggs, with whom he collaborates on art works.
Simon Clark is a horror novelist from Doncaster, England. He is the author of the novel The Night of the Triffids, the novella Humpty's Bones, and the short story Goblin City Lights, which have all won awards.
Decima Gallery is a London-based arts projects organisation with a reputation for irreverent projects. It is owned and managed by David West, Alex Chappel, Larry McGinity and Mark Reeves.
John Ronald Craigie Aitchison CBE RSA RA was a Scottish painter. He was best known for his many paintings of the Crucifixion, one of which hangs behind the altar in the chapter house of Liverpool Cathedral, Italian landscapes, and portraits. His simple style with bright, childlike colours defied description, and was compared to the Scottish Colourists, primitivists or naive artists, although Brian Sewell dismissed him as "a painter of too considered trifles".
Julian Stallabrass is a British art historian, art critic, photographer and curator. He was educated at Leighton Park School and New College, Oxford University where he studied PPE. He obtained an MA and PhD in Art History from the Courtauld Institute of Art. While he has broad theoretical interests, he has been influenced by Marxism, particularly influenced by the work of the Frankfurt School. He has written extensively on modern and contemporary art, photography and the history of twentieth-century British art.
Jason Evans is a Welsh photographer and lecturer on photography. His best known work is Strictly, a series of portraits of young black men dressed as "country gents" made in collaboration with stylist Simon Foxton, and which were acquired for the permanent collection of the Tate Gallery, in 2004.
Myra is a 1995 large painting created by Marcus Harvey which is a reproduction of the mugshot of Myra Hindley shortly after she was arrested for her participation in the Moors murders. It was displayed at the Sensation exhibition of Young British Artists at the Royal Academy of Art in London from 8 September to 28 December 1997.
Susan Bright is a British writer and curator of photography, specializing in how photography is made, disseminated and interpreted. She has curated exhibitions internationally at institutions including: Tate Britain, National Portrait Gallery in London and the Museum of Contemporary Photography in Chicago amongst others.
Mute is a British online magazine that covers a wide spectrum of subjects related to cyberculture, artistic practice, left-wing politics, urban regeneration, biopolitics, direct democracy, net art, the commons, horizontality and UK arts.
Brighton Photo Biennial (BPB), now known as Photoworks Festival, is a month-long festival of photography in Brighton, England, produced by Photoworks. The festival began in 2003 and is often held in October. It plays host to curated exhibitions across the city of Brighton and Hove in gallery and public spaces. Previous editions have been curated by Jeremy Millar (2003), Gilane Tawadros (2006), Julian Stallabrass (2008), Martin Parr (2010) and Photoworks (2012). Brighton Photo Biennial announced its merger with Photoworks in 2006 and in 2020 its name was changed to Photoworks Festival.